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Page "Al Capp" ¶ 53
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Frazetta and later
However, Frazetta returned briefly a few years later to draw a public service comic book called Li ' l Abner and the Creatures from Drop-Outer Space, distributed by the Job Corps in 1965.

Frazetta and fantasy
" Costume designer Aggie Guerard Rodgers noted that the inspiration for Leia's slave outfit came from the artwork of famed fantasy and science fiction illustrator Frank Frazetta.
By 1982, fantasy films such as The Beastmaster and Conan the Barbarian had proven successful at the box office, and Bakshi wanted to work with his long-time friend, the fantasy illustrator Frank Frazetta.
They included Andy Amato, Harvey Curtis, Walter Johnson and, notably, a young Frank Frazetta, who penciled the Sunday continuity from studio roughs from 1954 to the end of 1961 — before his fame as a fantasy artist.
Frank Frazetta ( February 9, 1928 – May 10, 2010 ) was an American fantasy and science fiction artist, noted for work in comic books, paperback book covers, paintings, posters, LP record album covers and other media.
Additionally, Roger Sweet has claimed also to have been " real impressed " by the paintings of fantasy artist Frank Frazetta when creating He-Man.
Most of Molly Hatchet album covers feature heroic fantasy inspired art, some of which were painted by artists Frank Frazetta and Boris Vallejo.
By 1982, fantasy films had proven to be considerably successful at the box office, including The Beastmaster and Conan the Barbarian, and Bakshi had a desire to work with long-time friend and fantasy illustrator Frank Frazetta.
" Many good fantasy artists will tell you their influences are Frazetta or Boris Vallejo.

Frazetta and artist
In 1944, at age 15, Frazetta, who had " always had this urge to be doing comic books ", began working in comics artist Bernard Baily's studio doing pencil clean-ups.
* Frank Frazetta, artist, lived in Sheepshead Bay
Originally hired to rule panel borders, erase pencils and fill in blacks for other illustrators, he sat next the teenaged artist Frank Frazetta.
World renowned illustration artist Frank Frazetta called Jones " the greatest living painter ".

Frazetta and assisted
In addition, at various times during his tenure, he was assisted in his artwork by a number of artists including Bob Fujitani, Fred Kida, Frank Frazetta.

Frazetta and on
His Prince Valiant pages were much admired by other artists, and he became a key influence on several generations of artists who were creating realistic comic strip and comic book illustrations, including Joe Kubert, Frank Frazetta, George Pratt, Mark Schultz, William Stout, Warren Tufts, the British illustrator Bill Ward, Al Williamson and Wally Wood.
Issue # 18 " Life on Mars "-" after Frazetta "
Cho freely mixes visual styles in the strip, drawing the majority of the cast like Walt Kelly's anthropomorphic animals, borrowing Dave Stevens's pin-up look for Brandy, and routinely throwing in savage musclemen, apes and dinosaurs in an elaborate homage to multiple illustrators, including Frank Frazetta and Barry Windsor-Smith's work on Conan the Barbarian.
From that point on, with the exception of some basic art classes, Cho refined his abilities by himself without any formal training, finding influence in Depression-era comics as Prince Valiant and Li ' l Abner, and in the work of artists such as Norman Rockwell, N. C. Wyeth, Andrew Loomis, Al Williamson and Frank Frazetta.
His style, reliant on paints, acrylics, inks and multiple-mediums, is strongly influenced by Frank Frazetta, Bill Sienkiewicz, Gustav Klimt, Salvador Dalí, Egon Schiele, and Richard Corben.
* Death Dealer ( art by Liam Sharp, based on the Frank Frazetta painting of the same name.
The animated feature, based on characters Bakshi and Frazetta co-created, was made using the process of rotoscoping, in which scenes were shot in live action and then traced onto animation cels.
In 2005, it was released on DVD by Blue Underground Entertainment on a limited edition two-disc set, paired with the documentary Frazetta: Painting With Fire, about the film's co-creator and producer, Frank Frazetta.

Frazetta and strip
Ironically, this highly irregular policy ( along with the subsequent fame of Frank Frazetta ) has led to the misconception that his strip was " ghosted " by other hands.
Fascinated by Frazetta's abilities, Capp initially gave him a free hand in an extended daily sequence ( about a biker named " Frankie ," a caricature of Frazetta ) to experiment with the basic look of the strip by adding a bit more realism and detail ( particularly to the inking ).
His scratchy pen-and-ink style is influenced by the impressionists, illustrators of the age of " liberated penmanship " such as Phil May, Charles Dana Gibson, John Leech and George du Maurier, and cartoonists Milton Caniff and Frank Frazetta ( particularly his Johnny Comet strip ).

