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Carré and who
Despite the commercial success of Fleming's fantastical anti-Communist novels, other former spies, such as John le Carré and Len Deighton, created anti-heroic men protagonists who used the immoral tactics.
* George Smiley, a fictional character from the popular book of John Le Carré, movie franchise who is said to work for MI6
* Mathilde Carré, a French resistance agent who turned for the Germans.
Mathilde Carré ( 19 February 1910 – 1970 ), known as " La Chatte ", was a French Resistance agent during World War II who turned double agent.
After her marriage, she moved to Algeria with her husband Maurice Carré, who was later killed in World War II, during the campaign of Italy.
When he confronted Carré, who had become his mistress, she confessed and together they planned to outwit the Abwehr.
He disabled the Franco-Polish " Interallié " network, and captured both Polish Air Force Captain Roman Czerniawski and some of his headquarters staff, one of whom was Mathilde Carré, who had contacts with the Vichy 2nd Bureau.
Another le Carré character, who in fact comes even closer than Karla, is Fiedler in The Spy Who Came In From The Cold.
But Albert Carré became keen on a new Scottish singer, Mary Garden, who had captivated the Parisian public when she had taken over the lead role in Gustave Charpentier's Louise shortly after its premiere in 1900.
Other performers include Youenn Le Cam of Pevar Den, Jean Luc Thomas of Kej, Yannig Alory of Carré Manchot, Yann Herri Ar Gwicher of Strobinell and Hervé Guillo of Storvan, and also Gilles Lehart, who is one of Brittany's most respected wooden flute makers.
He has starred in 2009 as Etienne Balsan in Coco avant Chanel by Anne Fontain, with Audrey Tautou ; as Jean-René in 2010 with Isabelle Carré in a charming comedy by Jean-Pierre Améris Émotifs anonymes about two extremely shy persons who fall in love, and also as August Maquet in L ' autre Dumas by Safy Nebbou, alongside Gérard Depardieu and Dominique Blanc, a movie about the creative ghostwriter, Maquet, whose played a crucial role in the production of French writer Alexandre Dumas ' Three Musketeers.
Le Carré describes him as a somewhat short and fat man, who always wears expensive but badly fitting clothes ( he " dressed like a bookie ").
More commonly, it was rumoured that le Carré modelled the character on Sir Maurice Oldfield, a former head of British Intelligence, who physically resembled Smiley.
Oldfield himself believed that, although Green probably inspired le Carré, the character of Smiley was primarily based on John Bingham, 7th Baron Clanmorris, who had been le Carré's boss when he originally joined MI5, prior to his career in MI6.
In 1999, le Carré confirmed that Bingham was also an inspiration for Smiley, and in 2000 went further, writing in an introduction to a reissue of one of Bingham's novels that " He had been one of two men who had gone into the making of George Smiley.
* Mathilde Carré, a French Resistance agent during World War II who turned double agent.
Other novelists resident in Cornwall include the highly respected spy author John le Carré * who lives and writes in Cornwall, and the Nobel-prizewinning novelist William Golding who was born in St Columb Minor in 1911, and returned to live near Truro from 1985 until his death in 1993.
* Mathilde Carré ( 1910 – 1970 ), French Resistance agent during World War II, who turned double agent

