Some time between 9 and 14 October 1797, when Coleridge says he had completed the tragedy, he left Stowey for Lynton.

The work was set aside until 1815 when Coleridge compiled manuscripts of his poems for a collection titled Sibylline Leaves.

The Tartars ruled by Kubla Khan were seen in the tradition Coleridge worked from as a violent, barbaric people and were used in that way when Coleridge would compare others to Tartars.

" The next review came in the January 1817 Monthly Review, with the anonymous reviewer questioning: " Allowing every possible accuracy to the statement of Mr. Coleridge, we would yet ask him whether this extraordinary fragment was not rather the effect of rapid and instant composition after he was awake, than of memory immediately recording that which he dreamt when asleep?

Positive analysis of the poem came from Leigh Hunt, in the 21 October 1821 Examiner when Hunt wrote a piece on Coleridge as part of his " Sketches of the Living Poets " series.

Poetic genius, the genial spirit itself, Coleridge must see as daemonic when it is his own rather than when it is Milton's.

" In their autobiographical writings, both Coleridge and de Quincey refer to nightmares the book had caused them when young.

when our first parent knew "), which was dedicated to Samuel Taylor Coleridge on its appearance in the Bijou for 1828 and has since found its way into several anthologies.

Bowen's services to his leader, Sir John Coleridge, helped to procure for him the appointment of junior counsel to the treasury when Sir John had passed, as he did while the trial proceeded, from the office of Solicitor General to that of Attorney-General ; and from this time his practice became a very large one.

Samuel Taylor Coleridge made comic use of this legend when he quipped ironically:

He made a favourable impression on the leaders of his party and when the Liberals came to office in 1868 under William Ewart Gladstone, Coleridge was appointed Solicitor-General.

In the case of Watteau v Fenwick, Lord Coleridge CJ on the Queen's Bench concurred with an opinion by Wills J that a third party could hold personally liable a principal who he did not know about when he sold cigars to an agent that was acting outside of its authority.

The phenomenon developed during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius.

The river crossing could only be used a few hours per day at low tide and was used by Samuel Taylor Coleridge in the 1790s when he stayed at Nether Stowey, to travel to and from Bristol.

His passion for reading and writing bore fruit as early as 1910 when he first contributed an article on the black composer Samuel Coleridge Taylor to The Dominant.

* A fictional river mentioned in the poem Kubla Khan by Samuel Taylor Coleridge

Kubla Khan () is a poem written by Samuel Taylor Coleridge, completed in 1797 and published in 1816.

Coleridge described how he wrote the poem in the preface to his collection of poems, Christabel, Kubla Khan, and the Pains of Sleep, published in 1816:

However, the exact date of the poem is uncertain because Coleridge normally dated his poems but did not date Kubla Khan.

Coleridge did write to John Thelwall, 14 October 1797, to describe his feelings related to those expressed in the poem:

It is possible that he merely edited the poem during those time periods, and there is little evidence to suggest that Coleridge lied about the opium-induced experience at Ash Farm.

The poem remained buried in obscurity until a 10 April 1816 meeting between Coleridge and George Gordon Byron, a younger poet, who persuaded Coleridge to publish Christabel and Kubla Khan as fragments.

Charles Lamb, poet and friend of Coleridge, witnessed Coleridge's work towards publishing the poem and wrote to Wordsworth: " Coleridge is printing Xtabel by Lord Byron's recommendation to Murray, with what he calls a vision of Kubla Khan – which said vision he repeats so enchantingly that it irradiates & brings Heaven & Elysian bowers into my parlour while he sings or says it ".

Coleridge stayed in London to work on the poem and also to try and break his opium addiction ..

The collection of poems was published 25 May 1816, and Coleridge included " A Fragment " as a subtitle to the 54 line version of the poem to defend against criticism of the poem's incomplete nature.

The poem is different in style and form from other poems composed by Coleridge.

The rhythm of the poem, like its themes and images, is different from other poems Coleridge wrote during the time, and it is organised in a structure similar to 18th-century odes.

