Also in 1996, Stereolab collaborated with Herbie Mann on the song " One Note Samba / Surfboard " for the AIDS-Benefit album Red Hot + Rio produced by the Red Hot Organization.

* Serene Velocity: A Stereolab Anthology ( 2006 ), Duophonic / Elektra / Rhino

Second album On the Wires of Our Nerves was released in 1998, and was described as " like Stereolab / Suicide with a rocket shoved up their rectum ".

* Stereolab & Unrest with Stereolab, TeenBeat Records ( TEENBEAT 121 ), ( 10 / 13 / 1993 ) split 7 "

The group has collaborated with such artists as Thurston Moore, Merzbow, The Eugenics Council, and Aube ; has played shows with such artists as Sonic Youth, Wolf Eyes, Hair Police, Borbetomagus, Stereolab, Impaler, Melt-Banana, Caroliner Rainbow, BunnyBrains, Illusion of Safety, Sudden Infant, V / Vm and the Nihilist Spasm Band ; and has appeared on compilation releases with such artists as Andrew W. K., Derek Bailey, the Haters, Bruce Gilbert, Today is the Day, Reynols, Harvey Sid Fisher, Bomb20, Jansky Noise, Quintron, The Locust, His Name Is Alive, Jad Fair, John Oswald, Masonna, Hijo Kaidan, Lasse Marhaug and Free Kitten.

* Stereolab / Cat's Miaow split 7 " ( Wurlitzer Jukebox, 1995 )

DS45-CD25 Stereolab & Brigitte Fontaine / Monade-Caliméro / Cache Cache ( CD, Single )

In the 1990s Stereolab and veteran industrial band Nurse With Wound released two limited-edition records together ; both contained Nurse With Wound remixes of original tracks provided by Stereolab.

) With their 1994 album, Mars Audiac Quintet, Stereolab focused more on pop and less on rock, resulting in what Allmusic described as " what may be the group's most accessible, tightly-written album ".

** Stereolab – Transient Random Noise Bursts With Announcements

* Simple Headphone Mind with Stereolab ( 1997 ), Duophonic

Most renowned of the Compact Series, having been used by Stereolab, Al Kooper ( Blues Project ), Michael MacNeil ( Simple Minds ), Richard Wright ( Pink Floyd ) and Clint Boon ( The Inspiral Carpets ).

are retrospectively considered one of the founding fathers of Krautrock and a significant influence on artists including David Bowie, Brian Eno, Iggy Pop, PiL, Joy Division, Gary Numan, Ultravox, Simple Minds, Negativland, Stereolab, Boredoms, Radiohead, The Horrors, Electrelane, and much of the current electronic music scene.

In the US, a promotional " Since I Left You " 12 " featuring remixes from Stereolab and Prince Paul was released, and The Avalanches ' remix of the Manic Street Preachers ' " So Why So Sad " was issued worldwide.

Tim Gane ( born 12 July 1964, Barking, England ) is the leader of the rock band, Stereolab.

DS45-10 Split tour 7 " with Yo La Tengo " The Long Hair of Death " by Stereolab and " Evanescent Psychic Pez Drop " by Yo La Tengo 3000 on fluorescent yellow vinyl with a fluorescent yellow sticker

In 1994, the pop group Stereolab recorded a tribute to her, " International Colouring Contest ", on their album Mars Audiac Quintet ; the intro of the song includes a voice sample of Pamela herself (

In 2009, Stereolab announced via their website that they were going on indefinite hiatus.

On 8 January 1994, Stereolab achieved their first chart entry when 1993 EP Jenny Ondioline entered at number 75 on the UK Singles Chart.

Said Joshua Klein in The Washington Post, " Years before everyone else caught on, Stereolab was referencing the 1970s German bands Can and Neu !, the Mexican lounge music master Esquivel and the decidedly unhip Burt Bacharach.

They have released tracks by and toured with post-rock band Tortoise, while John McEntire of Tortoise has in turn worked on several Stereolab albums.

Indie rock band Pavement ( who also toured with Stereolab ) acknowledged the group's sound on their song " Half A Canyon.

