Her European training did influence her palette, however, and she adopted more white and paler coloration in her oil painting, particularly in depicting female subjects, an approach favored by Sargent as well.

Her early and later allegorical and didactic treatises reflect both autobiographical information about her life and views and also her own individualized and humanist approach to the scholastic learned tradition of mythology, legend, and history she inherited from clerical scholars and to the genres and courtly or scholastic subjects of contemporary French and Italian poets she admired.

Her approach was heralded by the howling of a dog.

Her outspoken approach stands in stark contrast to Kyoko, which helps Kyoko to come face to face with her own feelings for Godai.

Her work was to have a dramatic effect on the British Society, polarising its members into rival factions as it became clear that her approach to child analysis was seriously at odds with that of Anna Freud as set out in her 1927 book An Introduction to the Technique of Child Analysis.

Her approach to writing fiction has been compared to that of Anthony Trollope and Charles Dickens.

Her different approach to dance is evident in these preliminary classes, in which she “ followed fantasy and improvised, teaching any pretty thing that came into head ”.

Her backhand is equally effective down-the-line or crosscourt ( frequently for a set-up approach shot ).

Her essays and introductory studies to the other poets ( Roberto Juarroz, Michele Obit, Gašper Malej ) mark quite different approach from other Slovenian literary critics.

Her non-conformist approach to the selections on this LP make her a new talent to be reckoned with.

Her approach in other areas is also unusual.

Her approach to history and geography, often subjects which children find rather dull, has particularly captured her class's attention.

Her proposals for a Birmingham Baccalaureate, designed to give local youngsters the skills and abilities that city businesses are seeking, is central to this new approach.

Her first core insight was to recognize that the chronically suicidal patients she studied had been raised in profoundly invalidating environments, and, therefore, required a climate of unconditional acceptance ( not Rogers ’ positive humanist approach, but Hanh ’ s metaphysically neutral one ), in which to develop a successful therapeutic alliance.

Her approach to teaching appears to be to trust the folk wisdom of the locals when it comes to practical things like birthing and medicine, and focus on such things as crystals, magic circles and soothing chants to help matters along.

Her close-to-the-action approach once caused her to be shot at by an " irate Libyan ".

Her photographs take the opposite approach to the famous Düsseldorf school of photographers which include Thomas Struth and Andreas Gursky.

Her emphasis on a grass roots approach to the struggle for equal rights influenced the success of the modern Civil Rights Movement.

Her style was to take a highly interventionist approach, " You want to help readers along.

Her approach appears to be different, and generally more acceptable to both coaches and gymnasts.

Her approach became more nuanced in later volumes, with a subtler depiction of sex, sensuality and sexual frustration in Fortunes of War.

Her marketing approach to political organization provoked criticism that HRC was setting an agenda through its influence on sources of funding to the exclusion of local initiatives.

Her 2008 book, The Real Wealth of Nations: Creating a Caring Economics, proposes a new approach to economics that gives visibility and value to the most essential human work: the work of caring for people and the planet.

Her approach parallels the conventions of many African American autobiographies written during the abolitionist period in the US, when truth was often censored for purposes of self-protection.

Her ecstasy-related death brought about a hardline approach to rave and dance parties in Australia.

Catherine Clinton suggests that anger over the 1857 Dred Scott decision may have prompted Tubman to return to the U. S. Her land in Auburn became a haven for Tubman's family and friends.

Her fate unknown to the other scientists, Snow suggests hailing Rheya ’ s shuttle to learn her condition.

Her writing prowess suggests that she did not suffer from the mental degeneration of late stages of syphilis, nor from cerebral poisoning due to mercury treatments.

Her reconstruction of the layout of the tomb indicates an orderly and deliberate arrangement of artefacts, and she suggests that the impression of chaos might be due to the collapse of wooden objects caused by falling plaster and stone.

Her unusual name suggests that she may originally have been a Mitanni princess .< ref name =" New Light p100 "> Reeves, C. Nicholas.

Her calm, cold demeanour suggests that she too is a mixture of the Queen of Hearts and the Red Queen.

Her name suggests that she is originally the same being as the völva Huld and the German Holda.

Her grandson suggests a much later date of 1819, whilst some modern historians claim she was born about 1815.

Her painting The Violin of 1914 suggests the development from Cubism towards the " painterly architectonics " series of 1916 – 1918.

Her aging father informs her that due to his imminent dotage he must look to his daughter to sustain him, and suggests that the best way is for her to become a prostitute, against her will.

Her work suggests that the glioma is particularly deadly because of the way highly mobile cancerous cells move around the brain.

Her use of military terms and the astonishing number of details in the description of the turbulent reign of Alexius suggests that, despite Anna's internment in a monastery, she had access to official archives and maybe interviewed eye-witnesses.

Her sister Ermengard, in the foreword to the 1956 selection, suggests " one can trace the putting off of Bloomsbury, the putting on of Catholicism, the growing ardour of her love for animals, her deepening fears ".

Her poems, critic Elizabeth Coonrod Martínez suggests, give voice to the immigrant struggle.

Her portrait suggests she is likely in the clergy as a means of social advancement, given her aristocratic manners and mispronounced French.

Her loyal butler suggests that she lighten up a bit ; she decides he ’ s right and dons the lingerie and other attire of “ a forward woman .” After Cosmo has a near-death experience and nearly joins George and Marion in the afterlife, Cosmo and Clara are happily reunited, and George and Marion, their good deed done, gladly depart for heaven.

Her next major shows were in the 1960s ; Amanda Hopkinson suggests that this second wave of recognition was related to the feminist rediscovery of women's creative achievements.

Lucien Goldmann thought that Brook's naturalistic decor and acting style ( with the exception of Blin and Muselli's performances ) obscured the play's " symbolic, universal character " ( which an epic design, he suggests via a comparison with Mother Courage and Her Children, and defamiliarised mode of acting would have foregrounded ), while Brook's decision to transform the set only once ( dividing the play into a period of order and one of disorder ) distorted the play's tripartite structure ( of order, disorder, and the re-establishment of order ).

Her biographer Meryle Secrest suggests that she was motivated by concern for him and a desire for companionship, rather than the need for a marriage of convenience.

Her demeanor suggests that she could be considered something of a female counterpart to Reacher.

Her name suggests that she was a " willow-nymph ", just as there were oak-tree nymphs and ash-nymphs ( Dryads and Meliae ).

Her diamond stack suggests a wood-burner, but the wood on the tender is strictly ornamental, as she has been converted to burn propane.