* Giovanna d ' Arco ( 2001, Teatro Carlo Felice, Genoa )

Whilst racing at Alessandria in the Circuito di Pietro Bordino race, Nuvolari crashed whilst avoiding Carlo Felice Trossi's stricken car.

* Le maschere ( 17 January 1901 Teatro Carlo Felice, Genoa-Teatro Regio, Turin-Teatro alla Scala, Milan-Teatro La Fenice, Venice-Teatro Filarmonico, Verona-Teatro Costanzi, Rome )

* Goffredo Mameli – 27 April 1916, Teatro Carlo Felice, Genoa.

In 1913 he produced a symphonic poem in honour of Giuseppe Verdi with verses by Sem Benelli, which was first performed at the Teatro Carlo Felice in Genoa.

Largo Carlo Felice

* Teatro Carlo Felice in Genoa, Italy ( 1981 ).

New infrastructures were built under King Carlo Felice.

The main road from the south ( Cagliari ) to the north ( Sassari ) was enhanced ( the road still exists today and it still bears the name of Carlo Felice ).

This starred Tito Gobbi as Scarpia alongside two Australian singers, soprano Marie Collier in the title role, and tenor Donald Smith as Cavaradossi, with the Italian conductor Carlo Felice Cillario conducting.

The total restoration of Palazzo Ducale-once venue of doges and senators and nowadays location of cultural events-and of the Old Harbour and the rebuilding of Teatro Carlo Felice, destroyed by the Second World War bombings that only spared the neoclassic pronao of the architect Carlo Barabino, were two more points of strength for the realization of a new Genoa.

They included Giorgio Ronconi, who created the title role in Verdi's Nabucco ; Felice Varesi, who created the title roles in Macbeth and Rigoletto as well as Germont in La traviata ; Antonio Superchi, the originator of Don Carlo in Ernani ; Francesco Graziani, who was the original Don Carlo di Vargas in La forza del destino ; Leone Giraldoni, the creator of Renato in Un ballo in maschera and the first Simon Boccanegra ; Enrico Delle Sedie, who was London's first Renato ; Adriano Pantaleoni, renowned for his performances as Amonasro in Aida as well as other Verdi roles at La Scala, Milan ; Francesco Pandolfini, whose singing at La Scala during the 1870s was praised by Verdi ; Antonio Cotogni, a much lauded singer in Milan, London and Saint Petersburg, the first Italian Posa in Don Carlos and later a great vocal pedagogue, too ; and Giuseppe Del Puente, who sang Verdi to acclaim in the United States.

Featured participants included Nuria Schoenberg ( daughter of Arnold Schoenberg and widow of Luigi Nono ), musicologist James Harrison, the opera conductor Roberto Abbado, violinist Ivry Gitlis, composers Salvatore Sciarrino, Lorenzo Ferrero, and Andrea Liberovici, poet Edoardo Sanguineti, popular singer-songwriters Teresa De Sio, Gianna Nannini, and Gino Paoli, rock and jazz artists Peppe Servalo and Peppe D ' Argenzio of the Piccola Orchestra Avion Travel, and administrators Anna Cammarano ( director of classical music at RAI Trade ), Gennaro di Benedetto ( superintendent of the Teatro Carlo Felice in Genoa ), and Joseph Hussek ( director of the artistic programme at the Salzburg Festival ).

** Carlo Felice Cillario ( conductor ), Montserrat Caballe & the RCA Italiana Opera Orchestra & Chorus for Rossini: Rarities

From 1836-1840 Salvi had a number of lauded successes at the Teatro Carlo Felice.

** Carlo Felice Cillario ( conductor ), Montserrat Caballé & the RCA Italiana Opera Orchestra & Chorus for Rossini: Rarities

In 1824, King Carlo Felice acquired the material from the Drovetti collection ( 5, 268 pieces, including 100 statues, 170 papyri, stelae, mummies, and other items ), that the French General Consul, Bernardino Drovetti, had built during his stay in Egypt.

A number of Italian theatres produced the work for the first time in the 1920s, including the Teatro Lirico Giuseppe Verdi ( 1922 ), Teatro Regio di Torino ( 1923 ), Teatro di San Carlo ( 1925 ), and the Teatro Carlo Felice ( 1926 ) among others.

de: Carlo Felice Nicolis Robilant

fr: Carlo Felice Nicolis, comte de Robilant

it: Carlo Felice Nicolis, conte di Robilant

sv: Carlo Felice Nicolis Robilant

* Antonino Faà de ’ marchesi di Bruno, conte di Carentino ( 1762 – 10 November, 1829 ), Bishop of Asti .< ref > Giuseppe Cappelletti, Le chiese d ’ Italia: dalla loro origine sino ai nostri giorni, 21 vols ( Venice: Giuseppe Antonelli, 1844 – 70 ) ( 1858 ), 128 .</ ref >< ref > Carlo A-Valle, Storia di Alessandria dall ' origine ai nostri giorni, 4 vols ( Turin: Falletti 1853 – 1855 ) ( 1855 ), 318 .</ ref >

Armida was soon followed by Salieri's first truly popular success ; a commedia per musica in the style of Carlo Goldoni La fiera di Venezia ( The Fair of Venice ).

