For information on specific theorists, see Johannes Tinctoris, Franchinus Gaffurius, Heinrich Glarean, Pietro Aron, Nicola Vicentino, Tomás de Santa María, Gioseffo Zarlino, Vicente Lusitano, Vincenzo Galilei, Giovanni Artusi, Johannes Nucius, and Pietro Cerone.

* March 28 – Heinrich Glarean, Swiss music theorist ( b. 1488 )

* June – Heinrich Glarean, Swiss music theorist ( d. 1563 )

Writers as diverse as Baldassare Castiglione and Martin Luther wrote about his reputation and fame ; theorists such as Heinrich Glarean and Gioseffo Zarlino held his style as that best representing perfection.

Sixteenth-century Swiss music theorist and writer Heinrich Glarean claimed Isaac for Germany by dubbing him " Henricus Isaac Germanus ", but in his will Isaac called himself " Ugonis de Flandria ".

According to Heinrich Glarean, writing in 1547, it was written in competition with Josquin, who simultaneously wrote his own Missa de Beata Virgine, and the two works are similar in style.

In 1522 he became acquainted with Heinrich Glarean, ( Conrad Grebel's teacher ) and Erasmus at Basel.

Heinrich Glarean ( also Glareanus ) ( June 1488 – 28 March 1563 ) was a Swiss music theorist, poet and humanist.

* Clement A. Miller, " Heinrich Glarean.

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# REDIRECT Heinrich Glarean

The Swiss music theorist and biographer Heinrich Glarean, writing in 1547, noted that Févin was a follower of Josquin, and that he died young ; he also mentioned him as being a composer of Orleans, though this most likely referred to the association of that city with the court of Louis XII.

Sometime between 1517 and 1522 the Swiss music theorist Heinrich Glarean met Jean Mouton, and praised him effusively ; he wrote that " everyone had copies of his music.

This model of moving from two-part study, writing, and singing to three parts and then more was adopted by Heinrich Glarean in his Dodecachordon ( 1547 ), one of the most influential music theory and pedagogy treatises of the Renaissance.

While some of his book is based on previous writings by Heinrich Glarean and Franchinus Gaffurius, the section on the rhetorical devices in music is original, and signifies the rapidly changing practice during the transitional period between Renaissance and Baroque styles.

) he invented his own names, such as noannoeane, and noeagis ; he also includes the fascinating bit that Charlemagne himself had commanded that four more Tones be added to the existing eight, making a total of twelve ( it would not be until the 16th century that the remaining four modes were again defined ; this occurred in the Dodecachordon of Heinrich Glarean ).

In 1841, the German linguist and poet August Heinrich Hoffmann von Fallersleben wrote the lyrics of " Das Lied der Deutschen " to Haydn's melody, lyrics that were considered revolutionary at the time.

August Heinrich Hoffmann ( who called himself Hoffmann von Fallersleben after his home town to distinguish himself from others with the same common name of " Hoffmann ") wrote the text in 1841 on vacation on the North Sea island Heligoland, then a possession of the United Kingdom.

Rapp became inspired by the philosophies of Jakob Böhme, Philipp Jakob Spener, Johann Heinrich Jung, and Emanuel Swedenborg, among others, and later wrote Thoughts on the Destiny of Man, published in German in 1824 and in English a year later, in which he outlined his ideas and philosophy.

Heinrich Schütz wrote many motets in a series of publications called Symphoniae sacrae, some in Latin and some in German.

The German mystical alchemist Heinrich Khunrath wrote of the shape-changing sea-god who, because of his relationship to the sea, is both a symbol of the unconscious as well as the perfection of the art.

Wagner wrote the first prose draft of the story in Paris early in May 1840, basing the story on Heinrich Heine's satire " The Memoirs of Mister von Schnabelewopski " ( Aus den Memoiren des Herrn von Schnabelewopski ) published in Der Salon in 1834.

Anton von Webern wrote his dissertation on the Choralis Constantinus of Heinrich Isaac and the contrapuntal techniques of his serial music may be informed by this study.

Gottfried Heinrich Stölzel wrote cantatas such as Werdet voll Geistes ( Get full of spirit ) in 1737.

In Germany, Heinrich von Kleist's Amphitryon ( 1807 ) remains the most frequently performed version of the myth, with Kleist using Alkmene's inability to distinguish between Jupiter and her husband to explore metaphysical issues ; Giselher Klebe wrote in 1961 his opera Alkmene based on this play.

