Feminist literary criticism is literary criticism informed by feminist theory, or by the politics of feminism more broadly.

These include Feminist, and post-modernist criticism, historic, sociological and psychological analyses, and literary analysis.

* Feminist literary criticism

Feminist literary theory identifies Ayesha's death in the fire as a punishment for her transgression of Victorian gender boundaries. Feminist literary historians have tended to define the figure of She as a literary manifestation of male alarm over the " learned and crusading new woman ".

* Feminist literary criticism

Feminist criticism of the Bible utilizes the same means and essentially strives for the same ends as feminist literary criticism.

Feminist literary criticism is literary criticism informed by feminist theories or politics.

# REDIRECT Feminist literary criticism

In her essay Feminist Criticism in the Wilderness ( 1981 ), Showalter says, " A cultural theory acknowledges that there are important differences between women as writers: class, race nationality, and history are literary determinants as significant as gender.

Feminist critics have explored her descent into madness.

Feminist critics believe that it adopts archaic attitudes toward women, such as worshiping them symbolically through stereotypes and sexist norms.

Feminist critics have attacked the scene as representative of an anti-feminist viewpoint in Rand's works that makes women subservient to men.

Feminist critics of Rawls, such as Susan Moller Okin, largely focused on weakness of Rawls ' in accounting for the injustices and hierarchies embedded in familial relations.

Feminist critics, however, have criticized her selection as reinforcing sexist stereotypes about women's roles.

Feminist critics see the poem as concerned with issues of women's sexuality and their place in the Victorian world.

Feminist postcolonial critics, however, decry the fact that Gauguin took adolescent mistresses, one of them as young as thirteen.

Feminist critics are usually concerned with the fact that dualisms force false dichotomies ( partition of a whole ) onto women and men, failing to see that life is less either / or than both / and, as Relational Dialectics Theory holds.

According to Cynthia A. Freeland in " Feminist Frameworks for Horror Films ," feminist studies of horror films have focused on psychodynamics where the chief interest is " on viewers ' motives and interests in watching horror films ".

Feminist theologians have supported the use of non-or multi-gendered language for God, arguing that language powerfully impacts belief about the behavior and essence of God.

Feminist historical theologians study the roles of women in periods throughout history that have impacted religion: the Biblical period, the early Christian era, medieval Europe, and any period of import to a particular religion.

Feminist movements, with varying approaches and successes, have opened up within all major branches of Judaism.

The changes under critical geography have led to contemporary approaches in the discipline such as Feminist geography, New cultural geography, and the engagement with postmodern and post structural theories and philosophies.

Feminist theorists argue that she goes mad with guilt because, when Hamlet kills her father, he has fulfilled her sexual desire to have Hamlet kill her father so they can be together.

Feminist advocates within Orthodoxy have tended to stay within the traditional legal process of argumentation, seeking a gradualist approach, and avoiding wholesale arguments against the religious tradition as such.

Feminist scholars of biblical literature have offered a range of different responses to the Song.

Feminist interpretations have also appeared, with Dena Goodman being one notable example.

Feminist writers have suggested that the less prejudicial usage of the Old English sources reflects more egalitarian notions of gender at the time.

" Feminist theorists have attempted to recover the subject and " subjectivity.

Feminist theorists have paid close attention to these mechanisms.

Feminist economics often assert that power relations exist within the economy, and therefore, must be assessed in economic models in ways that they previously have been overlooked.

" Feminist economist Eiman Zein-Elabdin says racial and gender differences should be examined since both have traditionally been ignored and thus are equally described as " feminist difference.

Feminist economists have argued that unpaid domestic work is as valuable as paid work, so measures of economic success should include unpaid work.

Feminist economists have also highlighted power and inequality issues within families and households.

" Feminist economists have criticized the SNA for this exclusion, because by leaving out unpaid work, basic and necessary labor is ignored.

Feminist economists such as Marilyn Power, Ellen Mutari and Deborah M. Figart have examined the gender pay gap and found that wage setting procedures are not primarily driven by market forces, but instead by the power of actors, cultural understandings of the value of work and what constitutes a proper living, and social gender norms.

Feminist theorists have focused on Sleeping Beauty's extreme passivity and the sexual nature of her awakening in the fairy tale.

To different interpreters, this early Japanese shaman queen can appear as evidence of: communalism ( Marxists ), Jōmon priestess rulers ( Feminist history ), Japanese conquest of Korea ( Akima 1993 ), mongolian conquest of Japan ( Namio Egami's " horserider theory "), the imperial system originating with tandem rule by a female shaman and male monarch ( Mori 1979 ), the " patriarchal revolution " replacing female deities and priestesses with male counterparts ( Ellwood 1990 ), or a shamanic advisor to the federation of Wa chieftains who " must have looked like a ruling queen to Chinese envoys " ( Matsumoto 1983 ).

Feminist theorists and others have examined why this is the case.

Feminist Susan Faludi discussed the film in Backlash, arguing that major changes had been made to the original plot in order to make Alex wholly negative, while Dan's carelessness and the lack of compassion and responsibility raised no discussion, except for a small number of fundamentalist men's groups who said that Dan was eventually forced to own up to his irresponsibility in that " everyone pays the piper ".

" Feminist economists often extend these criticisms to many aspects of the social world, arguing that power relations are an endemic and important feature of society.

" Feminist economics holds that such a reformation provides a better description of the actual experiences of both men and women in the market, arguing that mainstream economics overemphasizes the role of individualism, competition and selfishness of all actors.

Feminist writer Cathy Young responds to Hochschild's assertions by arguing that in some cases, women may prevent the equal participation of men in housework and parenting.

In addition to societal studies, Feminist Geography also critiques Human Geography and other academic disciplines, arguing that academic structures have been traditionally characterized by a patriarchal perspective, and that contemporary studies which do not confront the nature of previous work reinforce the masculine bias of academic study.