In Norse mythology, Dagr ( Old Norse " day ") is day personified.

In both sources, Dagr is stated to be the son of the god Dellingr and is associated with the bright-maned horse Skinfaxi, who " draw day to mankind ".

Depending on manuscript variation, the Prose Edda adds that Dagr is either Dellingr's son by Nótt, the personified night, or Jörð, the personified Earth.

Dagr is mentioned in stanzas 12 and 25 of the poem Vafþrúðnismál.

In the Prose Edda book Gylfaginning, Dagr is again personified.

In chapter 10, the enthroned figure of High states that Dagr is the son of the couple of Dellingr of the Æsir and his wife Nótt (" night ").

Dagr is described as " as bright and beautiful as his father's people ".

As a common noun, Dagr appears in chapter 58, where " Skinfaxi or Glad " is stated as pulling forth the day, and chapter 64, where Dagr is stated as one of various words for time.

In other words, depending on the manuscript, either Jörð or Nótt is the mother of Dagr and partner of Dellingr.

Haukur details that " the oldest manuscript, U, offers a version where Jǫrð is the wife of Dellingr and the mother of Dagr while the other manuscripts, R, W and T, cast Nótt in the role of Dellingr's wife and Dagr's mother ", and argues that " the version in U came about accidentally when the writer of U or its antecedent shortened a text similar to that in RWT.

Otto Höfler theorized that Dagr may be related to ( or may be the same figure as ) the hero Svipdagr ( whose name means " the suddenly dawning day ") who is attested in various texts.

In both sources, Dellingr is described as the father of Dagr, the personified day.

In a stanza of the poem Hrafnagaldr Óðins, the appearance of Dagr, horse, and chariot are described, and Dagr himself is referred to as " the son of Delling.

In other words, depending on the manuscript, either Jörð or Nótt is the mother of Dagr and partner of Dellingr.

Haukur details that " the oldest manuscript, U, offers a version where Jǫrð is the wife of Dellingr and the mother of Dagr while the other manuscripts, R, W and T, cast Nótt in the role of Dellingr's wife and Dagr's mother ", and argues that " the version in U came about accidentally when the writer of U or its antecedent shortened a text similar to that in RWT.

Jacob Grimm states that Dellingr is the assimilated form of Deglingr, which includes the name of Dellingr's son Dagr.

In other words, depending on the manuscript, either Jörð or Nátt is the mother of Dagr and partner of Dellingr.

Haukur details that " the oldest manuscript, U, offers a version where Jǫrð is the wife of Dellingr and the mother of Dagr while the other manuscripts, R, W and T, cast Nótt in the role of Dellingr's wife and Dagr's mother ", and argues that " the version in U came about accidentally when the writer of U or its antecedent shortened a text similar to that in RWT.

Benjamin Thorpe says that Dellingr may be dawn personified, similarly to his son Dagr, the personified day.

Nótt's third marriage was to the god Dellingr and this resulted in their son Dagr, the personified day ( although some manuscript variations list Jörð as Dellingr's wife and Dagr's mother instead ).

In Snorri Sturluson's Skáldskaparmál, Jörð ( as the personified earth ) is called the rival of Odin's wife Frigg and his other giantess concubines, Rindr and Gunnlöd, the mother-in-law of Sif, Thor's wife, daughter of Nótt, and sister of Auðr and Dagr.

In chapter 24 of Skáldskaparmál, means of referring to Jörð, the personified earth, are provided, including " sister of Auðr " and " sister of Dagr ", the personified day.

Odin took Dagr and his mother Nótt, gave them each a chariot and a horse — Dagr receiving the horse Skinfaxi, whose mane illuminates all the sky and the earth — and placed them in the sky to ride around the earth every 24 hours.

Odin placed both Dellingr's son, Dagr, and Dellingr's wife, Nótt, in the sky, so that they may ride across it with their horses and chariots every 24 hours.

Odin took Nótt and her son Dagr, placed them into the sky with a chariot and a horse each, and they ride around the earth every 24 hours.

