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Her and career
Her father, Robert Lawrence Berenson, was an American career diplomat turned shipping executive ; he was of Lithuanian Jewish descent, and his family's original surname was Valvrojenski.
Her popularity as a radio performer and vocalist, which included a second hit record " My Dreams Are Getting Better All the Time ", led directly to a career in films.
Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence which he found frustrating.
Her movie career included a bit part in It Happened One Night ( 1934 ) and roles in Outlaw Women ( 1952 ), Glen or Glenda ( 1953 ), Body Beautiful ( 1953 ), The Blue Gardenia ( 1953 ), Count the Hours ( 1953 ), Mesa of Lost Women ( 1953 ), College Capers ( 1954 ), Jail Bait ( 1954 ), The Raid ( 1954 ), This Is My Love ( 1954 ), The Opposite Sex ( 1956 ), The Ironbound Vampire ( 1997 ), and Dimensions in Fear ( 1998 ).
Her almost 60-year career crossed most media frontiers with both supporting and leading roles, but she may be best-remembered for playing the sardonic but engaging title character, a high school teacher, on Our Miss Brooks, and as the Rydell High School principal in the films Grease and Grease 2.
Her film career began in earnest in 1937 when she appeared in the films Oh Doctor and Stage Door.
Her husband's academic fraud had been exposed by one of his fellow dons there, destroying his career and driving him to suicide.
Her pediatrician was Benjamin Spock early in his career.
Her singing career received a boost with the help of songwriter / producer / arranger Lee Hazlewood, who had been making records for ten years, notably with Duane Eddy.
Her mother worked in the city as a schoolteacher, while her father pursued a promising career as a homoeopathic doctor and surgeon.
Her first starring role at the studio, in the title role as Mildred Pierce ( 1945 ), revived her career and earned her an Oscar for Best Actress.
Her show business career began when a dance teacher urged her parents to find an agent for her.
Her book, My Chicago ( ISBN 0-8101-2087-9 ), was published in 1992, and covers her life through her political career.
Her career as the primary actress of Fox Studios continued with the advent of sound film, and she achieved a notable success in the original version of A Star Is Born ( 1937 ).
Her career in fashion includes designing a line of jeans for Rock & Republic and later designing her own denim brand, dVb Style.
Her distinctive colours of blue with buff stripes were carried by horses such as Special Cargo, the winner of the 1984 Whitbread Gold Cup, and Devon Loch, which spectacularly halted just short of the winning post at the 1956 Grand National and whose jockey Dick Francis later had a successful career as the writer of racing-themed detective stories.
Her true professional career began at that 1959 Newport Folk Festival ; following that appearance, she recorded her first album for Vanguard, Joan Baez ( 1960 ), produced by Fred Hellerman of The Weavers, who produced many albums by folk artists.
Her sensual performance in her English-language debut The Unbearable Lightness of Being ( 1988 ), directed by Philip Kaufman, launched her international career.
Her role required just two days on set, but was enough to inspire Binoche to pursue a career in film.
Her career spanned more than six decades.
Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships.
Her stage work in the late 1950s laid the foundation for her film career in the 1960s.
Tree also pursued four Shakespeare film projects during his career at Her Majesty's.
Her sister Betty sang in a duo with Clooney for much of her early career.
Her coach throughout her athletic career was Peter Fortune.

Her and break
Her line-by-line translations, complete with brackets where the ancient papyrus sources break off, are meant to capture both the original's lyricism and its present fragmentary nature.
Her first big break was a lead role in the radio comedy Take It From Here, and television followed, including appearances with Tony Hancock throughout his television career.
Her big break came in 1953 when she replaced the emigrating Joy Nichols on the hit Muir and Norden radio comedy Take It From Here, co-starring Jimmy Edwards and Dick Bentley.
Her big break came in 1983 when she was cast by Martin Scorsese to star as stalker and kidnapper Masha in the film The King of Comedy for which she won the National Society of Film Critics Award for Best Supporting Actress.
Her big break came in the 1985 film The Goonies, in which she played cheerleader-turned-adventurer Andrea " Andy " Carmichael.
Her drab voice quavers with a brittle strength that can command a student but break before a parent's will.
Her break came when she was discovered by Jack Nicholson in the reception room of Paramount's New York office and was cast as the female lead in his second directorial effort, the 1978 Western Goin ' South.
Her big break came in the 1961 BBC serial A for Andromeda.
Her break into big-time show business came in February 1955, when she turned down $ 30 to appear on a Swainsboro radio station in order to see Red Foley and a touring promotional unit of his ABC-TV program Ozark Jubilee in Augusta.
Her big break came the following year, when she received her first starring role in Public Wedding.
Her big break came in 1970, when she was in her mid-thirties.
Her catchphrases included " This won't break you ", " This is perfectly economical ", and " This won't stretch your purse ".
Her first big break in films was a small speaking role in the 1994 Woody Allen film Bullets Over Broadway.
Her big star break came in 1987, when she was cast as Marcy Rhoades ( later Marcy D ' Arcy ) on the hit Fox TV sitcom Married ... with Children.
Her character leads a coven of necromancer witches who threaten the status quo in Bon Temps, erasing most of Eric Northman's memories and leaving him almost helpless when he tries to kill her and break up their coven.
Her break came with a bit part in 1986's Pretty in Pink which led to more substantial roles in Sweet Revenge with Nancy Allen and Cocktail, with Tom Cruise and Elisabeth Shue.
Her big break came in 1975 at an amateur night at the comedy club Catch a Rising Star in New York.
Her stories often include themes where an alien or supernatural force is either trying to break into the world of the characters, or else trying to drag them into their own unnatural realms.
Her big break came in 1983 when she starred opposite Richard Chamberlain as the lead role portraying Meggie Cleary in the television mini-series The Thorn Birds, for which she was nominated for a Golden Globe Award for Best Actress – Miniseries or Television Film.
Her first big break was Seema, for which she won her first Filmfare Best Actress Award.
Her character steals Adam away from Eva, and begins dating him after he and Eva break up.
Her first significant break was being selected as an artist for the Young Concert Artists Trust in 1985.
Her next major break was a record deal with Collins Classics, with whom she made fifteen recordings.
Impressed with the script, Home asked Davies to write the second episode, and when Tony Robinson decided to take a break from producing Maid Marian and Her Merry Men, a slot opened up in the Children's BBC schedules for late 1991 and Home decided to use Dark Season to fill it, commissioning Davies to write the remaining episodes of the serial.

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