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Gulacy was a film buff, and modeled many characters after film stars: Juliette on Marlene Dietrich, James Larner on Marlon Brando, Clive Reston ( often broadly hinted at as being the son of James Bond as well as the grand nephew of Sherlock Holmes ) occasionally looking like Basil Rathbone and Sean Connery, and a minor character Ward Sarsfield ( after the real-life name of Sax Rohmer ) who looked like David Niven.
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Gulacy and was
Their critically acclaimed run continued ( with short gaps ) until # 51 when Gulacy was replaced by artist Jim Craig.
After a single issue by writer Mike Friedrich and penciler Paul Gulacy, Steve Gerber wrote several issues in which Morbius went on a picaresque interdimensional journey and fought the Caretakers of Arcturus and was advised by the eyeball-headed character I. Doug Moench and Bill Mantlo followed, successively, as the feature's writers.
Created by writer Don McGregor and artist Paul Gulacy, it was published by Eclipse Enterprises, whose eventual division Eclipse Comics would publish a spin-off comic-book series.
Gulacy and film
During this time, Gulacy took on occasional other assignments, including the covers of the science fiction film adaptation Logan's Run # 6 ( June 1977 ) and of the Western The Rawhide Kid # 147 ( Sept. 1978 ), both for Marvel ; and a 10-page preview of the graphic novel Sabre: Slow Fade of an Endangered Species, with writer Don McGregor, in the comics-magazine Heavy Metal vol.
Gulacy and after
An unrelated four issue limited series titled Squadron Supreme: Hyperion vs. Nighthawk, written by Marc Guggenheim and with art by Paul Gulacy, relates how Hyperion and Nighthawk, after an initial skirmish, join forces to try and alleviate the Darfur conflict in war-torn Sudan.
* Year One: Batman-Ra's al Ghul ( 2005 ) by Devin K. Grayson and Paul Gulacy, which takes place a year after Ra's ' death in Death And The Maidens
Gulacy and on
Shang-Chi had two more short series: the Master of Kung Fu: Bleeding Black graphic novel ( 1990 ) and the MAX miniseries Master of Kung Fu: Hellfire Apocalypse ( 2002 ) ( with artist Paul Gulacy on art again ).
During the 1990s, Gulacy worked primarily on Batman and such science-fiction movie properties as Terminator, Predator, and Star Wars, and co-created the Valiant Comics crime series Grackle.
with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts ' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin.
He inked Paul Gulacy on Shang-Chi: Master of Kung Fu, Punisher and Catwoman.
Gulacy and who
Moench continued for a long tenure, though the title did not again receive the same level of acclaim as the Gulacy period until Gene Day, who had previously been inking the book, took over penciling in # 100 ( 1981 ).
Gulacy and David
** Guns of Vengeance ( written by Justin Gray and Jimmy Palmiotti ; art by Luke Ross, Dylan Teague, Tony Dezuñiga, Phil Noto, David Michael Beck, Paul Gulacy, Jimmy Palmiotti, Giuseppe Camuncoli, and Art Thibert ; 144 pages, collects Jonah Hex # 7-12, DC, April 2007, ISBN 1-4012-1249-2 )
** Guns of Vengeance ( with art by Luke Ross, Dylan Teague, Tony Dezuniga, Phil Noto, David Michael Beck, Paul Gulacy, Jimmy Palmiotti, Giuseppe Camuncoli, and Art Thibert, 144 pages, collects Jonah Hex # 7-12, April 2007, ISBN 1-4012-1249-2 )
Gulacy and .
Though Englehart and Starlin soon left as the creative talent for the title, its success grew once writer Doug Moench and artist Paul Gulacy, began collaborating in issues # 22.
Eclipse published one of the first original graphic novels, and the first to be sold through the new " direct market " of comic-book stories, Sabre: Slow Fade of an Endangered Species by Don McGregor and Paul Gulacy.
Paul Gulacy ( born 1953 ) is an American comic book illustrator best known for his work for DC Comics and Marvel Comics, and for drawing one of the first graphic novels, Eclipse Enterprises ' 1978 Sabre: Slow Fade of an Endangered Species, with writer Don McGregor.
