After the Spanish conquest, Doña Isabel was recognized as Moctezuma's legitimate heir, and became one of the Mexican Indians granted an encomienda.

Every indication is that Doña Isabel, the former Aztec princess Tecuichpotzin, was devout in her new religion.

Cortés arranged the marriage of Doña Isabel to his close colleague Alonso de Grado in June 1526.

Part of the marriage arrangement was the granting of a large encomienda to Doña Isabel.

The encomienda of Doña Isabel endured for centuries.

The Spanish and, later, Mexican governments, paid royalties in the form of a pension to the descendants of Doña Isabel until 1933 and a Count of Miravalle, the descendants of Moctezuma, still exists in Spain.

Doña Isabel was described as “ very beautiful ” and “ a very pretty woman for an Indian .”

The romance, if there had been one between Cortés and Doña Isabel, quickly soured.

Cortés however accepted the child as his own and ensured that she was brought up well and received an inheritance from his and Doña Isabel ’ s estate.

Doña Isabel died in 1550 or 1551.

We know very little about Doña Isabel beyond a few facts of her life.

À sa majesté la reine Doña Isabel II.

Again, the leaders of this voyage had “ widely divergent personalities .” Mendaña was again in command, accompanied by his wife Doña Isabel Barreto, her three brothers and a sister.

Over fifty people died on the twelve-week voyage from Santa Cruz, in part due to the lack of food supplies and allegedly Doña Isabel ’ s refusal to share out her private store of food and water.

Doña Isabel Barreto was honoured in Manila and Quirós was commended for his service and absolved of any responsibility for the killings on Santa Cruz.

Three months later Doña Isabel married the Governor ’ s cousin.

The women survivors included Cortés's translator and lover Doña Marina, María Estrada and two of Moctezuma's daughters who had been given to Cortés, including the emperor's favorite and reportedly most beautiful daughter Tecuichpotzin ( later Doña Isabel Moctezuma ).

* Doña María Isabel Patiño y Borbón ( Paris, 3 June 1936-Neuilly-sur-Seine, Paris, 15 May 1954 ) who had a short and tragic marriage with Sir James Goldsmith, by whom she had an only daughter.

Portrait of Doña Isabel de Requesens, wife of Ramón de Cardona by Raphael.

His parents were Miguel Martínez de Jáuregui, a hidalgo — which is an untitled Spanish nobleman — from La Rioja, and Doña Isabel de la Sal from Seville.

He was not a great natural force ; his early plays and poems are influenced by Leandro Moratín or by Juan Meléndez Valdés ; his Espíritu del siglo ( 1835 ) is a summary of all the commonplaces concerning the philosophy of history ; his Doña Isabel de Solís ( 1837 – 1846 ) is an imitation of Walter Scott's historical novels.

* HE Doña María de Fátima Simoneta Luisa Gómez-Acebo y de Borbón ( b. Madrid, 28 October / 31 October 1968 ).

* Doña María Cristina Patiño y Borbón ( b. Paris, 2 August 1932 ), who married:

The king has two sisters: HRH Infanta Doña Pilar de Borbón, Duchess of Badajoz ( b. 1936 ) and mother of five, and HRH Infanta Doña Margarita de Borbón, Duchess of Soria, 2nd Duchess of Hernani ( b. 1939 ) and mother of two with HE Carlos Zurita, Duke of Soria ( b. 1943 ).

He was born to an aristocratic family of the Kingdom of Navarre, the youngest son of Juan de Jaso, privy counsellor to King John III of Navarre ( Jean d ' Albret ), and Doña Maria de Azpilcueta y Aznárez, sole heiress of two noble Navarrese families.

He was the son of Gil Állvarez de Albornoz and of Doña Teresa de Luna, sister of Jimeno de Luna, archbishop of Toledo and a member of the prominent Carrillo family.

La Malinche (; c. 1496 or c. 1505 – c. 1529 ), known also as Malinalli, Malintzin or Doña Marina, was a Nahua woman from the Mexican Gulf Coast, who played a role in the Spanish conquest of Mexico, acting as interpreter, advisor, lover, and intermediary for Hernán Cortés.

" Without the help of Doña Marina ," he writes, " we would not have understood the language of New Spain and Mexico.

Malinalli then took the Christian name of " Marina ", to which the soldiers of Cortés added the " Doña ", meaning " lady.

It may be assumed that her preferred name was " Marina " or " Doña Marina ," since she chose it and it has not acquired the negative connotations that engulfed the name " Malinche " after her death.

* In the 1951 novel The Hive by Camilo José Cela, the character Ventura asks to borrow the Ludo from Doña Celia, the proprietress of a house of assignations.

Also in 1997, she appeared in the opening scene of Pedro Almodóvar's Live Flesh as a prostitute who gives birth on a bus and in Et hjørne af paradis ( A Corner of Paradise ) as Doña Helena.

* Doña Francisquita ( 1923 ) Vives.

Image: Rita Hayworth in Blood and Sand trailer. jpg | Rita Hayworth as Doña Sol des Muire in Blood and Sand ( 1941 )

** King Baudouin of Belgium marries Doña Fabiola de Mora y Aragon.

She was nominated for five Ariel Awards, of which she won three for Enamorada, Río Escondido, Doña Diabla and a special Golden Ariel Award for her contribution to cinema.

She was more commonly known, particularly in her later years, by the honorific La Doña.

In 1943 she starred Doña Bárbara, directed by Fernando de Fuentes and inspired in the novel of the Venezuelan writer Romulo Gallegos.

To pay tribute to the actress, in 2006 Cartier debuted its La Doña de Cartier collection.

The La Doña de Cartier watch with reptilian links was created to impress by its wild look.

The case of the La Doña de Cartier features a trapezoid shape with asymmetrical profile reminding a crocodile's head.

The La Doña de Cartier Collection also includes jewellery, accessories, and leather handbags.

His mother was Doña María de la Concepción Palacios y Blanco and his father was Coronel Don Juan Vicente Bolívar y Ponte.

Bolívar's parents found themselves in a circumstance that forced them to entrust the baby Simón Bolívar to the care of Doña Ines Manceba de Miyares and the family's slave la negra Hipolita.

On 15 December 1960, Baudouin was married in Brussels to Doña Fabiola de Mora y Aragón.

The piece is actually the third act sequence from George Bernard Shaw's play Man and Superman, frequently cut from productions to reduce its playing time, consisting of a philosophical debate between Don Juan and the Devil with contributions from Doña Ana and the statue of Ana's father.