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Fripp and disbanded
Singer / bassist John Wetton and drummer Bill Bruford had worked together in King Crimson from 1972-4, when guitarist Robert Fripp disbanded the group.
It was their last studio recording of the 1970s and the last before the lead member Robert Fripp temporarily disbanded the group.

Fripp and King
* Robert Fripp of King Crimson
The 1990s edition of King Crimson toured as a " double power trio " ( according to leader Robert Fripp ), with two drummers, two bassists and two guitars.
However, after being presented with the highly experimental recording ( produced by Robert Fripp of King Crimson ), RCA became unwilling to release what was, in their view, a non-commercial album.
Around this time, Belew also met King Crimson guitarist Robert Fripp at a Steve Reich concert.
Adrian Belew has been the singer, guitarist and frontman ( as well as occasional drummer ) in King Crimson since 1981, and has maintained the position ever since despite several splits or hiatuses in group activity ( and despite a very brief period in the early 1990s during which group leader Fripp unsuccessfully invited singer David Sylvian to front a possible new version of the band ).
This made Belew the first guitarist to formally play alongside Fripp within King Crimson on an equal footing ( although both Ian McDonald and John Wetton had very occasionally contributed extra guitar to previous King Crimson recordings ).
However, 1984's Three of a Perfect Pair proved tortuous to write, and although King Crimson eventually created another successful album ( including some Belew experiments with fretless guitar ), Fripp opted to split the band in 1984.
Willcox married Robert Fripp of King Crimson in 1986 in Poole, Dorset.
* Trey Gunn played Chapman Stick with Robert Fripp, David Sylvian, Sunday All Over the World and King Crimson.
The album contained significant contributions from noted guitarists Bill Nelson of Be-Bop Deluxe and Robert Fripp of King Crimson.
In the early 1990s, guitarist Robert Fripp invited Sylvian to sing with progressive rock stalwarts King Crimson.
In the early 1970s, he joined King Crimson as a vocalist and bass guitar player and was taught how to play the instrument by guitarist Robert Fripp.
* Guitar Craft, an association of guitarists inspired by Robert Fripp ( King Crimson )
In their primordial form, Giles, Giles & Fripp, augmented by McDonald and ex-Fairport Convention vocalist Judy Dyble, recorded an early version of the McDonald-Sinfield song " I Talk to the Wind ", which later became part of King Crimson's repertoire.
Living in Seattle gave Rieflin the opportunity to build relationships with other prominent musicians including Robert Fripp and Trey Gunn of King Crimson, Scott McCaughey of the Young Fresh Fellows, Sascha Konietzko of KMFDM and Peter Buck of R. E. M.
* Toyah Willcox, actor, singer, and wife of Robert Fripp of rock band King Crimson.
For their second album, Matching Mole's Little Red Record, released in November 1972 and produced by Robert Fripp of King Crimson, Sinclair was replaced by New Zealand-born keyboard player and composer Dave MacRae who had already played a guest role on the first album.
This album is the debut of King Crimson's third incarnation, featuring original member and guitarist Robert Fripp and new members John Wetton ( vocals, bass guitar ), David Cross ( violin, Mellotron ), Jamie Muir ( percussion ), and Bill Bruford ( drums ).
+ 36 page booklet with an extensive new interview with Robert Fripp, notes by King Crimson biographer Sid Smith, album sleeve print, concert ticket replica ( with code for further concert download ) & band photo postcards – limited to initial orders, one pressing only to a worldwide maximum limit of 7, 000 units.
During the 1970s progressive rock, experimental rock, art rock, krautrock and avant-prog genres demonstrated the influence of experimental music, including minimalism, for example acts such as Soft Machine, King Crimson, Brian Eno, Robert Fripp and Mike Oldfield.
The term originated in reference to medieval French motets, but the technique remains in common use in contemporary music ( Louis Andriessen's Hoketus ), popular music ( funk, stereo panning, the work of Robert Fripp and Adrian Belew in King Crimson ), Indonesian gamelan music ( interlocking patterns shared between two instruments — called imbal in Java and Kotekan in Bali ), Andean siku ( panpipe ) music ( two pipe sets sharing the full number of pitches between them ), handbell music ( tunes being distributed between two or more players ), Rara street processions in Haiti, as well as in the Gaga in the Dominican Republic and many African cultures such as the Ba-Benzélé ( featured on Herbie Hancock's " Watermelon Man ", see Pygmy music ), Mbuti, Basarwa ( Khoisan ), the Gumuz tribe from the Blue Nile Province ( Sudan ), and Gogo ( Tanzania ).
She appears as a guest vocalist on the debut album of The Human Experimente, a project which also features Robert Fripp of King Crimson, John Wetton of Asia and King Crimson, Maynard James Keenan of Tool, A Perfect Circle and Puscifer, Adrian Belew of Frank Zappa, David Bowie, Talking Heads and King Crimson, U-G-O with Sean Kingston, and Dann Pursey of Globus and Vantan.

