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Brahms and never
Brahms strongly preferred writing absolute music that does not refer to an explicit scene or narrative, and he never wrote an opera or a symphonic poem.
Later recipients included Thomas Babington Macaulay ( 1853 ), John C. Frémont ( 1860 ), Theodor Mommsen ( 1868 ), Charles Darwin ( 1868 ), Thomas Carlyle ( 1874 ) ( who never accepted any other honor ), Henry Wadsworth Longfellow ( 1875 ), William Thomson, Lord Kelvin ( 1884 ), Heinrich von Treitschke ( 1887 ), Johannes Brahms ( 1887 ), Giuseppe Verdi ( 1887 ), William Henry Flower ( 1899 ), Camille Saint-Saëns ( 1901 ), Luigi Cremona ( 1903 ), John Singer Sargent ( 1908 ), Ferdinand von Zeppelin ( 1910 ), Otto Lessing ( sculptor ) ( 1911 ), Wilhelm Conrad Röntgen ( 1911 ), Sir William Ramsay ( 1911 ), Max Planck ( 1915 ), and Rudolph Sohm ( 1916 ).
In his late years, Wand restricted his repertoire almost exclusively to the symphonies of Anton Bruckner ( which he had never conducted until he was over 60 ), Schubert, Brahms, Beethoven and Mozart.
He certainly had his admirers, among them Brahms, who almost never praised the works of other composers.
Attempts to extend the First Viennese School to include such later figures as Anton Bruckner, Johannes Brahms, and Gustav Mahler are merely journalistic, and never encountered in academic musicology.

Brahms and married
In the alternate timeline of TNG series finale " All Good Things ...", La Forge has, by 2395, married Leah Brahms and had three children ( Alandra, Brett, and Sydney ) with her.

Brahms and strong
After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays.
The Romantic sonata form was an especially congenial mold for Brahms, who felt a strong affinity with the composers of the Classical era.
It is often remarked that there is a strong resemblance between the main theme of the finale of Brahms ' First Symphony and the main theme of the finale of Beethoven's Ninth Symphony.
The third movement of the Brahms work is also in C minor / major, and ends in the same manner as Schubert's finale, with strong emphasis on the flat supertonic D flat, before the final tonic C.
Krehbiel was a strong supporter of music by Richard Wagner, Johannes Brahms, and Pyotr Ilyich Tchaikovsky when they were not yet well known in America.

Brahms and for
There was about that song something incandescent, for this Brahms was Milstein at white heat.
Brahms wrote to Clara Schumann that the inspiration for the dramatic entry of the horn in the introduction to the last movement of his First Symphony was an alphorn melody he heard while vacationing in the Rigi area of Switzerland.
Bassists may apply more rosin in works for large orchestra ( e. g., Brahms symphonies ) than for delicate chamber works.
Johannes Brahms, whose father was a double bass player, wrote many difficult and prominent parts for the double bass in his symphonies.
Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus.
He began to compose quite early in life, but later destroyed most copies of his first works ; for instance, Louise Japha, a fellow-pupil of Marxsen, reported a piano sonata, that Brahms had played or improvised at the age of 11, had been destroyed.
While he was in Düsseldorf, Brahms participated with Schumann and Albert Dietrich in writing a sonata for Joachim ; this is known as the " F – A – E Sonata " ().
After Schumann's death, Brahms hurried to Düsseldorf and for the next two years lived in an apartment above the Schumann's house, and sacrificed his career and his art for Clara's sake.
Brahms frequently travelled, both for business ( concert tours ) and pleasure.
Later that year, the British composer Hubert Parry, who considered Brahms the greatest artist of the time, wrote an orchestral Elegy for Brahms.
Brahms wrote a number of major works for orchestra, including two serenades, four symphonies, two piano concertos ( No. 1 in D minor ; No. 2 in B-flat major ), a Violin Concerto, a Double Concerto for violin and cello, and two companion orchestral overtures, the Academic Festival Overture and the Tragic Overture.
Despite his reputation as a serious composer of large, complex musical structures, some of Brahms's most widely known and most commercially successful compositions during his life were small-scale works of popular intent aimed at the thriving contemporary market for domestic music-making ; indeed, during the 20th century, the influential American critic B. H. Haggin, rejecting more mainstream views, argued in his various guides to recorded music that Brahms was at his best in such works and much less successful in larger forms.
The influence of Chopin and Mendelssohn on Brahms is less obvious, although occasionally one can find in his works what seems to be an allusion to one of theirs ( for example, Brahms's Scherzo, Op.
Brahms wrote settings for piano and voice of 144 German folk songs, and many of his lieder reflect folk themes or depict scenes of rural life.
In 1933, Schoenberg wrote an essay " Brahms the Progressive " ( re-written 1947 ), which drew attention to Brahms's fondness for motivic saturation and irregularities of rhythm and phrase ; in his last book ( Structural Functions of Harmony, 1948 ), he analysed Brahms's " enriched harmony " and exploration of remote tonal regions.
His pupil Gustav Jenner wrote, " Brahms has acquired, not without reason, the reputation for being a grump, even though few could also be as lovable as he.
Brahms ' domicile was hit during World War II, destroying his piano and other possessions that were still kept there for posterity by the Viennese.
Brahms even struggled to get to the Theater an der Wien in Vienna for the premiere of Strauss's operetta Die Göttin der Vernunft in 1897 before his death.
Adams once claimed that originality wasn't an urgent concern for him the way it was necessary for the minimalists, and compared his position to that of Gustav Mahler, J. S. Bach, and Johannes Brahms, who " were standing at the end of an era and were embracing all of the evolutions that occurred over the previous thirty to fifty years.