Carré and had
Less noted is his published call in 1749 for the roofing-over of Perrault's classical colonnaded east front of the Palais du Louvre and the clearing away of the ramshackle structures, both those that had been built against it, in order to form a proper Place du Louvre, and those in the centre of the Cour Carré itself Sections of the palace were in danger of collapse, scarcely touched by royal indifference after 1678 ; work did begin in 1755 to clear the facade of the Louvre, overseen by the architect Jacques-Germain Soufflot and Marigny, supervisor of the Bâtiments du Roi.
The next day, Louis Béroud, a painter, walked into the Louvre and went to the Salon Carré where the Mona Lisa had been on display for five years.
On 17 November 1941, the Abwehr's Hugo Bleicher arrested Carré and many other members of Interallié ; they had been betrayed by a double agent.
Debussy was at first reluctant to comply with Carré but when he heard Garden sing, he was so impressed that he later recalled: " That was the gentle voice that I had heard in my inmost being, with its hesitantly tender and captivating charm, such that I had barely dared to hope for.
Barbier, together with Michel Carré, had written a play, Les contes fantastiques d ' Hoffmann, produced at the Odéon Theatre in Paris in 1851, which Offenbach had seen.
Sir Norman Foster was commissioned to build a modern art gallery, known as the Carré d ' Art, on the far side of the square, to replace the city theater of Nîmes, which had burnt in 1952.
In part, this was due to the manner of the painting's exhibition: in Paris it had initially been hung high in the Salon Carréa mistake that Géricault recognised when he saw the work installed — but in London it was placed close to the ground, emphasising its monumental impact.
He may have been attracted there for historical reasons-in 1794 Napoleon had been imprisoned in Fort Carré, and in 1815, returning from exile on Elba in 1815 he had come ashore at Golfe-Jouan ,- and the island of Sainte-Marguerite where the Man in the Iron Mask was imprisoned 1686-1698, was a little out to sea.

Carré and with
Chanson du Vieux Carré was released simultaneously with the album Oh, My NOLA.
Connick's album Oh, My NOLA, and Chanson du Vieux Carré were released in 2007, with a following tour called the My New Orleans Tour.
Under the pseudonym " Adam Hall ", Trevor Dudley-Smith wrote the Quiller spy novel series, beginning with The Berlin Memorandum ( US: The Quiller Memorandum, 1965 ), a hybrid of glamour and dirt, Fleming and Le Carré.
The spy film genre, which is mainly the subgenre of thriller and action, deals with the subject of fictional espionage, either in a realistic way ( such as the adaptations of John Le Carré ) or as a basis for fantasy ( such as James Bond ).
On the one hand, the realistic spy novels of Len Deighton and John le Carré were adapted into relatively serious Cold War thrillers which dealt with some of the realities of the espionage world.
The subgenre deals with the subject of fictional espionage, either in a realistic way ( such as the adaptations of John Le Carré ) or as a basis for fantasy ( such as James Bond ).
Although very similar to the measles virus, canine distemper virus ( CDV ) seems to have appeared more recently, with the first case described in 1905 by French veterinarian Henri Carré.
The Spy Who Came in from the Cold ( 1963 ), by British author John le Carré, is a British Cold War spy novel that became famous for its portrayal of Western espionage methods as being morally inconsistent with Western democracy and values.
John le Carré, on the other hand, shocked readers with chilling realism and detail, portraying the spy as a morally burnt-out case.
The subgenre usually deals with the subject of fictional espionage in a realistic way ( such as the adaptations of John Le Carré ).
The first version of SPARK ( based on Ada 83 ) was produced at the University of Southampton ( with UK Ministry of Defence sponsorship ) by Bernard Carré and Trevor Jennings.
He was handed over to the French government on 12 October 1945, and they subsequently placed him on trial and imprisoned him, as they also did with Mathilde Carré.
The first practical English – Jèrriais dictionary was the English-Jersey Language Vocabulary ( Albert Carré in collaboration with Frank Le Maistre and Philip de Veulle, 1972 ) which was itself based on the Dictionnaire Jersiais – Français.
A new production by Albert Carré ( including the Venice act ) was mounted at the Opéra-Comique in 1911, with Léon Beyle in the title role and Albert Wolff conducting ; this remained in the repertoire until the Second World War, reaching 700 performances of the piece at the theatre.
In 1861, Reyer composed an opéra-comique in three acts and six scenes, La statue (" The Statue "), whose plot was inspired by " One Thousand and One Nights " ( also knowns as: " Arabian Nights ") with a libretto by Michel Carré and Jules Barbier.
Le Carré denied the rumours, citing the fact that Oldfield and he were not contemporaries, although he and Alec Guinness lunched with Oldfield when Guinness was researching the role of Smiley, and several of Oldfield's mannerisms of dress and behaviour were adopted by the actor for his performance.
The Palais du Louvre | Cour Carré of the Louvre, with the Lescot Wing on the left

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