Frazetta and from
He was a brilliant guy — but a little screwed up ," Frazetta has said ( from The Comic Art of Frank Frazetta, 2008 ).
I said goodbye ," ( from Frazetta: Painting with Fire ).
Bakshi and Frazetta were heavily involved in the production of the live-action sequences, from casting sessions to the final shoot.
More recently, Dark Horse Comics reprinted the limited series Al Capp's Li ' l Abner: The Frazetta Years, in four full-color volumes covering the Sunday pages from 19541961.
His collection included items from Frank Frazetta, Barry Smith, and Bernie Wrightson.
Several issues were reprinted in paperback in the 60s, as noted above ( one had a Frank Frazetta cover, several had Jeff Jones art, and several reprinted covers from the German SF series Perry Rhodan the Doctor Cyclops reprint book ).
* Battle Chasers: A Gathering of Heroes ( ISBN 1-56389-538-2 ; reprints Battle Chasers # 1 – 5, the Prelude and the story from Frank Frazetta Fantasy Illustrated # 2 )
Bakshi and Frazetta were heavily involved in the production of the live-action sequences, from casting sessions to the final shoot.

Frazetta and 1954
Frazetta authority David Winiewicz described the everyday working mode of operation in Li ' l Abner Dailies: 1954 Volume 20 ( Kitchen Sink, 1994 ):

Frazetta and 1961
In 1961, Capp, complaining of declining revenue, wanted to have Frazetta continue with a 50 % pay cut.

Frazetta and .
According to Capp ’ s longtime friend Milton Caniff, Capp was “ charming ” when he chose to be, but he added, “ He could be very difficult if he didn ’ t like you .” Frank Frazetta described Capp as " exasperating, infuriating, domineering, obnoxious, loud, lots of fun, acidic and lovable.
" He had the touch ," Frazetta said of Capp in 2008.
This work was collected by Dark Horse Comics in a four-volume hardcover series entitled Al Capp's Li ' l Abner: The Frazetta Years.
Cover art by Frank Frazetta.
Its covers featured dynamic images by Frank Frazetta that, for many fans, presented the definitive impression of Conan and his world.
* 1928 – Frank Frazetta, American illustrator ( d. 2010 )
) Frank Frazetta ( 3 bylines ), Ernie Kovacs ( 11 ), Bob and Ray ( 12 ), and Sid Caesar ( 4 ) appeared slightly more frequently.
As of May 2009, Rodriguez plans to produce a live-action remake of Fire and Ice, a 1983 film collaboration between painter Frank Frazetta and animator Ralph Bakshi.
Prominent art judges have included: Bob Eggleton, Frank Kelly Freas, Frank Frazetta, Will Eisner, Edd Cartier, Stephen Youll, Stephen Hickman, and Leo and Diane Dillon.
** Frank Frazetta, American illustrator ( d. 2010 )
Regular contributors included Wally Wood, Jack Davis, Will Elder, George Evans, Harry Harrison, Graham Ingels, Al Williamson, Johnny Craig, Reed Crandall, Jack Kamen, Bernard Krigstein, John Severin, Joe Orlando and Frank Frazetta, along with editor / artists Harvey Kurtzman and Al Feldstein.
His editors, Al Feldstein and Harvey Kurtzman, who also drew covers and stories, gave assignments to such prominent and highly accomplished freelance artists as Johnny Craig, Reed Crandall, Jack Davis, Will Elder, George Evans, Frank Frazetta, Graham Ingels, Jack Kamen, Bernard Krigstein, Joe Orlando, John Severin, Al Williamson, Basil Wolverton, and Wally Wood.
A derivative hillbilly feature called Looie Lazybones, an out-and-out imitation ( drawn by a young Frank Frazetta ) ran in several issues of Standard's Thrilling Comics in the late 1940s.
" He had the touch ," Frazetta said of Capp in 2008.
Lindsay influenced more than a few artists, notably the illustrators Roy Krenkel and Frank Frazetta ; he was also good friends with Ernest Moffitt.

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