Fripp and Crimson
With the album on sale, Fripp and Sinfield remained in the awkward position of having King Crimson material and releases available, but not having a band to play it.

Fripp and on
* " Mary ," a song by Robert Fripp on Exposure
This arrangement was issued on their second LP, In the Wake of Poseidon, although for copyright reasons it was renamed " The Devil's Triangle " and Robert Fripp claimed authorship, with Holst receiving no composer credit. A third progressive-rock band, Manfred Mann's Earth Band, performed an arrangement of " Jupiter " with lyrics which they entitled " Joybringer ". Black Metal / Viking Metal band Bathory arranged a section of " Jupiter " as the melody of the song " Hammerheart ", from the album Twilight of the Gods.
After the Synchronicity tour ended in March 1984, the band went on hiatus while Sting recorded and toured in support of his successful solo debut LP, the jazz-influenced The Dream of the Blue Turtles, released in June 1985, Copeland recorded and filmed The Rhythmatist ( 1985 ) and Summers recorded another album with Robert Fripp ( Bewitched, 1984 ) and the theme song for the film 2010.
Fripp identified four races based on the following corolla characteristics:
With this album, the band began to shed its original shoegazing tag, while still making skillful use of atmospherics, such as on the song " Fripp.
Later, inspired by Terry Riley's use of one tape on two tape machines, Brian Eno and Robert Fripp created the technical basis for their No Pussyfooting album — this technological concept was later dubbed Frippertronics.
The wooden B & ER station was known locally as " The Cowshed "; but a grand headquarters was built at street level on the west side of its station in 1852-54 to the Jacobean designs of Samuel Fripp.
Gurdjieff is said to have had a strong influence on many modern mystics, artists, writers, and thinkers, including Osho ( Bhagwan Shree Rajneesh ), Frank Lloyd Wright, Keith Jarrett, George Russell ( composer ), Alan Watts, Timothy Leary, Robert Anton Wilson, Robert Fripp, Jacob Needleman, John Shirley, Carlos Castaneda, Dennis Lewis, Peter Brook, Kate Bush, P. L. Travers, Robert S de Ropp, Walter Inglis Anderson, Jean Toomer, Alejandro Jodorowsky, Louis Pauwels, James Moore and Abdullah Isa Neil Dougan.
" Robert Fripp, who worked with Eno on ( No Pussyfooting ) and Here Come the Warm Jets, performed the solo on " St. Elmo's Fire ".
Eno asked Fripp to improvise a lightning-fast guitar solo that would imitate an electrical charge between two poles on a Wimshurst high voltage generator.
" Robert Fripp joined his wife on her 1991 album Ophelia's Shadow ( 1991 ) which, along with Dreamchild ( 1994 ), received good reviews.
* ' Fracture ', a moto perpetuo piece based on the whole-tone scale composed by guitarist Robert Fripp and included on the 1974 album ' Starless and Bible Black '.
He played guitar on a range of projects including an Algerian Raï music album for Cheikha Rimitti called Sidi Mansour, which also featured Red Hot Chili Peppers bassist Flea and Robert Fripp, to garage-pop with Pearl Harbor, retro-jungle-surf with Johnny Feelings, and exotica lounge music with Frenchy.
Fripp first used the technique while recording in Brian Eno's home studio, combining guitar performance with two-machine tape delay, on the 21-minute piece " The Heavenly Music Corporation " released on the album ( No Pussyfooting ) in 1973.
Included was the method of rewinding the recorded tape, to be played back while Fripp would improvise a guitar solo on top of it.
At that time, as well as in late 1972, the melody was played by Fripp on guitar.
Abbe's contemporary H. E. Fripp, English translator of Abbe's and Helmholtz's papers, puts their contributions on equal footing.
Dark ambient evolved partially based on several of Brian Eno's early solo albums ( Another Green World -> In Dark Trees, Music For Films ) and colaboration that had a distinctly dark or discordant edge, notably " An Index of Metals " ( from Evening Star, 1975 ), a collaboration with Robert Fripp that incorporated harsh guitar feedback, the ambient pieces on the second half of David Bowie's Low ( 1977 ) and " Heroes ", Fourth World, Vol.

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