He would later become an early contributor to Bazin's Cahiers du cinéma.

Cahiers du Cinema authors also championed the work of directors Jean Renoir, Roberto Rossellini, Kenji Mizoguchi, Max Ophüls, and Jean Cocteau, by centering their critical evaluations on a film's mise en scène.

* Bickerton, E. ( 2009 ), A Short History of Cahiers du Cinéma.

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* Interview in Cahiers du Cinema ( Paris ), July – August 1980

In the magazine Cahiers du cinéma founded by André Bazin, critics and lovers of film would discuss film and why it worked.

This branch of criticism, begun by François Truffaut and the other young film critics writing for Cahiers du cinéma, was created for two reasons.

Hitchcock primarily made thrillers, which, according to the Cahiers du cinema crowd, were popular with the public but were dismissed by the critics and the award ceremonies, although Hitchcock's Rebecca won the Oscar for Best Picture at the 1940 Academy Awards.

French film historian John Raeburn, editor of Cahiers du cinéma, notes that that Capra's films were unknown in France, but there too his films underwent a fresh discovery by the public.

While his career had ended without fanfare, his American and later German works were championed by the critics of the Cahiers du cinéma.

Although his work was not initially taken seriously by British critics of the Sight and Sound circle, he was venerated by French critics associated with Cahiers du cinéma, who intellectualized his work in a way Hawks himself was moderately amused by, and he was also admired by more independent British writers such as Robin Wood.

Lewis has long remained popular in Europe: he was consistently praised by some French critics in the influential magazine Cahiers du Cinéma for his absurd comedy, in part because he had gained respect as an auteur who had total control over all aspects of his films, comparable to Howard Hawks and Alfred Hitchcock.

* Abdou Bontianti et Issa Abdou Yonlihinza, La RN 6: un exemple d ’ intégration économique sous-régionale et un facteur de désenclavement du Niger, Les Cahiers d ’ Outre-Mer, 241-242 January – June 2008.

Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinéma, especially critic-turned-director François Truffaut.

In 1968, following the example of Cahiers du Cinéma critics Truffaut, Jean-Luc Godard, Claude Chabrol, and Éric Rohmer who had created the Nouvelle Vague (" New Wave ") by making their own films, Bogdanovich decided to become a director.

Neither conflates its meaning with how the term was originally applied to film in the Cahiers de Cinéma, which was expressed in 1960 by critic Fereydoun Hoveyda as follows: " What matters in a film is the desire for order, composition, harmony, the placing of actors and objects, the movements within the frame, the capturing of a moment or look ... Mise en scene is nothing other than the technique invented by each director to express the idea and establish the specific quality of his work.

Paris: Cahiers du Cinéma, 2006.

), Paris: Éditions de l ' étoile / Cahiers du Cinéma, interviews and remarks.

When the film won the Special Jury Prize at the 1957 Cannes Film Festival, the attention generated by it ( along with the previous year's Smiles of a Summer Night ) made Bergman and his stars Max von Sydow and Bibi Andersson well-known to the European film community, and the critics and readers of Cahiers du Cinéma, among others, discovered him with this movie.

French cinema's magazine, Les Cahiers du Cinéma, voted The Brown Bunny one of the ten best films of 2004.

" His work reached a height of critical attention during the late 1950s and early 1960s in France with extensive studies in the Cahiers du Cinéma magazine, especially in the articles by Jean Douchet and Jean Domarchi, who saw in him a cinematic visionary obsessed with beauty and harmony, and an artist who could give substance to the world of dreams.

Godard said of Rouch in the Cahiers du Cinéma ( Notebooks on Cinema ) n ° 94 April 1959, " In charge of research for the Musée de l ' Homme ( French, " Museum of Man ") Is there a better definition for a filmmaker?

However in the 1950s the critics who heralded the arrival of the French New Wave, especially those associated with Cahiers du Cinéma, found Clair's work old-fashioned and academic.

" It was also in a special number of Cahiers du Cinéma reviewing the current state of the French cinema in 1957 that Clair received one of his most positive appreciations: " A complete film author who, since the silent era, has brought to the French cinema intelligence, refinement, humour, an intellectual quality that is slightly dry but smiling and in good taste .... Whatever may follow in his rich career, he has created a cinematic world that is his own, full of rigour and not lacking in imagination, thanks to which he remains one of our greatest film-makers.

* Giovanni Lista, Le Cinéma futuriste, Éditions du Centre Pompidou-Les Cahiers de Paris Expérimental, Paris, 2008

* André Bazin and Cahiers du Cinéma.

** Cahiers du Cinéma, n ° 532, February 1999

* 1998: Aventures d ' un regard ( Adventures of a Gaze, ISBN 2-86642-221-X ), a book of photographs, films, writings and interviews, edited in collaboration with François Albéra, Cahiers du Cinéma, Paris, France.

For Vincent Ostria, then journalist at the Cahiers du Cinéma, it was " the most genuine film of the year ( 1993 editor's note ).

After moving to Paris in 1995, he wrote articles in " Les Cahiers du Cinéma.

Inspired by the ratings and reviews of films in Cahiers du Cinéma, Stewart introduced a similar rating system with the " Comic Book Council ," the first critical coverage of comic books to appear in a national magazine.