Crowther said that Davis " does nicely as the fiancée who is widowed herself and knows the loneliness of grief ," while another noted critic, The Washington Post < nowiki >'</ nowiki > s Richard L. Coe, said Davis " is splendid as the understanding widow.

The film was later described by Bosley Crowther as " interminable "; and he noted that " of all the miserable dilemmas in which Miss Davis has been involved ... this one is probably the worst ".

Among those at the film's premiere was film critic Bosley Crowther of The New York Times, who noted that " motion history was made last night ... Fantasia dumps conventional formulas overboard and reveals the scope of films for imaginative excursion ... Fantasia ... is simply terrific.

Bosley Crowther of The New York Times gave a highly favorable review and noted that the film " throbs with a rare vitality, and a masterful picture of a nation in revolutionary torment has been got by Director Elia Kazan.

Critic Bosley Crowther noted that its " striking and authentic documentary quality has been imported to the whole film in every detail, attitude and word.

" Hall and Crowther noted penile plethysmography " may be even more problematic than other in assessing susceptibility of the test to faking.

Bosley Crowther of The New York Times, favorably influenced by Brando's efforts, noted: "...

Typical of the reviews was one by Bosley Crowther of The New York Times, who noted how the film adaptation was true to the original story and was " vividly and movingly developed in this punctilious film.

Bosley Crowther of the New York Times noted, " Crawford is the height of mellifluous meanness and frank insincerity.

" Crowther noted that its style of humor " was done superbly more than twenty-five years ago by René Clair in À Nous la Liberté and afterward by Charlie Chaplin in Modern Times.

Multihull Designers that have made their mark and are considered the pioneers of multihull design and the ones that have made multihulls so popular today are: James Wharram ( UK ), Derek Kelsall ( UK ), Loch Crowther ( Aust ), Hedly Nicol ( Aust ), Malcolm Tennant ( NZ ), Jim Brown ( USA ), Arthur Piver ( USA ), Chris White ( US ), Ian Farrier ( NZ ), LOMOcean ( NZ ).

" " Never in the history of journalism has so much been read for so long by so few ," wrote Geoffrey Crowther, a former editor.

Bosley Crowther of The New York Times was so appalled that he began to campaign against the increasing brutality of American films.

This 2009 documentary film chronicles what occurred as a result: the New York Times fired Bosley Crowther because his negative review seemed so out of touch with the public, and Pauline Kael, who wrote a lengthy freelance essay in The New Yorker in praise of the film, became the magazine's new staff critic.

Following the loss of so many players in the crash, United were desperate to find replacements with experience, so Murphy turned to players like Ernie Taylor ( signed for £ 8, 000 from Blackpool ) and Stan Crowther, the Aston Villa wing half who had played against United in the 1957 FA Cup Final.

Crowther reproduced portions of the real cave so faithfully that cavers who have played the game can easily navigate through familiar sections in the Bedquilt region on their first visit.

However, Bosley Crowther in The New York Times wrote: “ The most distracting nonsense is the pop-up of familiar faces in so-called cameo roles, jarring the illusion .” Shana Alexander in Life Magazine stated: “ The pace was so stupefying that I felt not uplifted – but sandbagged !” And John Simon – later notorious as the frequently scathing theater and film critic of New York Magazine – wrote in the National Review: " God is unlucky in The Greatest Story Ever Told.

Bosley Crowther of the New York Times wrote, " As much as we hate to say so, Miss Lawrence's performance does not compare with the tender and radiant creation of the late Laurette Taylor on the stage.

Bosley Crowther, film critic of The New York Times, called it a " fascinating picture, which has something real to say about the matter of personal involvement and emotional commitment in a jazzed-up, media-hooked-in world so cluttered with synthetic stimulations that natural feelings are overwhelmed ".

Bosley Crowther was not so kind to Dangerous to Know ( 1938 ), which he called a " second-rate melodrama, hardly worthy of the talents of its generally capable cast ".

Upon the film's release, Bosley Crowther wrote " it is hard to remember a picture — not excluding Henry V, Ivanhoe, Helen of Troy and, naturally, Ben-Hur — in which scenery and regal rites and warfare have been so magnificently assembled and photographed as they are in this dazzler ... The pure graphic structure of the pictures, the imposing arrangement of the scenes, the dynamic flow of the action against strong backgrounds, all photographed with the 70-mm.

Coming in the wake of World War II, in which so may people had suffered shock and could benefit from treatment of their anxieties, Crowther asked the " critical observer to protest in no uncertain tones " the movie's " social disservice " in its fostering " apprehension against the treatment of nervous disorders ", deploring the lack of consideration for those in need of treatment evidenced by producer Aubrey Schenck and distributor Twentieth Century-Fox.

A notable example is that of Stan Crowther and Ernie Taylor who would normally have been ineligible to play for Manchester United in 1958 cup competition, but who were allowed to play following the Munich air disaster, in which eight United players died and two others were so seriously injured that they never played again.

Bosley Crowther of The New York Times called the film a " swift, high-tension film which throws itself forward so rapidly that it permits slight opportunity for looking back.

In his review in The New York Times, Bosley Crowther called it " a masterly film " but added, " Mr. Wilder has let imagination so fully take command of his yarn that it presents not only a distortion of journalistic practice but something of a dramatic grotesque.

Film critic Bosley Crowther wrote, " Not having intimate knowledge of prisons or prisoners, we wouldn't know whether the average American convict is so cruelly victimized as are the principal prison inmates in Brute Force, which came to Loew's Criterion yesterday.

