He has also translated plays by Carlo Goldoni, Bertolt Brecht and Herman Heijermans and co-written the screenplays for recent adaptations of Jane Austen's Pride & Prejudice and Kenneth Grahame's The Wind in the Willows.

He also was a translator, for example of Goldoni.

Murray Perahia also chooses the F308 for his concert at the Goldoni Theatre in Venice.

Frigerio also created stage designs for the Burgtheater in Vienna: Trilogie der Sommerfrische ( Trilogia della villeggiatura ) by Carlo Goldoni, directed by Strehler, 1974 ; Judith by Hebbel, directed by Gerhard Klingenberg, 1975.

In 1760, Niccolò Piccinni wrote the music to La Cecchina to a text by the great Venetian playwright, Carlo Goldoni.

In 1930, Abba founded her own theatrical company and specialized in staging the works of Pirandello and other European playwrights like George Bernard Shaw, Gabriele d ' Annunzio and Carlo Goldoni under the direction of prestigious directors like Max Reinhardt and Guido Salvini.

Goldoni, a prolific writer, is best known for his comic play Servant of Two Masters, which has been translated and adapted internationally numerous times.

There is an abundance of autobiographical information on Goldoni, most of which comes from the introductions to his plays and from his Memoirs.

Goldoni thanked his critic, went back to his inn and ordered a fire, into which he threw the manuscript of his Amalasunta.

Goldoni gave to his country a classical form, which, though it has since been cultivated, has yet to be cultivated by a master.

* Il colosso, a satire against Pavia girls which led to Goldoni being expelled from Collegio Ghislieri ( 1725 )

Piccinni's first opera, Le donne dispettose, was produced in 1755, and in 1760 he composed, at Rome, the chef d ' œuvre of his early life, La Cecchina, ossia la buona Figliuola, an opera buffa with a libretto by Goldoni, which " enjoyed a two-year run in Rome and was played in all the important European capitals.

It is the moment at which the self-consciously sentimental theatrical project of Carlo Goldoni ( the opera's librettist ) is married with the developing musical language of classicism.

His other theatre credits include < nowiki >'</ nowiki > Tis Pity She's a Whore, The Greeks ( which received the 1999 LA Weekly Theater Award for Production of the Year ) and The Goldoni Trilogy.

In his memoirs, Goldoni describes his father as a physician, and claims that he was introduced to theatre by his grandfather Carlo Alessandro Goldoni.

* Ermete Novelli establishes the Casa di Goldoni at Rome, in imitation of the Comédie Française

He established in Rome in 1900 a new theatre, the Casa di Goldoni, on the lines of the Comédie-Française.

A number of his works were based on plays by Carlo Goldoni, including Le donne curiose ( 1903 ), I quatro rusteghi ( 1906 ) and Il campiello ( 1936 ).

The displacement of the old Italian comedy by the dramas of Pietro Chiari and Carlo Goldoni, modelled on French examples, threatened to defeat the society's efforts ; in 1757 Gozzi came to the rescue by publishing a satirical poem, La tartana degli influssi per l ' anno 1756, and in 1761 his comedy based on a fairy tale, The Love for Three Oranges or Analisi riflessiva della fiaba L ' amore delle tre melarance, a parody of the style of the other two poets.

Choral works put on CD include the 1766 Messa per San Marco ( 2007 ), a cantata, L ' oracolo del Vaticano, to words by Goldoni ( 2004 ), and motets ( 2001 ).

* Joseph Haydn – La Canterina ( libretto by an unknown, based on material by Carlo Goldoni )

* Genius on the Wrong Coast ( video recording ), Lelia Goldoni, distributed by Green River Road, 1993.

The Venetian Twins ( Italian-I due gemelli veneziani, or " The two Venetian twins ") is a 1747 play by Carlo Goldoni, based on Plautus's Menaechmi.

While in Italy, Sandom performed on the legitimate stage at the Goldoni theatre as a mouse in the English pantomime Cinderella, and in a full-length motion picture produced by Dino De Laurentiis starring Walter Chiari, called Il Giovedi.

Ferrari may be regarded as a follower of Carlo Goldoni, modelling himself on the French theatrical methods.

This uneven work was followed by another popular comedic success La locandiera ( Mine Hostess ), an adaptation of the classic and popular spoken stage comedy La locandiera by Carlo Goldoni, the libretto was prepared by Domenico Poggi.

Carlo Osvaldo Goldoni (; 25 February 1707 – 6 February 1793 ) was an Italian playwright and librettist from the Republic of Venice.

Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty.

Goldoni was born in Venice in 1707, the son of Margherita and Giulio Goldoni.

In any case, Goldoni was deeply interested in theatre from his earliest years, and all attempts to direct his activity into other channels were of no avail ; his toys were puppets, and his books, plays.

Goldoni returned with her to Venice, where he stayed until 1743.

Goldoni entered the Italian theatre scene with a tragedy, Amalasunta, produced in Milan.

In his Memoirs Goldoni amply discusses the state of Italian comedy when he began writing.

Goldoni took to himself the task of superseding the comedy of masks and the comedy of intrigue by representations of actual life and manners.

Goldoni says that he took for his models the plays of Molière and that whenever a piece of his own succeeded he whispered to himself: " Good, but not yet Molière.

It was this very success that was the object of harsh critiques by Carlo Gozzi, who accused Goldoni of having deprived the Italian theatre of the charms of poetry and imagination.

The great success of Gozzi's fairy dramas so irritated Goldoni that it led to his self-exile to France.

Goldoni was inspired by his love of humanity and the admiration he had for his fellow men.

The moral and civil values that Goldoni promotes in his plays are those of rationality, civility, humanism, the importance of the rising middle-class, a progressive stance to state affairs, honor and honesty.

Goldoni had a dislike for arrogance, intolerance and the abuse of power.

Goldoni maintains an acute sensibility for the differences in social classes between his characters as well as environmental and generational changes.

Goldoni pokes fun at the arrogant nobility and the pauper who lacks dignity.