Paul Gulacy began freelancing for Marvel Comics as penciler of the 15-page story " Morbius, the Living Vampire " in Adventure into Fear # 20 ( cover-dated Feb. 1974 ), written by Mike Friedrich and inked by Jack Abel.
Cover art by Gulacy.
With writer Don McGregor, Gulacy created one the first modern graphic novels, Eclipse Books ' Sabre: Slow Fade of an Endangered Species.
Eclipse would publish a 10th-anniversary edition ( hardcover ISBN 0-913035-65-3 ; trade paperback ISBN 0-913035-59-9 ) with a new Gulacy cover.
In 1979 and 1980, Gulacy drew several horror / sci-fi / fantasy stories for Warren Publishing's black-and-white comics magazines Eerie, Vampirella, and Warren Presents ; some were reprinted in Eclipse Comics Nightmares # 1-2 in 1985.
Along with the covers for independent publisher Capital Comics ' superhero title Nexus # 1-2 ( 1981 – 1982 ), Gulacy drew covers and an occasional story for such anthology series as Marvel's Marvel Preview and Bizarre Adventures and Eclipse Comics ' Eclipse: The Magazine.
Gulacy also broke into DC Comics with Batman # 393-394 ( March – April 1986 ), and the six-issue miniseries Slash Maraud ( Nov. 1987-April 1988 ), co-created with Moench.
Eclipse published a 10th-anniversary edition of the original graphic novel ( hardcover, ISBN 0-913035-65-3 ; trade paperback, ISBN 0-913035-59-9 ) with a new Gulacy cover and Jim Steranko logo.
was and film
The film they did after his return was an inconsequential bit of nothing titled Out Of This World, a satire on the Sinatra bobby-soxer craze.
Each successive movement in his growing was recorded on the unreeling film inside her.
Never a `` quick study '', he now made no attempt to learn his `` lines '' and many a mile of film was wasted, many a scene -- sometimes involving as many as a thousand fellow thespians -- was taken thirty, forty, fifty times because Miss Poitrine's co-star and `` helpmate '' had never learned his part.
Our last joint venture, Sainted Lady, a deeply religious film based on the life of Mother Cabrini, and timed so that its release date would coincide with the beatification of America's first saint in November, 1938, was a fiasco from start to finish.
By the time the film was released we were three million dollars over-spent, war was imminent and the public apparently had forgotten all about Mother Cabrini.
) The film was called The Diet of Worms, which I felt was just what Letch deserved.
It was a `` potboiler '' made on a `` shoestring '' and not the sort of film I like, as all I had to do was look blank and scream a great deal.
For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).
Rudyard Kipling's scorn for the `` jargon '' of psychical research was altered somewhat when he wondered `` how, or why, had I been shown an unreleased roll of my life film ''??
This discovery of Melies was vastly more important than his sometimes dazzling, magician's tricks produced on film.
It was Porter, however, who produced the very first movie whose name has lived on through the half century of film history that has since ensued.
Before he was forty Griffith had created the art of the film.
Motion picture cameras had been installed to film the audience, the reservation list was being checked out name by name, and a special detail was already at work in the parking lot scrutinizing automobiles for a possible lead.
When arrested, he had the submarine secrets on a roll of candid camera film as well as anti-submarine secrets in Christmas gift wrapping, it was testified.
He said that drawings of the Dreadnought and printed details about the ship were found reproduced in an undeveloped roll of film taken from Lonsdale when he was arrested with the two civil servants outside the Old Vic theater Saturday afternoon, Jan. 7.
And it was interesting to observe that B.B.C.'s television film on Christmas Eve was The Bells Of St. Mary's.
Another source of NBC pride was its rare film clip of Bix Beiderbecke, but this view of the great trumpeter flew by so fast that a prolonged wink would have blotted out the entire glimpse.
Winning the 1951 Best Picture Oscar and numerous other awards, the film was directed by Vincente Minnelli, featured many tunes of Gershwin, and concluded with an extensive, elaborate dance sequence built around the An American in Paris symphonic poem ( arranged for the film by Johnny Green ), costing $ 500, 000.
0.366 seconds.