Heinrich Himmler wrote " I suppose that it is Goebbels ’ s megalomania ... and stupidity which are responsible for starting this operation now, in a particularly difficult diplomatic situation.

Under the Prussian and German rule, the Polish population suffered from heavy Germanization by foreign rulers of their territory ; Polish farmers demanded Polish schools, and refused to teach their children German, German official Heinrich Mettenmeyer wrote that German appointed teachers were treated with highest disdain by Polish children and their parents

In 1529 he married the first of his four wives, a daughter of Heinrich Brennwald, who wrote a work ( still in manuscripts ) on Swiss history, and stimulated his son-in-law to undertake historical studies.

However, Eleanora ’ s brother, Heinrich Fischover, wrote to his mother from Germany in 1862 or 1863:

Sacred organ music was based on chorales: composers such as Samuel Scheidt and Heinrich Scheidemann wrote chorale preludes, chorale fantasias, and chorale motets.

In his 1821 play, Almansor, the German writer Heinrich Heine — referring to the burning of the Muslim holy book, the Qur ' an, during the Spanish Inquisition — wrote, " Where they burn books, so too will they in the end burn human beings.

In 1810, Heinrich von Kleist wrote an essay ' On the Marionette Theatre ', admiring the " lack of self-consciousness " of the puppet.

He also wrote the historical plays Heinrich der Fünfte ( Leipzig, 1836 ), Cola Rienzi, Die Bräute von Florenz, Wendelin und Helene and Kaiser Otto III ( the four last being published in his Theater 1842 ).

Luiz ( Ludwig ) Heinrich Mann ( 27 March 1871 – 11 March 1950 ) was a German novelist who wrote works with strong social themes.

For this the king was teased by Heinrich Heine who wrote several mockery poems in Ludwig's style.

* Heinrich Heine wrote a short poem entitled " Belsatzar " in his collection " Junge Leiden ".

Theologians like Thomas Aquinas wrote concerning the behaviors Christians should be aware of, while witchhunters like Heinrich Kramer wrote about how to find and what to do with people they believed were involved with demons.

Thus, Johann Heinrich Zedler in 1741 wrote that " even though Europe is the smallest of the world's four continents, it has for various reasons a position that places it before all others ... its inhabitants have excellent customs, they are courteous and erudite in both sciences and crafts.

In 1547, after the Battle of Mühlberg, the Ernestines forfeited the tenure over the Vogtland and Kaiser Ferdinand I handed it down to his Chancellor Heinrich IV von Plauen, making Maurice, Elector of Saxony co-tenant to the Vogtland tenure.

He makes the claim in his writings that he was personally familiar with Obrecht, Josquin, Heinrich Isaac, and others while he was in Florence ; if true, this would have had to have been in the late 1480s to mid 1490s.

His publications of music in tablature include arrangements of numerous composers popular in the mid-16th century, including Ludwig Senfl, Heinrich Isaac, Josquin des Prez, Clemens non Papa, Orlande de Lassus, and others ; Lassus is particularly well represented, as can be expected both because of his extraordinary fame and his presence in Germany ( he was in Munich between 1563 and 1594 ).

He considered John Dunstaple to be the earliest composer of expressive music ( though earlier music may not have been available to him ), and other composers he wrote about included Gilles Binchois, Antoine Busnois, Johannes Ockeghem, Heinrich Isaac, Ludwig Senfl, Josquin des Prez, and of course Lassus.

Performances in recent years have included a program of little-known works by Franco-Flemish composers Johannes Ghiselin, Jacquet of Berchem, Gaspar van Weebeke, Andreas de Silva, Nicolas Payen and Josquin des Prez, a quincentennial celebration of Thomas Tallis, the first Australian performance of Arvo Pärt's ' Canon of Repentance ' ( composed in 1998 ), works by Jean Richafort and his parodists, a program of works originally written for Charles V, Holy Roman Emperor a concert of settings of the text ' Media vita ' ( In the midst of life ) including a performance of Gombert's own ' Missa de media vita ', German Baroque masterpieces by Johann Hermann Schein, Michael Praetorius, Heinrich Schütz and Johann Sebastian Bach, Alessandro Scarlatti's ' Stabat mater ', and an annual concert entitled ' Christmas to Candlemas ' that presents works written for the numerous Christian feast-days in the forty-day Church season that begins on Christmas Day.

It contains several compositions by Nicolaus Cracoviensis, as well as numerous intabulations of works written by Josquin, Heinrich Finck, Janequin, Ludwig Senfl, Claudin de Sermisy, Philippe Verdelot, Johann Walter, etc.