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DeLugg and sidemen Mark Stevens, Billy Neale and Ray Neapolitan appeared in Chuck's The Gong Show Movie ( 1980 ) as The Hollywood Cowboys.
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DeLugg and Ray
Other Broadway Open House cast members were tap dancer Ray Malone, accordionist Milton DeLugg, announcer Wayne Howell and vocalists Jane Harvey, Andy Roberts and David Street.
DeLugg and appeared
DeLugg often appeared on the show as a comic foil, in the characters of bad joke teller Naso Literatus and philosopher Old Drool.
DeLugg and Gong
The show's bandleader, Milton DeLugg, used all the same musicians from the band heard on The Gong Show, plus two additional saxophone players for the first season only.
DeLugg and Show
In 1950 and 1951, DeLugg was musical director, bandleader, and accordionist on Broadway Open House an NBC late-night television program which has been considered a forerunner to The Tonight Show.
In 1953, he played accordion leading the Milton DeLugg Trio on the short-lived Bill Cullen Show.
DeLugg also wrote the theme music for other Barris projects including The $ 1. 98 Beauty Show, Camouflage ( where, in a throwback to an earlier era of game shows, the music was actually performed live by DeLugg and his band ), Leave It to The Women, Three's a Crowd, and The New Treasure Hunt.
DeLugg and .
Many nightclub and recording artists also made Soundies, including Gloria Parker, Charles Magnante, Milton DeLugg, and Gus Van.
The show's opening theme music was " The Beanbag Song " by DeLugg, Lester and Willie Stein.
" DeLugg often played a song he wrote with Stein, " Orange Colored Sky ", which became a hit for Nat King Cole.
The NBC Saturday morning program, sponsored by Tootsie Roll, featured a clubhouse motif and a theme song co-written by Winchell and his longtime bandleader and on-air sidekick, Milton DeLugg.
Milton DeLugg ( born December 2, 1918 ; Los Angeles, California ) is an American composer and arranger.
In 1950, DeLugg was also orchestra conductor for the short-lived Abe Burrows ' Almanac.
In 1957, DeLugg joined the cast of the Paul Winchell and Jerry Mahoney show.
For decades, DeLugg has been associated with NBC as a musical director.
DeLugg enjoyed a long association with Chuck Barris, beginning as arranger of the original theme to The Newlywed Game in 1966.
DeLugg remains active today as musical director of the annual Macy's Thanksgiving Day Parade.
Not wanting the song to go to waste, Barris commissioned Milton DeLugg a few years later to arrange an instrumental version of " Summertime Guy " for use as the first theme to The Newlywed Game.
To better fit the show's spirit, DeLugg preceded the pop song's melody with a sample of Mendelssohn's Wedding March.
Then, Milton DeLugg, who was by this time Barris ' house musical director, created a new, updated theme based on the existing melody for The New Newlywed Game beginning with Jim Lange's 1984 series of specials, and then for the first several years of the Bob Eubanks-hosted revival.
The 1980s version's music was by Milton DeLugg.
The musical director for the TV coverage is the veteran composer / arranger Milton DeLugg.
Milton DeLugg wrote a famous arrangement, and is sometimes falsely credited as the composer of the song.
sidemen and Mark
In essence, Gane and Johnson decided that " M + M " was now Martha + Mark, along with studio musicians and sidemen.
sidemen and Billy
His sidemen included drummers Billy Stewart and Andy Watson, Steve LaSpina, bass players Scott Colley and Gil Goldstein from 1985-93 and keyboardist Larry Goldings.
sidemen and 1980
Since 1987, the band has essentially been a trio of Oakey and long-serving female vocalists Joanne Catherall and Susan Ann Sulley ( who joined the ensemble in 1980 ), with various sidemen.
Adding sidemen Malcolm Holmes and Martin Cooper by the end of 1980, this quartet ( with occasional line-up fluctuations ) was the live concert line-up until 1989, when Humphreys, Cooper and Holmes all left OMD to found The Listening Pool.
The group took this name in 1976, by which time Jones had already begun working at the Village Vanguard with its original members, Ron Carter and Tony Williams ( it was Buster Williams rather than Carter, however, who took part in the trio's first recording session in 1976 ); by 1980 Jones ' sidemen were Eddie Gomez and Al Foster, and in 1982 Jimmy Cobb replaced Foster.
