There is an abundance of autobiographical information on Goldoni, most of which comes from the introductions to his plays and from his Memoirs.

* The film Carlo Goldoni – Venice, Grand Theatre of the World, directed by Alessandro Bettero, was released in 2007 and is available in English, Italian, French, and Japanese.

Carlo Goldoni is known to have burned his first play, a tragedy called Amalasunta, when encountering unfavorable criticism.

It is the moment at which the self-consciously sentimental theatrical project of Carlo Goldoni ( the opera's librettist ) is married with the developing musical language of classicism.

The 21st-century editor and musicologist Francesco Luisi writes that although this description is not strictly accurate, the Galuppi – Goldoni operas were " a genuinely new beginning for musical theatre ".

The Venetian Twins ( Italian-I due gemelli veneziani, or " The two Venetian twins ") is a 1747 play by Carlo Goldoni, based on Plautus's Menaechmi.

Chioggia served Carlo Goldoni as the setting of his play Le baruffe chiozzotte, one of the classics of Italian literature: a baruffa was a loud brawl, and chiozzotto ( today more frequently chioggiotto in Italian, or cioxoto in Venetan ) is the demonym for Chioggia.

Goldoni took his setting seriously: the play is replete with lacemaking, fishermen, and other local color.

Goldoni and Galuppi's most famous work together is probably Il filosofo di campagna ( 1754 ).

Popular characters with Gozzi and Goldoni, but said to be best when used for improvisations.

He played many celebrated roles by major Romanian playwrights ( Ion Luca Caragiale, Barbu Ştefănescu Delavrancea, Camil Petrescu, Tudor Muşatescu, Mircea Ştefănescu, Victor Ion Popa, Victor Eftimiu, Mihail Sebastian, Aurel Baranga, Mirodan ) and universally known roles by Shakespeare, Goldoni, Gogol, Anton Chekhov, George Bernard Shaw, Gorki, Albert Camus, Jules Romains, Eugen Ionescu, Jean Anouilh, Friedrich Dürrenmatt, Edward Albee, Peter Schaffer, Patrick Süskind, Neil Simon, and Umberto Eco ).

Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty.

Goldoni says that he took for his models the plays of Molière and that whenever a piece of his own succeeded he whispered to himself: " Good, but not yet Molière.

Goldoni was inspired by his love of humanity and the admiration he had for his fellow men.

Goldoni had a dislike for arrogance, intolerance and the abuse of power.

Goldoni maintains an acute sensibility for the differences in social classes between his characters as well as environmental and generational changes.

The displacement of the old Italian comedy by the dramas of Pietro Chiari and Carlo Goldoni, modelled on French examples, threatened to defeat the society's efforts ; in 1757 Gozzi came to the rescue by publishing a satirical poem, La tartana degli influssi per l ' anno 1756, and in 1761 his comedy based on a fairy tale, The Love for Three Oranges or Analisi riflessiva della fiaba L ' amore delle tre melarance, a parody of the style of the other two poets.

To perform it, he obtained the services of the Sacchi company of players, who had been left without employment because the popularity of the comedies of Chiari and Goldoni offered no scope for the display of their particular talents.

In his early career Galuppi made a modest success in opera seria, but from the 1740s, together with the playwright and librettist Carlo Goldoni, he became famous throughout Europe for his comic operas in the new dramma giocoso style.

Although an established and eminent playwright by the time he worked with Galuppi, Goldoni was happy for his libretti to be subservient to the music.

His other theatre credits include < nowiki >'</ nowiki > Tis Pity She's a Whore, The Greeks ( which received the 1999 LA Weekly Theater Award for Production of the Year ) and The Goldoni Trilogy.

He has also translated plays by Carlo Goldoni, Bertolt Brecht and Herman Heijermans and co-written the screenplays for recent adaptations of Jane Austen's Pride & Prejudice and Kenneth Grahame's The Wind in the Willows.

He also was a translator, for example of Goldoni.

Murray Perahia also chooses the F308 for his concert at the Goldoni Theatre in Venice.

