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FileMaker and relational
FileMaker Pro is a cross-platform relational database application from FileMaker Inc., formerly Claris, a subsidiary of Apple Inc.
Until 2004, each table of a FileMaker database system was stored as a separate file ( with relational links to other files ) and each file had its own built-in interface capabilities.

FileMaker and was
FileMaker evolved from a DOS application, but was then developed primarily for the Apple Macintosh.
FileMaker server briefly ran on Linux, but Linux support was abandoned with FileMaker 7, and the server currently runs only on Windows or Apple servers.
When Apple introduced the Macintosh Plus in 1986 the next version of FileMaker was named FileMaker Plus to reflect the new model's name.
Microsoft had introduced its own database application, Microsoft File, shortly before FileMaker, but it was outsold by FileMaker and Microsoft discontinued it.
By 1995 FileMaker was the only strong-selling product in Claris's lineup.
FileMaker 9 was released on July 10, 2007.
FileMaker 10 was released on January 5, 2009, before the Macworld Conference & Expo.
FileMaker 11 was released on March 9, 2010.
FileMaker 12 was released on April 4, 2012.
FileMaker Go 11 for iPhone and iPad was released on July 20, 2010.
FileMaker Go 12 for iPhone and iPad was released on April 4, 2012.
A certification program was introduced by FileMaker Inc. in 2004 to provide differentiation of professionals in the field.
After rebranding in a style similar to FileMaker, MacDraw and MacWrite, it was released in 1991 as ClarisWorks, and became another huge success for the company.
The result was the " Pro " series: MacDraw Pro, MacWrite Pro and FileMaker Pro.
Facing declining sales, Claris management decided that FileMaker was the only product worth keeping, and put all of the rest of the products on indefinite hold.
By 1998 the transition was complete and the company renamed itself as FileMaker Inc. Claris's only other major product, ClarisWorks, was taken back by Apple to become AppleWorks.
The latter was discontinued in 2001 leaving FileMaker as its lone offering until January 8, 2008, when the company released Bento, a template-based database application with a leaning toward information from other applications.
Given that the program was really a completely new Mac-only system, it had to compete with other Mac-only database systems like 4th Dimension, Helix and FileMaker.
That same year, Novalogic was fined $ 153, 500 by the Business Software Alliance after an audit found they had unlicensed copies of software by Adobe, Apple, Autodesk, FileMaker, Macromedia, Microsoft and Symantec.

FileMaker and file
Other " plugs " added features to the interface and enabled FileMaker to serve as an FTP client, perform external file operations, and send messages to remote FileMaker files over the Internet or an intranet.

FileMaker and .
Ampersand is the string concatenation operator in many BASIC dialects, AppleScript, Lingo, HyperTalk, and FileMaker.
Current versions are: FileMaker Pro 12, FileMaker Pro Advanced 12, FileMaker Server 12, FileMaker Server Advanced 12, and FileMaker Go 12 for iPhone and iPad.
FileMaker began as a MS-DOS-based computer program named Nutshell-developed by Nashoba Systems of Concord, Massachusetts, around 1982 or 1983.
Nashoba found another distributor, Forethought Inc., and introduced the program on the Macintosh platform as FileMaker.
Microsoft negotiated with Nashoba for the right to publish FileMaker, but Nashoba decided to self-publish the next version, FileMaker 4.
FileMaker, however, continued to succeed on the Macintosh platform.
Claris changed the product's name to FileMaker II to conform to its naming scheme for other products, such as MacWrite II, but the product changed little from the last Nashoba version.
Several minor versions followed, and things finally settled down with the release of FileMaker Pro 1. 0 in 1990.
In 1998, Apple moved development of some of the other Claris products in house, dropped most of the rest, and changed Claris's name to FileMaker, Inc., to concentrate on that product.

and s
The AMPAS was originally conceived by Metro-Goldwyn-Mayer studio boss Louis B. Mayer as a professional honorary organization to help improve the film industry s image and help mediate labor disputes.
The International Encyclopedia of the Social Sciences defines psychological altruism as " a motivational state with the goal of increasing another s welfare ".
Psychological altruism is contrasted with psychological egoism, which refers to the motivation to increase one s own welfare.
One way is a sincere expression of Christian love, " motivated by a powerful feeling of security, strength, and inner salvation, of the invincible fullness of one s own life and existence ".
Another way is merely " one of the many modern substitutes for love, ... nothing but the urge to turn away from oneself and to lose oneself in other people s business.
* David Firestone-When Romney s Reach Exceeds His Grasp-Mitt Romney quotes the song
" Swift extends the metaphor to get in a few jibes at England s mistreatment of Ireland, noting that " For this kind of commodity will not bear exportation, and flesh being of too tender a consistence, to admit a long continuance in salt, although perhaps I could name a country, which would be glad to eat up our whole nation without it.
George Wittkowsky argued that Swift s main target in A Modest Proposal was not the conditions in Ireland, but rather the can-do spirit of the times that led people to devise a number of illogical schemes that would purportedly solve social and economic ills.
In response, Swift s Modest Proposal was " a burlesque of projects concerning the poor ", that were in vogue during the early 18th century.
Critics differ about Swift s intentions in using this faux-mathematical philosophy.
Charles K. Smith argues that Swift s rhetorical style persuades the reader to detest the speaker and pity the Irish.
Swift s specific strategy is twofold, using a " trap " to create sympathy for the Irish and a dislike of the narrator who, in the span of one sentence, " details vividly and with rhetorical emphasis the grinding poverty " but feels emotion solely for members of his own class.
Swift s use of gripping details of poverty and his narrator s cool approach towards them create " two opposing points of view " that " alienate the reader, perhaps unconsciously, from a narrator who can view with ' melancholy ' detachment a subject that Swift has directed us, rhetorically, to see in a much less detached way.
Once the children have been commodified, Swift s rhetoric can easily turn " people into animals, then meat, and from meat, logically, into tonnage worth a price per pound ".
Swift uses the proposer s serious tone to highlight the absurdity of his proposal.
In making his argument, the speaker uses the conventional, text book approved order of argument from Swift s time ( which was derived from the Latin rhetorician Quintilian ).
James Johnson argued that A Modest Proposal was largely influenced and inspired by Tertullian s Apology: a satirical attack against early Roman persecution of Christianity.
Johnson notes Swift s obvious affinity for Tertullian and the bold stylistic and structural similarities between the works A Modest Proposal and Apology.
He reminds readers that " there is a gap between the narrator s meaning and the text s, and that a moral-political argument is being carried out by means of parody ".

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