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German and Expressionism
The Bauhaus was founded at a time when the German zeitgeist had turned from emotional Expressionism to the matter-of-fact New Objectivity.
The influence of German Expressionism favoured by Itten was analogous in some ways to the fine arts side of the ongoing debate.
Edvard Munch (; 12 December 1863 – 23 January 1944 ) was a Norwegian painter and printmaker whose intensely evocative treatment of psychological themes built upon some of the main tenets of late 19th-century Symbolism and greatly influenced German Expressionism in the early 20th century.
Film noir's aesthetics are deeply influenced by German Expressionism, an artistic movement of the 1910s and 1920s that involved theater, photography, painting, sculpture, and architecture, as well as cinema.
Including Journey's End ( 1930 ), Whale directed a dozen films for Universal Studios between 1930 and 1936, developing a style characterized by the influence of German Expressionism and a highly mobile camera.
Whale was heavily influenced by German Expressionism.
Expressionism was a predominantly German artistic movement best exemplified by Die Brücke, and by the paintings of Emil Nolde and Ernst Kirchner in particular.
* German Expressionism
German visual art, music, and literature were all strongly influenced by German Expressionism at the start of the Weimar Republic.
Director Fritz Lang created perhaps the most globally well-known cinema examples of German Expressionism.
* German Expressionism
Group style can include film styles such as German Expressionism, Italian Neorealism, and Soviet Montage, for example.
# REDIRECT German Expressionism
Important precursors of Expressionism were: the German philosopher Friedrich Nietzsche ( 1844-1900 ), especially his philosophical novel Thus Spoke Zarathustra ( 1883-92 ); the later plays of the Swedish dramatist August Strindberg ( 1849-1912 ), including the trilogy To Damascus 1898-1901, A Dream Play ( 1902 ), The Ghost Sonata ( 1907 ); Frank Wedekind ( 1864-1918 ), especially the " Lulu " plays Erdgeist ( Earth Spirit ) ( 1895 ) and Die Büchse der Pandora ( Pandora's Box ) ( 1904 ); the American poet Walt Whitman ( 1819-92 ): Leaves of Grass ( 1855-91 ); the Russian novelist Fyodor Dostoevsky ( 1821-81 ); Norwegian painter Edvard Munch ( 1863-1944 ); Dutch painter Vincent van Gogh ( 1853-90 ); Belgian painter James Ensor ( 1860-1949 ); Sigmund Freud ( 1856-1939 ).
Expressionism has been likened to Baroque by critics such as art historian Michel Ragon and German philosopher Walter Benjamin.
The term " expressionist " is also sometimes used to refer to stylistic devices thought to resemble those of German Expressionism, such as Film Noir cinematography or the style of several of the films of Ingmar Bergman.
Expressionism was a dominant influence on early 20th-century German theatre, of which Georg Kaiser and Ernst Toller were the most famous playwrights.
Among the poets associated with German Expressionism were Georg Trakl, Gottfried Benn, Georg Heym, Else Lasker-Schüler, Ernst Stadler, and August Stramm.
* German Expressionism A free resource with paintings from German expressionists ( high-quality ).
Although the term " abstract expressionism " was first applied to American art in 1946 by the art critic Robert Coates, it had been first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism.
* Eisner, Lotte H. ( 1969 ) The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt ( translated from the French by Roger Greaves ) University of California Press, Berkeley, California, ISBN 978-0-520-25790-0
Emil Nolde and German Expressionism: A prophet in his Own Land Ann Arbor, Mich: UMI Research Press.

German and had
He was disturbed by what had happened on the dive and by what he remembered of a conversation he had had the night before with the German, who had come out of the head while he was fixing himself a drink in the galley.
`` Thank you '', the German had said courteously.
He had presented the first German performances of Puccini's Manon Lescaut and De Falla's La Vida Breve.
During the 1920's the Abstractionists, the German Bauhaus group of industrial designers, and the new architects all had the dream of some well ordered utopia, or welfare state, in which their neat and logical constructions might find their proper place.
At Stettin the university-educated artist, who had studied German, was chosen to serve as interpreter and clerk in the office of the Stalag commander.
But both were high-spirited and vivacious, both had tempers to control, both loved languages, especially English and German, both were good teachers and wrote for publication.
Victor Berger, the panjandrum of Wisconsin Socialism and member of Congress, had asked Paula Steichen to translate some of his German editorials into English.
The moving of millions of the German master-race, from the very heart of Junkerdom, to make room for the Polish Slavs whom they had enslaved and openly planned to exterminate was a drastic operation, but there was little doubt that it was historically justified.
The injured German veteran was a former miner, twenty-four years old, who had been wounded by shrapnel in the back of the head.
It was getting on toward 7 o'clock and the German Me-210 plane had been and gone on its eighth straight visit.
He knew that German long-range bombers had been returning to the attack in Italy.
In other words, the promulgators of the murder plan made clear that physically exterminating the Jews was but an extension of the anti-Semitic measures already operating in every phase of German life, and that the new conspiracy counted on the general anti-Semitism that had made those measures effective, as a readiness for murder.
Since the magnitude of the plan made secrecy impossible, once the wheels had began to turn, persons controlling German industries, social institutions, and armed forces became, through their anti-Semitism or their tolerance of it, conscious accomplices of Hitler's crimes ; ;
Influenced by the German tradition, Boas argued that the world was full of distinct cultures, rather than societies whose evolution could be measured by how much or how little " civilization " they had.
* 1914 – World War I: First Battle of the Atlantic – two days after the United Kingdom had declared war on Germany over the German invasion of Belgium, ten German U-boats leave their base in Heligoland to attack Royal Navy warships in the North Sea.
German historian Ernst Kornemann has had it in his Römische Geschichte vols., ed.
Ariovistus had become involved in an invasion of Gaul, which the German wished to settle.
The projected union initially aroused great opposition: he did not consult with his father, who had been on vacation in Karlovy Vary and making arrangements to secure the hand of a German princess for his son, or his Prime Minister Dr. Vladan Đorđević, who was visiting the Paris Universal Exhibition at the time of the announcement.
The following year he was called to face German invaders in Gaul, who had breached the Rhine frontier in several places, destroying forts and over-running the countryside.
* 1983 – The German magazine Der Stern claims that the " Hitler Diaries " had been found in wreckage in East Germany ; the diaries are subsequently revealed to be forgeries.
" It is highly probable that the correct information about the sulphonamide did not reach the newspapers because, since the original sulphonamide antibacterial, Prontosil, had been a discovery by the German laboratory Bayer, and as Britain was at war with Germany at the time, it was thought better to raise British morale by associating Churchill's cure with the British discovery, penicillin.

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