Bosley Crowther of The New York Times wrote " seldom has any comedian seemed to work so persistently and hard at trying to be violently funny with weak material "; he called the script a " basically unoriginal and largely witless piece of farce carpentry that has to be pushed and heaved at stoutly in order to keep on the move.

Bosley Crowther of The New York Times wrote " The excitement derives entirely from the awareness of nitroglycerine and the gingerly, breathless handling of it.

In the months before the accident, Crowther was extremely busy with Lord's Taverners events and functions, and the day before, 2 October, had been to a dinner in Swansea.

Bosley Crowther, film critic for The New York Times, panned the film, especially the screenplay and direction of the drama, and wrote, " Since Pat O ' Brien's noggin suffers a blow which blacks out his memory as the story starts, there probably wouldn't be much sense taking the authors to task for the fantastic events which ensue ... This explosive and promising action sets in motion a chain of circumstances which, no doubt, must have baffled the script writers, too, for they never do give it a logical explanation ... All of the aforementioned principals turn in competent performances, and the mystery is how they managed to get through the picture without becoming hopelessly confused.

In the words of Geoffrey Crowther, then editor of The Economist, " If the economic relationships between nations are not, by one means or another, brought fairly close to balance, then there is no set of financial arrangements that can rescue the world from the impoverishing results of chaos.

It was described by Bosley Crowther as, " whoop-de-doo ... one of the finest ever put on the screen.

Bosley Crowther for one wrote in The New York Times, " More and more, Walt Disney's craftsmen have been loading their feature films with so-called ' live action ' in place of their animated whimsies of the past, and by just those proportions has the magic of these Disney films decreased ," citing the ratio of live action to animation at two to one, concluding that is " approximately the ratio of its mediocrity to its charm.

The film received poor reviews and was described by Bosley Crowther as " a distressingly empty piece "; but, with a profit of $ 2. 5 million, it was one of her biggest box-office successes.

" Just why the Warners attempted a picture of this sort in these times, and just why the corps of high-priced artists which they employed for it did such a bungling job ," Crowther wrote, " are questions which they are probably mulling more anxiously than any one else.

" Crowther said that the film " turgidly unfolds on the screen ," and is " one of the bulkiest blunders to come out of Hollywood in some time.

Bosley Crowther, film critic for The New York Times said, " After watching an endless succession of courtroom melodramas that have more or less transgressed the bounds of human reason and the rules of advocacy, it is cheering and fascinating to see one that hews magnificently to a line of dramatic but reasonable behavior and proper procedure in a court.

Bosley Crowther, film critic for the New York Times, observed, " As honest and humble as is the effort to make the viewer sense a woman's baffled love for a shifty and mixed-up fellow in Baby, the Rain Must Fall, there is a major and totally neglected weakness in this film from a Horton Foote play that troubles one's mind throughout the picture and leaves one sadly let-down at the end.

Critic Bosley Crowther liked the acting in the picture, and wrote, " As gangster pictures go, this one has everything — speed, excitement, suspense and that ennobling suggestion of futility which makes for irony and pity.

When the film was released, New York Times film critic Bosley Crowther, liked the direction of the film and the acting, writing, " Yet such is the role that Mr. Sinatra plays in Suddenly !, a taut little melodrama that ... shapes up as one of the slickest recent items in the minor movie league ... we have several people to thank-particularly Richard Sale for a good script, which tells a straight story credibly, Mr. Allen for direction that makes both excitement and sense, Mr. Bassler for a production that gets the feel of a small town and the cast which includes Sterling Hayden, James Gleason and Nancy Gates.

Bosley Crowther, the film critic for The New York Times, also liked the film, yet with a few caveats, writing, " This film, derived by Ben Maddow and John Huston from Mr. Burnett's book and directed by Mr. Huston in brilliantly naturalistic style, gives such an electrifying picture of the whole vicious circle of a crime ... that one finds it hard to tag the item of repulsive exhibition in itself.

Crowther was one of the many hosts of the ITV panel / game show Whose Baby?

Bosley Crowther of the Times described Glenn Ford " as its taut, relentless star " and praises Lang for bringing " forth a hot one with a sting.

Strathmore has three elementary schools ( Wheatland, Westmount, and Brentwood ), one junior high school ( Crowther Memorial Junior High School ), one high school ( Strathmore High School ) and a Catholic School providing Kindergarten through grade 6 ( Sacred Heart Academy ) as well as a grade 7 to 12 Catholic school ( Holy Cross Collegiate ).

Upon its original release, A Face in the Crowd earned somewhat mixed reviews, one of them from Bosley Crowther of The New York Times.

When the film was released, The New York Times film critic Bosley Crowther, panned the film, " But this, of course, is a movie — and a pretty low-grade one, at that — in which sensations of fright and excitement are more diligently pursued than common sense ... Except for the usual moral — to wit, that crime does not pay — the only thing proved by this picture is that you shouldn't switch sweethearts in mid-lam.

When the film was first released, Bosley Crowther, film critic for The New York Times, lambasted the drama, writing, " All the other ingredients, including Miss Russell's famed physique, are pretty much the same as have been tumbled into previous cheesecakes with Jane and Bob ... Macao is a flimflam and no more — a flimflam designed for but one purpose and that is to mesh the two stars.

The film was released several weeks after Hellinger's death, and in his review for the New York Times, Bosley Crowther called it " a virtual Hellinger column on film " and " his appropriate valedictory " and observed, " The late Mark Hellinger's personal romance with the City of New York was one of the most ecstatic love affairs of the modern day — at least, to his host of friends and readers who are skeptics regarding l ' amour.

He was also one of the hosts of the long running ITV show Whose Baby ?, taking over from Leslie Crowther in the mid-1980s.