Haukur details that " the oldest manuscript, U, offers a version where Jǫrð is the wife of Dellingr and the mother of Dagr while the other manuscripts, R, W and T, cast Nótt in the role of Dellingr's wife and Dagr's mother ", and argues that " the version in U came about accidentally when the writer of U or its antecedent shortened a text similar to that in RWT.

A reference to the river Leiptr appears in Helgakviða Hundingsbana II, where the Valkyrie Sigrún puts a curse on her brother Dagr for having murdered her husband Helgi Hundingsbane despite his having sworn a holy oath of allegiance to Helgi on the " bright water of Leiptr " ( ljósa Leiftrar vatni ):

In the seventh section ( containing stanzas 28-37 ) Sigrún's brother Dagr, who had been spared by vowing allegiance to Helgi, sacrificed to Odin in the hope of getting revenge for Helgi's slaying of his father and brothers.

However, scholar Haukur Thorgeirsson points out that the four manuscripts of Gylfaginning vary in their descriptions of the family relations between Nótt, Jörð, Dagr, and Dellingr.

However, scholar Haukur Thorgeirsson points out that the four manuscripts of Gylfaginning vary in their descriptions of the family relations between Nótt, Jörð, Dagr, and Dellingr.

However, scholar Haukur Thorgeirsson points out that the four manuscripts of Gylfaginning vary in their descriptions of the family relations between Nótt, Jörð, Dagr, and Dellingr.

However, scholar Haukur Thorgeirsson points out that the four manuscripts of Gylfaginning vary in their descriptions of the family relations between Nótt, Jörð, Dagr, and Dellingr.

In other words, depending on the manuscript, either Jörð or Nótt is the mother of Dagr and partner of Dellingr.

Otherwise, Dagr appears as a common noun simply meaning " day " throughout Old Norse works.

Connections have been proposed between Dagr and other similarly named figures in Germanic mythology.

Otto Höfler also proposed that Svipdagr may have been a " Dagr of the Suebi ", and because of the names of his family members, Sólbjartr (" the sun-light ", indicating a potential god of the skies ) and Gróa (" growth ", indicating a possible goddess of growth ), and his wooing of Menglöð ( often identified with the goddess Freyja ), he further suggested that Svipdagr may have been a fertility god.

" Dagr " ( 1874 ) by Peter Nicolai Arbo.

In addition to the authentication and acknowledgment procedures which precede and follow the sending of the go messages, again in special codes, each message also contains an `` internal authenticator '', another specific signal to convince the recipient that he is getting the real thing.

`` As my wife puts it '', he said, again with a twinkle in his eyes, `` all you know is your music.

The hero, who is himself, is represented as a pilgrim in the storied lands of the East, a sort of Faustus type, who, to quote from Professor Book again, `` even in the pleasure gardens of Sardanapalus can not cease from his painful search after the meaning of life.

Years ago this was true, but with the replacement of wires or runners by radio and radar ( and perhaps television ), these restrictions have disappeared and now again too much is heard.

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He says that if he were to express to you, once again, his own profound determination to go to the Mainland, and his faith that that return is feasible, he would merely sound redundant.

and, though he repeated, over and over again, the spectacular figures of industrial and agricultural production in 1980, the `` ordinary '' people in Russia are still a little uncertain as to how `` communism '' is really going to work in practice, especially in respect of food.

He could no longer build anything, whether a private residence in his Pennsylvania county or a church in Brazil, without it being obvious that he had done it, and while here and there he was taken to task for again developing the same airy technique, they were such fanciful and sometimes even playful buildings that the public felt assured by its sense of recognition after a time, a quality of authentic uniqueness about them, which, once established by an artist as his private vision, is no longer disputable as to its other values.

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By this scheme, pulling one signal to clear locks all the other switch and signal levers in safe positions until the first signal is again restored to normal.

He is going sound again now, and looks good.

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What I have observed time and time again is a process of integration, integration that begins as abstract design and gradually takes on recognizable form ; ;

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Here again, in the written language it is possible to help the reader get his stresses right by using underlining or italics, but much of the time there is simply reliance on his understanding in the light of context.