* 1816 – The Teatro di San Carlo, the oldest working opera house in Europe, is destroyed by fire.

In 1815 he retired to his home in Bologna, where Domenico Barbaia, the impresario of the Naples theatre, contracted an agreement that made him musical director of the Teatro di San Carlo and the Teatro del Fondo at Naples.

* 1848 – Carlo Alberto di Savoia signs the Statuto Albertino that will later represent the first constitution of the Regno d ' Italia

* 1737 – The Teatro di San Carlo is inaugurated.

a cura di G. Alessio e L. Carlo Rossi – Premessa di G. Velli, LED Edizioni Universitarie, Milano, 1993, ISBN 88-7916-021-4

* Carlo Cipolla, Note bibliografiche circa l ' odierna condizione degli studi critici sul testo delle opere di Paolo Diacono ( Venice, 1901 )

Pope Clement XIII ( 7 March 1693 – 2 February 1769 ), born Carlo della Torre di Rezzonico, was Pope from 16 July 1758 to 2 February 1769.

He decided on a height of for the statue, double that of Italy's Colosso di San Carlo Borromeo and the German statue of Arminius, both made with the same method.

* Tannhäuser ( 1997, 1998 Teatro de la Maestranza ; Teatro di San Carlo ; Teatro Massimo )

* July 20 – Naval Battle of Lissa: The Austrian fleet under Wilhelm von Tegetthoff defeats the Italian fleet of Carlo di Persano.

* February 15 – Carlo Andrea Pozzo di Borgo, politician and diplomat ( b. 1764 )

* November 4 – The Teatro di San Carlo, the oldest working opera house in Europe, is inaugurated in Naples, Italy.

The opera was soon mounted at major opera houses throughout Italy, including the Teatro Regio di Parma ( 20 April 1872 ), the Teatro di San Carlo ( 30 March 1873 ), La Fenice ( 11 June 1873 ), the Teatro Regio di Torino ( 26 December 1874 ), the Teatro Comunale di Bologna ( 30 September 1877, with Giuseppina Pasqua as Amneris and Franco Novara as the King ), and the Teatro Costanzi ( 8 October 1881, with Theresia Singer as Aida and Giulia Novelli as Amneris ) among others.

The opera quickly became popular throughout Italy and productions were soon mounted by the following companies: The Teatro di San Carlo ( 14 March 1896, with Elisa Petri as Musetta and Antonio Magini-Coletti as Marcello ); The Teatro Comunale di Bologna ( 4 November 1896, with Amelia Sedelmayer as Musetta and Umberto Beduschi as Rodolfo ); The Teatro Costanzi ( 17 November 1896, with Maria Stuarda Savelli as Mimì, Enrico Giannini-Grifoni as Rodolfo, and Maurizio Bensaude as Marcello ); La Scala ( 15 March 1897, with Angelica Pandolfini as Mimì, Camilla Pasini as Musetta, Fernando De Lucia as Rodolfo, and Edoardo Camera as Marcello ); La Fenice ( 26 December 1897, with Emilia Merolla as Mimì, Maria Martelli as Musetta, Giovanni Apostolu and Franco Mannucci as Rodolfo, and Ferruccio Corradetti as Marcello ); Teatro Regio di Parma ( 29 January 1898, with Solomiya Krushelnytska as Mimì, Lina Cassandro as Musetta, Pietro Ferrari as Rodolfo, and Pietro Giacomello as Marcello ); And the Teatro Donizetti di Bergamo ( 21 August 1898, with Emilia Corsi as Mimì, Annita Barone as Musetta, Giovanni Apostolu as Rodolfo, and Giovanni Roussel as Marcello ).

* La schiava saracena, ovvero Il campo di Gerosolima ( 26 December 1848, Teatro alla Scala, Milan ) 1850 Teatro S. Carlo, Naples

Many of his later operas, such as Carlo di Borgogna of 1835, were failures, but this is one of the few Pacini operas currently available on CD, and it has received many warm reviews.

* 1826 – Carlo Collodi, Italian author ( d. 1890 )