Lépicié and P .- L. Sugurue ), which brought Chardin income in the form of " what would now be called royalties ".

Chardin frequently painted replicas of his compositions — especially his genre paintings, nearly all of which exist in multiple versions which in many cases are virtually indistinguishable.

Inspired by classic painting in the European tradition, exemplified by the works of Rembrandt, Chardin and Courbet, Soutine developed an individual style more concerned with shape, color, and texture over representation, which served as a bridge between more traditional approaches and the developing form of Abstract Expressionism.

Peto's mature works have an opaque and powdery texture which is often compared to Chardin.

Omega Point is a term coined by the French Jesuit Pierre Teilhard de Chardin ( 1881 – 1955 ) to describe a maximum level of complexity and consciousness towards which he believed the universe was evolving.

After a successful journey, during which he had received the patronage of the Safavid monarch Shah Abbas II, who died in 1666 and his son Safi Mirza succeeded him first as Shah Safi II then as Shah Suleiman I. Chardin returned to France in 1670.

One of the first major perspectives of Boulding's evolutionary perspective was his emphasis on know-how or, to use the term of Vladimir Vernadsky ( 1926 ) and Teilhard de Chardin ( 1959 ), which Boulding used as well, the " Noosphere.

The impact of Jean Chardin ’ s Voyages en Perse, to which he owes most of his information about Persia – which is far from superficial – must of course be recognized ; he owned the two-volume edition of 1687 and purchased the extended edition in ten volumes in 1720.

Phillips collected works by masters such as El Greco, calling him the " first impassioned expressionist "; Jean-Baptiste-Siméon Chardin because he was " the first modern painter "; Francisco Goya because he was " the stepping stone between the Old Masters and the Great Moderns like Cézanne "; and Edouard Manet, a " significant link in a chain which began with Goya and which to Gauguin and Matisse ".

Housed at his homes in the Netherlands and France, Mannheimer's art ( which included works by Chardin, Fragonard, Watteau, and Rubens, at least one fake Vermeer, gold reliquary busts, tapestries, Meissen porcelain, and Judaica, including a naturalistic circa-1800 Hanukkah lamp known as the " Oak Tree Menorah ") and his collection of 18th-century furniture ( much of it acquired for him by the American decorator Elsie de Wolfe and the Paris decorator Stéphane Boudin ) were seized by the bank.

The ornate silver tureens of that period figure in buffets — still life of silver and game — by artists such as Alexandre-François Desportes, or in more modest still life, such as the painting by Jean-Baptiste-Siméon Chardin ( illustration ), which is dated 1728 but depicts a silver tureen of Baroque form of the first decade of the century.

individuals whom he trusted and considered worthy of support ... His personal support of Pierre Teilhard de Chardin during the last years of the life of this eccentric genius is but one outstanding example ... He leaves behind him the Wenner-Gren Foundation for Anthropological Research which he built, an international host of friends whom he helped, and a wife whom he cherished and appreciated.

Just before and during the conciliar years, with the blessing of his order, de Lubac also began to write and publish books and articles in defense of the writings of Pierre Teilhard de Chardin, his older friend and fellow Jesuit, who had died in 1955.

A member of the American Teilhard Association, he has written or edited several books on Pierre Teilhard de Chardin, including Teilhard's Mysticism of Knowing ( 1981 ), Teilhard and the Unity of Knowledge ( 1983 ) Teilhard de Chardin ( 1988 ), The Letters of Teilhard de Chardin and Lucile Swan ( 1993 ) and Teilhard's Mass ( 2005 ).

Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731.

Chardin has said about painting, " Who said one paints with colors?

Beginning with The Governess ( 1739, in the National Gallery of Canada, Ottawa ), Chardin shifted his attention from working-class subjects to slightly more spacious scenes of bourgeoise life.

Image: Jean-Baptiste Siméon Chardin 029. jpg | Jean-Baptiste-Siméon Chardin, Still Life with Glass Flask and Fruit, c. 1750

* Jean-Baptiste-Siméon Chardin ( 1975 ), " Child with Top "

The second alternative is preferred by Christian theologians such as de Chardin who seek to reconcile Christian faith with belief in mechanistic evolution.

They also discount Christian faith positions, like those of French Jesuit priest, geologist and paleontologist Pierre Teilhard de Chardin, who saw that his work with evolutionary sciences actually confirmed and inspired his faith in the cosmic Christ.

In 1945, he invited philosophers Teilhard de Chardin, a Jesuit inventor of the concept of the noosphere, and who wasn't in particularly good terms with the Roman Curia, and the Russian Nikolai Berdyaev at his home, but both men couldn't understand each other.

Her work reveals the clear influence of Jean-Baptiste-Siméon Chardin, as well as 17th-century Dutch masters, whose work has been far more highly valued, but what made Vallayer-Coster ’ s style stand out against the other still life painters was her unique way of coalescing representational illusionism with decorative compositional structures.