Indie electronic, which had begun in the early 1990s with bands like Stereolab and Disco Inferno, took off in the new millennium as digital technology developed, with acts including Broadcast from the UK, Justice from France, Lali Puna from Germany and The Postal Service, and Ratatat and BOBBY from the US, mixing a variety of indie sounds with electronic music, largely produced on small independent labels.

* French singer Brigitte Fontaine collaborated with the band Stereolab on a song of the same name

The Iron & Wine iTunes Exclusive EP features unreleased studio recordings, including a Stereolab cover and two tracks which had previously only appeared on vinyl.

Artists such as Stereolab, John Frusciante, The Mars Volta, Deerhunter, Wilco, Laika, Mouse on Mars, Bowery Electric, I Am Spoonbender, Tortoise, and Fujiya & Miyagi working under the post-rock and electronica rubrics have often cited bands in the krautrock canon as being among their more significant influences.

Tracks appearing on the box set were carefully chosen to represent some of the most popular records sold during the past twenty five years at Rough Trade shops ; these included recordings by Nick Cave, Joy Division and Stereolab.

* Crumb Duck with Stereolab ( 1993 ), Clawfist, edition of 1450 ( expanded reissue on United Dairies, 1997 )

Maryborough is also the birthplace of the late Mary Hansen of Stereolab, whose father Brendan Hansen represented Maryborough on the Maryborough City Council, Queensland State Parliament, and Federal Parliament.

The group's profile grew with support slots on tours by the Beastie Boys, Public Enemy, Stereolab, and Beck.

*" The Stars Our Destination " is the name of a song on the 1994 Stereolab album Mars Audiac Quintet.

Sukia toured the world with acts like Beck, and Stereolab, and subsequently put out one album on the Dust Brothers ' fledgling label Nickel Bag Records in 1997.

Later that year, the band was featured on a split 7-inch with Stereolab, and performed a few shows with Stereolab in the USA.

Mouse on Mars collaborated in the studio and toured with Stereolab in the mid 1990s-the results can be heard on Stereolab's Dots and Loops album and the associated Miss Modular single, and Mouse on Mars ' Cache Cœur Naïf EP.

* Radio interview with Mouse on Mars and Laetitia of Stereolab

The label has two imprints: Duophonic Ultra High Frequency Disks for UK Stereolab releases licensed to various labels worldwide, and Duophonic Super 45s for releases of other artists and certain Stereolab UK only releases ( mainly very limited 7 " vinyl records ).

Called " one of the most fiercely independent and original groups of the Nineties ", Stereolab were one of the first bands to be termed " post-rock ".

In 2005 and 2006, Stereolab released six limited-edition singles which were later released as a collection in Fab Four Suture, and contained material which Mark Jenkins thought continued the brisker sound of the band's post-Hansen work.

" Stereolab were one of the first groups to be called post-rock — in a 1996 article, journalist Angela Lewis applied the " new term " to Stereolab and three other bands who have connections to the group.

* Shimmies in the Super 8, double 7 ", 4 songs of Huggy Bear, 2 of Darlin ´, 1 of COLM, 1 of Stereolab, 1993, DUOPHONIC ( only 800 were pressed ):

In 2009, Fiedler commented that " we were a couple both personally and professionally for a long time-over ten years-and the personal side of that is over and sometimes it's difficult to work together ", citing the recently-defunct Stereolab as a similar example of a band driven by a central romantic partnership which suffered professionally once that relationship had ended.

In the 1990s, Björk, Stereolab, Towa Tei, Amon Tobin and The High Llamas were approaching the Brazilian pop music increasingly.

Each band had a side and they were: Stereolab with " Revox "; Huggy Bear with " Trafalgar Square ," " Godziller ," " More Music From Bells ," " Snow White Rose Red "; Colm with " Soundtrack "; Darlin with " Cindy So Loud " and " Darlin '" 800 copies of which 400 had stickers.

Bands lumped into the ' scene ' by the press included several of the bands that were branded with the shoegazing label, such as Chapterhouse, Lush, Moose and other ( mainly indie ) bands such as Blur ( prior to the release of their single " Popscene "), Thousand Yard Stare, See See Rider and Stereolab.

It still contained many of the same songs-three of the top five were the same-but newer bands ( such as Pavement and Stereolab ) had been assimilated and also older artists from a wider variety of genres made appearances ( such as Nick Drake and The Beach Boys.