Frigerio also created stage designs for the Burgtheater in Vienna: Trilogie der Sommerfrische ( Trilogia della villeggiatura ) by Carlo Goldoni, directed by Strehler, 1974 ; Judith by Hebbel, directed by Gerhard Klingenberg, 1975.

Wolf-Ferrari now began transforming the wild and witty farces of the 18th-century Venetian playwright Carlo Goldoni into comic operas.

Galuppi was fortunate that when he turned once more to comic opera in 1749 he collaborated with Carlo Goldoni.

In the second half of the 18th century comic opera owed its success to the collaboration between the playwright Carlo Goldoni and the composer Baldassare Galuppi.

The life of Amalasunta was made the subject of a tragedy, the first play written by the young Goldoni and presented at Milan in ( 1733 ).

Her first proper acting turn was in the play The Summer Trilogy by Carlo Goldoni, and by 1998, she secured the coveted role of ' Lulu ' in Frank Wedekind ’ s Pandora ’ s Box at the San Martin Theater in her hometown Buenos Aires.

* The Servant of Two Masters, 1999, with Emilo Paolo Landi ( adaptation of the Goldoni commedia dell ' arte play )

In the following year the adjacent former episcopal Felsenreitschule riding academy, carved into the Mönchsberg rock face, was converted into a theatre, inaugurated with the performance of Servant of Two Masters by Carlo Goldoni.

* A Servant to Two Masters by Carlo Goldoni ( 1999 )

** The Servant of Two Masters by Carlo Goldoni.

* The Servant of Two Masters-by Carlo Goldoni, adapted by Constance Congdon from a translation by Christina Sibul

Goldoni also wrote under the pen name and title " Polisseno Fegeio, Pastor Arcade ," which he claimed in his memoirs the " Arcadians of Rome " bestowed on him.

Goldoni thanked his critic, went back to his inn and ordered a fire, into which he threw the manuscript of his Amalasunta.

Goldoni gave to his country a classical form, which, though it has since been cultivated, has yet to be cultivated by a master.

* Il colosso, a satire against Pavia girls which led to Goldoni being expelled from Collegio Ghislieri ( 1725 )

Piccinni's first opera, Le donne dispettose, was produced in 1755, and in 1760 he composed, at Rome, the chef d ' œuvre of his early life, La Cecchina, ossia la buona Figliuola, an opera buffa with a libretto by Goldoni, which " enjoyed a two-year run in Rome and was played in all the important European capitals.

This uneven work was followed by another popular comedic success La locandiera ( Mine Hostess ), an adaptation of the classic and popular spoken stage comedy La locandiera by Carlo Goldoni, the libretto was prepared by Domenico Poggi.

Carlo Osvaldo Goldoni (; 25 February 1707 – 6 February 1793 ) was an Italian playwright and librettist from the Republic of Venice.

Goldoni was born in Venice in 1707, the son of Margherita and Giulio Goldoni.

In his memoirs, Goldoni describes his father as a physician, and claims that he was introduced to theatre by his grandfather Carlo Alessandro Goldoni.

In any case, Goldoni was deeply interested in theatre from his earliest years, and all attempts to direct his activity into other channels were of no avail ; his toys were puppets, and his books, plays.

Goldoni returned with her to Venice, where he stayed until 1743.

Goldoni entered the Italian theatre scene with a tragedy, Amalasunta, produced in Milan.

In his Memoirs Goldoni amply discusses the state of Italian comedy when he began writing.

Goldoni took to himself the task of superseding the comedy of masks and the comedy of intrigue by representations of actual life and manners.

It was this very success that was the object of harsh critiques by Carlo Gozzi, who accused Goldoni of having deprived the Italian theatre of the charms of poetry and imagination.

The great success of Gozzi's fairy dramas so irritated Goldoni that it led to his self-exile to France.

The moral and civil values that Goldoni promotes in his plays are those of rationality, civility, humanism, the importance of the rising middle-class, a progressive stance to state affairs, honor and honesty.

Goldoni pokes fun at the arrogant nobility and the pauper who lacks dignity.