Took guested with ICU a number of times, reuniting with his old Horns sidemen ; the last recorded dates being 16 June 1980 at London's Music Machine and sometime around 21 June 1980 at the Stonehenge Free Festival in Wiltshire-a festival frequented by other ' Festival Bands ', most famously Took's old Ladbroke Grove cohorts Hawkwind.
sidemen and .
Al has added some sidemen to the act which makes for a smoother operation but it's substantially the same format heard last spring.
Behind the revolving lineup and the regular sidemen, the true core of the Project was the duo of Parsons and Woolfson.
Many of his sidemen and supporting players, such as Fred Wesley & The J. B .' s, Bobby Byrd, Lyn Collins, Vicki Anderson and Hank Ballard, released records on the People label, an imprint founded by Brown that was purchased by Polydor as part of Brown's new contract.
Vince Guaraldi at the Piano, by author and noted Guaraldi archivist Derrick Bang, chronicles Guaraldi's career and role in the Northern California jazz scene, and also includes a complete discography and filmography, as well as an appendix of quotations from Guaraldi's former sidemen.
Backed by such experienced professional R & B sidemen as lead guitarist Steve Cropper, sax man Lou Marini, trumpeter Alan Rubin and bass guitarist Donald " Duck " Dunn, the Blues Brothers proved more than an SNL novelty.
Fitzgerald had a number of famous jazz musicians and soloists as sidemen over her long career.
By the 1950s, improvising over chords had become such a dominant part of jazz, that sidemen at recording dates were sometimes given nothing more than a list of chords to play from.
Paul Carrack also returned to the band in 1993, although by this point Squeeze was not so much a band as it was a trade name for Difford and Tilbrook plus sidemen.
In July 1963, Dolphy and producer Alan Douglas arranged recording sessions for which his sidemen were among the leading emerging musicians of the day, and the results produced the albums Iron Man and Conversations.
One of the features of the label during this period was a " family " of musicians ( Hubbard, Hancock, Carter, Grant Green, Joe Henderson, Kenny Dorham, Lee Morgan, Blue Mitchell, Hank Mobley and many others ) who would record as sidemen on each other's albums without necessarily being part of the leader's working group.
Band members were T-Bone Burnett, Steven Soles, and David Mansfield, plus sidemen who differed from record to record and included: David Kemper ( later drummer for Bob Dylan and Jerry Garcia Band ); gospel great Andrae Crouch ; and former Beatle Ringo Starr.
In addition to Mutt Carey and Ed Garland, trumpeters Alvin Alcorn and Teddy Buckner ; clarinetists Darnell Howard, Jimmie Noone, Albert Nicholas, Barney Bigard, and George Probert ; pianists Buster Wilson, Cedric Haywood, and Don Ewell ; and drummer Minor Hall were among his sidemen during this period.
The quartet reassembled once again in the summer of 1974, with sidemen Tim Drummond on bass, Russ Kunkel on drums, and Joe Lala on percussion, to embark on the first-ever outdoor stadium tour, arranged by San Francisco impresario Bill Graham, fresh off the large-scale indoor arena tour he had developed for Dylan ’ s return to the spotlight earlier in the year.
They continued to use the sidemen known as “ The Section ” from their first LP.
During the following year, with Green on guitar and various other sidemen, some 40 tracks were recorded.
They feature American sidemen but also such Europeans as Spanish pianist Tete Montoliu and Danish bassist Niels-Henning Ørsted Pedersen.
In the late 1920s he recorded with such notable bandleaders and sidemen as Louis Armstrong, Benny Goodman, Bix Beiderbecke, Red Nichols, Jimmy McPartland, Mezz Mezzrow, Glenn Miller, and Eddie Condon.
After an unsuccessful attempt to establish a big band, he led a combo at Kelly's Stables on Manhattan's 52nd Street with Thelonious Monk, Oscar Pettiford, Miles Davis, and Max Roach as sidemen.
In 1967, Rolling Stone chided the album for " the lack of versatility on the part of the sidemen.
Instead of trying to reunite with their earlier bandmates, they began featuring all-star sidemen who had played with different groups.
Due to such a positive response, Muzak began contracting the best arrangers, conductors, music producers and engineers available, hiring the best singers and musicians, partnering with noted soloists and sidemen and recording in a then-new High Fidelity music format in order to get the best sound possible for its customers.
The Tubes, who mixed progressive rock with wild theatricality, and Journey, formed from among some of Carlos Santana's sidemen and eventually experiencing a peak as one of the most popular AOR acts in the United States, were virtually the only acts from San Francisco to gain any sort of fame in the mid-1970s.
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