It is possible that Coleridge was displeased by the lack of unity in the poem and added a note about the structure to the Preface to explain his thoughts.

However, the poem has little relation to the other fragmentary poems Coleridge wrote.

This would have allowed Coleridge to purposefully write the poem as a fragment.

Only the poet of the poem feels that he can recover the vision, and the Preface, like a Coleridge poem that is quoted in it, The Picture, states that visions are unrecoverable.

The poem begins with a fanciful description of Kublai Khan's capital Xanadu, which Coleridge places near the river Alph, which passes through caverns before reaching a dark or dead sea.

The Preface then allows for Coleridge to leave the poem as a fragment, which represents the inability for the imagination to provide complete images or truly reflect reality.

The woman herself is similar to the way Coleridge describes Lewti in another poem he wrote around the same time Lewti.

Much of the poem could have been influenced by Coleridge's opium dream or, as his friend and fellow poet Robert Southey joked, " Coleridge had dreamed he had written a poem in a dream ".

However, the odal hymn as used by others has a stronger unity among its parts, and Coleridge believed in writing poetry that was unified organically.

Coleridge believed that the Tartars were violent, and that their culture was opposite to the civilised Chinese.

In September 2006, Oxford University Press published an English, blank-verse translation of Goethe's work entitled Faustus, From the German of Goethe, now widely believed to be the production of Samuel Taylor Coleridge.

As the eighteenth century progressed, the town developed from a fishing community to a holiday destination, with Lord Byron, Samuel Taylor Coleridge, Percy Bysshe Shelley and John Constable all believed to have spent time there.

It was built around 1790 for John Pinney a successful sugar merchant, and is believed to be the house where the poets William Wordsworth and Samuel Taylor Coleridge first met.

Coleridge attributed the poem's origins to one of his stays at Ash Farm, possibly the one that happened in October 1797: " This fragment with a good deal more, not recoverable, composed, in a sort of Reverie brought on by two grains of Opium taken to check a dysentry, at a Farm House between Porlock & Linton, a quarter of a mile from Culbone Church, in the fall of the year, 1797 ".

Coleridge Cottage was, between 1797 and 1799, the home of Samuel Taylor Coleridge, one of the founders of the Romantic Movement in poetry ( along with William Wordsworth, who himself lived three miles away ).

The poet Samuel Taylor Coleridge lived in the village between 1797 and 1799, as noted above.

Poet William Wordsworth and his sister Dorothy lived at Alfoxton House in Holford between July 1797 and June 1798, during the time of their friendship with Coleridge.

Poet Samuel Taylor Coleridge moved to Keswick with his family in 1800 and visited and collaborated with William Wordsworth in nearby Grasmere, frequently walking back and forth between the towns.

Films which followed included Pandæmonium ( 2001 ), a critically acclaimed film about the friendship between Romantic poets Samuel Taylor Coleridge and William Wordsworth, and The Filth and the Fury ( 2000 ), another documentary about The Sex Pistols.

The poet Samuel Taylor Coleridge, who lived nearby at Nether Stowey ( between Bridgwater and Minehead ), was interrupted during composition of his poem Kubla Khan by " a person on business from Porlock ", and found afterward he could not remember what had come to him in a dream.

Indeed, Samuel Taylor Coleridge, another prominent Romantic poet and critic in his On Poesy or Art sees art as “ the mediatress between, and reconciler of nature and man ”.

The Prometheus Deception is a spy fiction thriller novel written in 2000 by Robert Ludlum about an agent in an ultraclandestine agency known only as the Directorate named Nick Bryson, alias Jonas Barett, alias Jonathan Coleridge, alias The Technician, who is thrown into a fight between an organization he knows as Prometheus and his former employers at the Directorate.

There are also shops on Bateau Bay Road between Harbour Street and Parkside Avenue, the corner of Bateau Bay Road and The Central Coast Highway as well as on Coleridge Road.