Image: Jean-Baptiste Siméon Chardin 029. jpg | Jean-Baptiste-Siméon Chardin, Still Life with Glass Flask and Fruit, c. 1750

Still life with brioche, Jean-Baptiste Siméon Chardin, 1763

But instead of settling down in the family profession, the young Chardin set out with a Lyon merchant named Antoine Raisin in 1664 for Persia and India, partly on business and partly to gratify his own wanderlust.

From 1920 to 1929 the Porters lived at 13 rue Monsieur, a house next door to Pierre Teilhard de Chardin, and with a garden adjoining the future residence of Nancy Mitford.

He was likened by academic theologians in one New York Times articleto the controversial and influential 20th century Jesuit priest, philosopher and paleontologist Pierre Teilhard de Chardin, particularly for his interpretations of issues such as the doctrine of original sin and the Cosmic Christ and for the resulting conflicts with church authorities.

* Teilhard de Chardin: Re-Mythologization. Three Papers ( 1970 ) with Robert V. Wilshire and J. V. Langmead Casserly

: In spite of the close relationship of the Wittelsbach to France it is the second smallest section with works for example of Claude Lorrain (" The Expulsion of Hagar "), Nicolas Poussin (" Midas and Bacchus "), François Boucher (" Madame de Pompadour ") (" Reclining Girl "), Nicolas Lancret (" The Bird Cage "), Jean-Baptiste-Siméon Chardin (" Woman Cleaning Turnips "), Maurice-Quentin de la Tour (" Mademoiselle Ferrand Meditating on Newton "), Claude Joseph Vernet (" Eastern Harbour at Dawn ") and Jean-Honoré Fragonard (" Girl with Dog ").

After his return from Kashmir, he traveled around on his own, meeting with Jean-Baptiste Tavernier in Bengal and -- while preparing for a journey to Persia at Surat -- with Jean Chardin, that other great traveler in the Orient ( 1666 ).

They depict both rural and urban table settings in the tradition of Chardin, their realist solidity reflecting Anker's vision of a harmonic and stable world order.

Rembrandt and Caravaggio were primary influences on Nerdrum's work, while secondary influences include Masaccio, Leonardo da Vinci, Michelangelo, Titian, and the less obvious influences, according to Vine and either mentioned by Nerdrum himself or other critics, that include Brueghel, Goya, Chardin, Millet, as well the even less apparent Henry Fuseli, Caspar David Friedrich, Ferdinand Hodler, Edvard Munch, Käthe Kollwitz, Salvador Dalí, Chaim Soutine and Lars Hertervig.

On the other hand, European travellers, such as Jean Chardin referred to the mosque using the current name, and Arabic incsrictions within the mosque, done by calligrapher Baqir Banai, also include the name of Sheikh Lutfallah.

Pierre Teilhard de Chardin, a paleontologist and geologist, believed that evolution unfolded from cell to organism to planet to solar system and ultimately the whole universe, as we humans see it from our limited perspective.

Because of the unsatisfactory quality of indigenous glass, glass reservoirs were sometimes imported from Venice ( Chardin, tr., II, p. 892 ).

Much of the appeal of the series stems from its extensive use of references and allusions from a wide array of thinkers such as Teilhard de Chardin, John Muir, Norbert Wiener, and to the poetry of John Keats, a famous English Romantic poet of the 19th century, Norse Mythology, and the monk Ummon ; a large number of technological elements are acknowledged by Simmons to be inspired by elements of Out of Control: The New Biology of Machines, Social Systems, and the Economic World.

Jean-Baptiste Chardin ’ s still life paintings employ a variety of techniques from Dutch-style realism to softer harmonies.

Sri Aurobindo and Pierre Teilhard de Chardin both describe a progression from inanimate matter to a future state of Divine consciousness.

This tradition has reputedly inspired generations of mystical searchers from John Scotus Erigena, through Book of Taliesin, Nicholas of Cusa and St. John of the Cross to Teilhard de Chardin ( the latter two of whom may have been influenced by " The Cloud " itself ).

Chardin found, however, that his Protestant faith cut him off from all hope of honors or advancement in his native France, and so he set out again for Persia in August 1671.

Charles II granted him the honour of knighthood, and on the same day Chardin married Esther de Lardinière Peigné, a Huguenot refugee from Rouen.

But it was not until 1711 that the complete work was published, from Amsterdam, under the splendid title Voyages de monsieur le chevalier Chardin en Perse et autres lieux de l ' Orient ( English: The Travels of Sir John Chardin in Persia and the Orient ).

* Partial extracts from Dirk Van der Cruysse's Chardin le Persan, Fayard, Paris, 1998.

Then around 1983 he began to draw heavily from Jean Gebser, Sri Aurobindo and Pierre Teilhard de Chardin to point to a new cultural paradigm based on integral consciousness.

The notion of the " light of evolution " came originally from the Jesuit priest Pierre Teilhard de Chardin, whom Dobzhansky much admired.

Having abandoned the lively arabesques and brilliant colors of his Fauve years, Friesz returned to the more sober palette he had learned in Le Havre from his professor Charles Lhuillier and to an early admiration for Poussin, Chardin, and Corot.