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Bergman and provided
The name was derived from a Dr. Bergman, who provided the land and requested that it be named after her daughter.

Bergman and him
" Years later, after Bergman had taken up with Italian director Roberto Rossellini, and bore him a child, Bogart confronted her.
Initially, Henry Bergman played the bully-ish head waiter, but Chaplin eventually replaced him with Eric Campbell.
Nevertheless, he did not offend everyone: he treated Ingrid Bergman with courtesy on the set of Casablanca, while Claude Rains credited him with teaching him the difference between film and theater acting, or, " what not to do in front of a camera ".
Andrei Tarkovsky held Bresson in very high regard, noting him and Ingmar Bergman as his two favourite filmmakers, stating " I am only interested in the views of two people: one is called Bresson and one called Bergman ".
Bergman is referred to Wigand, and calls him at his home, only to be steadfastly rebuffed.
Curious with Wigand ’ s refusal to even speak to him, Bergman eventually convinces him to meet at the Seelbach Hotel in Louisville.
The next night, Wigand and Bergman have dinner together, where Bergman asks Wigand about incidents from his past that Big Tobacco might use against him.
Bergman assures him they will.
The trio express an interest in Bergman ’ s idea and tell him to have Wigand call them.
Upon returning home, Wigand discovers that Bergman has given him some security personnel.
Bergman releases his findings to the Wall Street Journal reporter and tells him to push the deadline.
Wigand screams at Bergman, accusing him of manipulating him into his position.
Bergman talks to Wallace and he tells him that despite their finally airing the piece, he is still quitting, saying, " What got broken here doesn ’ t go back together again.
In 1961, Perkins received considerable critical acclaim for his performance in the film Goodbye Again, opposite Ingrid Bergman, a performance which won him the Best Actor Award at the 1961 Cannes Film Festival.
As it was written in a program note that accompanied the movie's premier " It is a modern poem presented with medieval material that has been very freely handled ... The script in particular — embodies a mid-twentieth century existentialist angst .... Still, to be fair to Bergman, one must allow him his artistic license, and the script's modernisms may be justified as giving the movie's medieval theme a compelling and urgent contemporary relevance ... Yet the film succeeds to a large degree because it is set in the Middle Ages, a time that can seem both very remote and very immediate to us living in the modern world .... Ultimately The Seventh Seal should be judged as a historical film by how well it combines the medieval and the modern.
Bergman grew up in a home infused with an intense Christianity, his father being a charismatic rector ( this may have explained Bergman's childhood infatuation with Hitler which later deeply tormented him ).
When the film won the Special Jury Prize at the 1957 Cannes Film Festival, the attention generated by it ( along with the previous year's Smiles of a Summer Night ) made Bergman and his stars Max von Sydow and Bibi Andersson well-known to the European film community, and the critics and readers of Cahiers du Cinéma, among others, discovered him with this movie.
At the tribute dinner, Ingrid Bergman presented him with the prop key to the wine cellar that was the single most notable prop in Notorious.
A few years later he gave it to Bergman, saying that it had given him luck and hoped it would do the same for her.
His realistic films, with a lyrical photography in which nature is prominent, have placed him in the first rank of modern Swedish film directors along with Ingmar Bergman and Bo Widerberg.

Bergman and with
For The Pawnshop he recruited the actor Henry Bergman, who was to work with Chaplin for 30 years.
In 1965 he received a joint Erasmus Prize with film director Ingmar Bergman and in 1971 he was made a Commander of the national order of the Legion of Honor by the French Minister of Culture Jacques Duhamel at the Cannes Film Festival.
In 1956, Sullivan flew to Europe and was able to film an interview with Ingrid Bergman, Yul Brynner, and Helen Hayes on the set of the film Anastasia.
More successful were A Woman's Face ( 1941 ) with Joan Crawford and Gaslight ( 1944 ) with Ingrid Bergman and Charles Boyer.
The characters that he played onscreen during this period ranged from a serial killer in Hitchcock's Shadow of a Doubt ( 1943, opposite Teresa Wright ) to an eager police detective in Gaslight ( 1944, with Ingrid Bergman, Charles Boyer, and Angela Lansbury in her film debut ).
She continued to act in the theatre for most of her career, and became noted for her portrayal of Nora in Henrik Ibsen's A Doll's House, but became wider known once she started to work with eminent Swedish film director Ingmar Bergman.
She co-starred often with Swedish actor and fellow Bergman collaborator, Erland Josephson, with whom she made the 1973 Swedish television drama, Scenes from a Marriage, which was also edited to feature-film length and distributed theatrically.
* The 1963 Ingmar Bergman film The Silence ( or Tystnaden ) features a boy, Johan, who plays with Punch and Judy dolls.
Moreover, his dramas were repeatedly staged in the most important theatres in the whole world by the prominent directors such as Jorge Lavelli, Alf Sjöberg, Ingmar Bergman along with Jerzy Jarocki and Jerzy Grzegorzewski in Poland.
In Europe, Art Cinema gains wider distribution and sees movements like la Nouvelle Vague ( The French New Wave ) featuring French filmmakers such as Roger Vadim, François Truffaut, Alain Resnais, and Jean-Luc Godard ; Cinéma Vérité documentary movement in Canada, France and the United States ; Swedish filmmaker Ingmar Bergman, Chilean filmmaker Alexandro Jodorowsky and Polish filmmakers Roman Polanski and Wojciech Jerzy Has produced original and offbeat masterpieces and the high-point of Italian filmmaking with Michelangelo Antonioni and Federico Fellini making some of their most known films during this period.
In 1955, Swedish director Ingmar Bergman earned a Jury Prize at the Cannes Film Festival with Smiles of a Summer Night and followed the film with masterpieces The Seventh Seal and Wild Strawberries.
He also appeared with Ingrid Bergman in a stage production of George Bernard Shaw's Captain Brassbound's Conversion in 1971.
Swedish filmmakers like Ingmar Bergman and Vilgot Sjöman contributed to sexual liberation with sexually themed films that challenged conservative international standards.
With this letter began one of the best known love stories in film history, with Bergman and Rossellini both at the peak of their careers.
This affair caused a great scandal in some countries ( Bergman and Rossellini were both married to other people ); the scandal intensified when Bergman became pregnant with Roberto Ingmar Rossellini.
Though married to Bergman, he had an affair with Sonali Das Gupta, a screenwriter, who was helping develop vignettes for the film.
Rossellini's films after his early Neo-Realist films — particularly his films with Ingrid Bergman — were commercially unsuccessful, though Journey to Italy is well regarded in some quarters.
The films covered include his Neo-Realist films to his films with Ingrid Bergman as well as The Flowers of St. Francis, a film about St. Francis of Assisi.
* Notorious ( 1946 ), Spy thriller from Alfred Hitchcock with Cary Grant and Ingrid Bergman.
Years later, when asked to name his all-time favorite actress, Grant replied without hesitation: " Well, with all due respect to dear Ingrid Bergman, I much preferred Grace.

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