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Her and Trampoline
Their 1998 album Trampoline produced a number 1 UK hit in " Dance the Night Away "; " I've Got This Feeling " and " Someone Should Tell Her " also made the UK charts.

Her and Hall
Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.
Her parents, George and Lorena Hall worked at Gustavus Adolphus College in Saint Peter, Minnesota from 1938-1952.
Her mother, Lorena ( Daeschner ) Hall, helped found Gustavus Adolphus College's Art Department and served as the department head.
Her recording of " Sentimental Journey " was the first song placed in the Grammy Hall of Fame.
Her second husband was British theatre director Peter Hall.
Her contemporaries included artist Romaine Brooks, who painted others in her circle ; writers Colette, Djuna Barnes, social host Gertrude Stein, and novelist Radclyffe Hall.
Her remains lay in state at Westminster Hall, where large numbers of mourners filed past her coffin.
Her memory is preserved now in the name of the Fawcett Society, and in Millicent Fawcett Hall, constructed in 1929 in Westminster as a place that women could use to debate and discuss the issues that affected them.
Her portrait hangs in the Great Hall at St. John's, and the college boat club is called the Lady Margaret Boat Club ( LMBC ).
Her bit part in Annie Hall ended up on the cutting room floor, and their relationship, though never publicly acknowledged by Allen, began when she was 17 years old and a student at New York ’ s Stuyvesant High School.
Her father, an aeronautical engineer, emigrated from La Paz, Bolivia at age 17 ; her mother was American, the daughter of architect Emery Stanford Hall and wife Clara Louise Adams.
Her 1915 speech on pacifism at Carnegie Hall received negative coverage by newspapers such as the New York Times, which branded her as unpatriotic.
Her song " Jim Dandy " was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and was ranked # 343 on the Rolling Stone's 500 Greatest Songs of All Time.
Her last television appearance was as Gertrude in a 1953 adaptation of Hamlet, with Maurice Evans in the title role, on the Hallmark Hall of Fame.
The first stone of the Hall was laid by Her Majesty Queen Victoria on the twentieth day of May MDCCCLXVII and it was opened by Her Majesty the Twenty Ninth of March in the year MDCCCLXXI.
Her last performance on stage was in the opera Pylades at the Athens Concert Hall in 1992, portraying Clytemnestra.
Her films were shown by James Williamson at Hove Town Hall in November 1900, being included in his catalogue in 1902, and were praised by the film pioneer Cecil Hepworth and the writer E. F. Benson.
Her fourth, Annie Hall ( 1977 ), won her the Academy Award for Best Actress.
Her mother, Dorothy Deanne ( née Keaton ; 1921 – 2008 ), was a homemaker and amateur photographer ; her father, Jack Newton Ignatius Hall ( 1921 – 1990 ), was a real estate broker and civil engineer.
Her tenure saw the introduction of Westminster Hall debates, which are debates held in a small chamber near Westminster Hall on topics of interest to individual MPs, committee reports, and other matters that would not ordinarily be debated in the Commons chamber.
Her second novel, The Tenant of Wildfell Hall ( 1848 ) was far more ambitious.
Her first commission as Composer in Association with the BBC Concert Orchestra was " Music and Silence ", music inspired by the novel of the same name by Rose Tremain, first performed at The Royal Festival Hall in 2002.

Her and Lecture
Her major lectures include an AMS Plenary Lecture in March 1995, an MAA Plenary Lecture in January 1996, and an ICM invited talk in 1998.

Her and was
Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.
Her mouth, which had been so much in my thoughts, was warm and moist and tender.
Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.
Her white blond hair was clean and brushed long straight down to her shoulders.
Her thick hair was the color and texture of charcoal.
Her laugh was hard.
Her face was pale but set and her dark eyes smoldered with blame for Ben.
Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.
Her name was L'Turu and she told me many things.
( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.
Her mother was a good manager and established a millinery business in Milwaukee.
Her name was Esther Peter.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.
Her action was involuntary.
Her name was Mollie.
Her speech was barren of southernisms ; ;
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.
Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.

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