Brahms and several
Antonín Dvořák, who received substantial assistance from Brahms, deeply admired his music and was influenced by it in several works, such as the Symphony No. 7 in D minor and the F minor Piano Trio.
His recordings with the orchestra include a complete Mahler and Brahms symphony cycle, several of the Bruckner symphonies.
Szeryng made a number of recordings, including two of the complete sonatas and partitas for violin by Johann Sebastian Bach, and several of sonatas of Beethoven and Brahms with the pianist Arthur Rubinstein.
The familiar story of the Three Little Pigs is set in this film to several of Brahms ' " Hungarian Dances ", specifically No. 5, No. 7, No. 6 and No. 17 which appear in that order.
The degree to which Brahms ' personal experience is embedded in the concerto is hard to gauge since several other factors also influenced the musical expression of the piece.
Norman toured Europe throughout the 1970s, giving recitals of works by Schubert, Mahler, Wagner, Brahms, Satie, Messiaen, and several contemporary American composers, to great critical acclaim.
For the last several years of the show, the theme song was the theme from the second movement of the Concerto for Violin and Violincello by Johannes Brahms.
Sherrin wrote two volumes of autobiography, several books of quotations and anecdotes, as well as some fiction ; and several works in collaboration with Caryl Brahms.
Joachim and Hausmann repeated the concerto, with Brahms at the podium, several times in its initial 1887-88 season, and Brahms gave the manuscript to Joachim, with the inscription " To him for whom it was written.
There are several examples of 19th and 20th Century chorale preludes, for instance, the Eleven Chorale Preludes by Johannes Brahms, Max Reger's and Samuel Barber's.
I do not believe it is exceptional for a big work to derive from several sources – there are many examples of such a process in the origin of many of Brahms ' best known pieces: the first piano concerto, for example, the German Requiem and the Violin Concerto.
Her repertoire includes most of the famous concertos ranging from Beethoven to Tchaikovsky to Berg, and she has recorded several important sonatas such as the Brahms violin sonatas, Franck & Debussy sonatas, and Respighi & Strauss sonatas ( with Krystian Zimerman, a recording which earned her a Gramophone Award for Best Chamber Recording ).
Since Bach's time, several different transcriptions of the piece have been made for other instruments, particularly for the piano ( by Ferruccio Busoni ) and for the piano left-hand ( by Brahms ), as well as for the guitar, first transcribed by Argentinian guitarist and composer Antonio Sinopoli.
Here Brahms uses counterpoint in the form of a two-part canon in octaves, including inverted canon for several measures in the second half.
Since that time, selected items from the collection have been set as ' Lieder ' by several composers, including Mendelssohn, Schumann, Loewe, Brahms and Zemlinsky.

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