Her husband was a son of Savji Bey and through him grandson of Osman I.

Her tomb originally boasted an alabaster memorial, which was deliberately destroyed during extensions to the abbey in the reign of her grandson, Henry VII.

In the words of her grandson, Edward VIII ( later the Duke of Windsor ), " Her generosity was a source of embarrassment to her financial advisers.

Her grandson Sobhuza II of Swaziland was underage and there were other viable candidates for the throne among the House of Dlamini.

Her grandson succeeded to the title, after which it died out.

" Her son, Charles West McNab, who had farmed the land until 1927 and was the only grandson of the original owner, sold the last of family property there in 1956.

Her sister, Anne Parr, married William, 1st Earl of Pembroke, whose grandson ( the 3rd Earl, also called William ) became the first Visitor of the college in 1622.

Her grandson, Dr. Lindley Murray Winston, deeded the property to the Town of Altavista in 1981 as a memorial to his family.

His grandson, Henry George Reginald Molyneux Herbert, 7th Earl of Carnarvon, was racing manager to Queen Elizabeth II from 1969, and one of Her Majesty's closest friends.

Her grandson James VI of Scotland ( who later became James I of England ) is said to have erected the fine monument.

Her father was presumably a namesake grandson of Marco Cornaro, Doge of Venice from 1365 to 1368.

Her grandson was the scientist Manfred von Ardenne.

Her first step was to install her maternal grandson Zhang Yan ( 張偃 ; Princess Yuan of Lu's son, Empress Zhang Yan's brother ) as the Prince of Lu.

Her grandson, H. R. H.

Her first husband was James Vail Converse, a grandson of Theodore N. Vail, former president of the American Telephone and Telegraph Company ( AT & T ).

Her paternal grandparents were Joseph Clary ( Marseille, 22 November 1693 – Marseille, 30 August 1748 ), son of Jacques Clary and his wife Catherine Barosse, paternal grandson of Antoine Clary and wife Marguerite Canolle, and maternal grandson of Angelin Barosse and his wife Jeanne Pélissière, and wife ( m. in Marseille, 27 February 1724 ) Françoise-Agnès Ammoric ( Marseille, 6 March 1705 – Marseille, 21 December 1776 ), daughter of François Ammoric and his wife Jeanne Boisson.

Her son, her grandson and her great-grandson all died before their wives, and their widows were known as empresses dowager in this Indian context.

Her husband, the son of the financier and conservationist Anthony ( Tony ) Rudolph Kuser and grandson of U. S. Senator John F. Dryden, later became a New Jersey Republican councilman, assemblyman, and state senator.

Her son and his grandson Nelson Aldrich Rockefeller, served as Vice President of the United States under Gerald Ford.

Her grandson is the American painter John Gordon Gauld ( b. 1977 ).

Her maternal grandfather taught his granddaughter as he would do a grandson, and being raised in that atmosphere, Shin Saimdang received an education that was not common in that period.

Her husband was a grandson of Karl, last sovereign Prince of Isenburg.

Her personal struggle over David ( Abdullah ’ s grandson ) proposing to Lia ( Walter ’ s oldest daughter ) was far deeper than Emerson ’ s.

Her father was John Sherman Mackintosh, the grandson of John Sherman and the great-grandson of American founding father Roger Sherman.

Catherine Clinton suggests that anger over the 1857 Dred Scott decision may have prompted Tubman to return to the U. S. Her land in Auburn became a haven for Tubman's family and friends.

Her fate unknown to the other scientists, Snow suggests hailing Rheya ’ s shuttle to learn her condition.

Her writing prowess suggests that she did not suffer from the mental degeneration of late stages of syphilis, nor from cerebral poisoning due to mercury treatments.

Her reconstruction of the layout of the tomb indicates an orderly and deliberate arrangement of artefacts, and she suggests that the impression of chaos might be due to the collapse of wooden objects caused by falling plaster and stone.

Her unusual name suggests that she may originally have been a Mitanni princess .< ref name =" New Light p100 "> Reeves, C. Nicholas.

Her calm, cold demeanour suggests that she too is a mixture of the Queen of Hearts and the Red Queen.

Her name suggests that she is originally the same being as the völva Huld and the German Holda.

Her painting The Violin of 1914 suggests the development from Cubism towards the " painterly architectonics " series of 1916 – 1918.

Her aging father informs her that due to his imminent dotage he must look to his daughter to sustain him, and suggests that the best way is for her to become a prostitute, against her will.

Her work suggests that the glioma is particularly deadly because of the way highly mobile cancerous cells move around the brain.

Her use of military terms and the astonishing number of details in the description of the turbulent reign of Alexius suggests that, despite Anna's internment in a monastery, she had access to official archives and maybe interviewed eye-witnesses.

Her sister Ermengard, in the foreword to the 1956 selection, suggests " one can trace the putting off of Bloomsbury, the putting on of Catholicism, the growing ardour of her love for animals, her deepening fears ".

Her poems, critic Elizabeth Coonrod Martínez suggests, give voice to the immigrant struggle.

Her portrait suggests she is likely in the clergy as a means of social advancement, given her aristocratic manners and mispronounced French.

Her loyal butler suggests that she lighten up a bit ; she decides he ’ s right and dons the lingerie and other attire of “ a forward woman .” After Cosmo has a near-death experience and nearly joins George and Marion in the afterlife, Cosmo and Clara are happily reunited, and George and Marion, their good deed done, gladly depart for heaven.

Her next major shows were in the 1960s ; Amanda Hopkinson suggests that this second wave of recognition was related to the feminist rediscovery of women's creative achievements.

Lucien Goldmann thought that Brook's naturalistic decor and acting style ( with the exception of Blin and Muselli's performances ) obscured the play's " symbolic, universal character " ( which an epic design, he suggests via a comparison with Mother Courage and Her Children, and defamiliarised mode of acting would have foregrounded ), while Brook's decision to transform the set only once ( dividing the play into a period of order and one of disorder ) distorted the play's tripartite structure ( of order, disorder, and the re-establishment of order ).

Her biographer Meryle Secrest suggests that she was motivated by concern for him and a desire for companionship, rather than the need for a marriage of convenience.

Her demeanor suggests that she could be considered something of a female counterpart to Reacher.

Her name suggests that she was a " willow-nymph ", just as there were oak-tree nymphs and ash-nymphs ( Dryads and Meliae ).

Her approach suggests an interest in the social reformism that became a feature of British post-war society.

Her diamond stack suggests a wood-burner, but the wood on the tender is strictly ornamental, as she has been converted to burn propane.