Her most famous creations were the Winter Palace, which she commissioned and oversaw the construction of but died before its completion, and the Smolny Convent.

Her role in the series is often to prepare meals, tend the garden and help with light construction, while adding a voice of compassion.

Her parents are Adrienne Banfield-Jones, the head nurse of an inner-city clinic in Baltimore, and Robsol Pinkett Jr., who ran a construction company.

Her novels criticized the social construction of marriage and its effects on women.

Her most innovative and costly endeavor, however, was her partnership with the Library of Congress, resulting in the construction of the 500-seat Coolidge Auditorium, specifically intended for chamber music, in 1924.

Her picture of the Fort Peck Dam construction appeared on its first cover on November 23, 1936.

Her husband, Lester ( Hal Williams ), had his own construction company, and their 14-year-old daughter, Brenda ( Regina King ), was boy-crazy yet smart and studious.

Her father, Emil Michner, talked to the director of KÄEWAG, which was a hydropower plant, and secured Globocnik a job as a technician and construction supervisor.

Her father worked in the construction industry and her mother laboured as a factory worker.

The post at the ICA also afforded Hamilton the time to further his research on Duchamp, which resulted in the 1960 publication of a typographic version of Duchamp's Green Box, which comprised Duchamp's original notes for the design and construction of his famous work The Bride Stripped Bare by Her Bachelors, Even, also known as The Large Glass.

Her administration has overseen extensive renovation of the campus, including refurbishment of the library, creation of a new art center, and construction of a modern drama and film center.

Her practice of construction has been honed and matured in the process of making a body of work to the point that in this piece, unlike so many of her pieces where the technique of construction so dominates the character of the work, whether it be a “ Running Man ”, a “ Horse or a “ Tribute Head ” she is at this point able to step back, work in her familiar way and yet let the character of the subject dominate the method.

Her father, Dr. William Ma was a civil engineer who later specialized in construction claims and litigation before he retired.

Her parents separated before she was born, and her mother quickly married construction company owner Alfred Taylor Locke, whose name she took.

Her efforts in the Legislature also led to the construction of thousands of affordable rental housing units.

Her husband, Yeoman Geeves, was a ganger on the construction of Rocky Point Road and the demolition of Cobbler's Hill ( later called Arncliffe Hill ).

Her earliest attempts at creating this art entailed her construction of an automated machine where colored lights were synchronized to records.

Her platform had called for the construction of nonprofit housing for workers, improved neighborhood schools, publicly owned power utilities and staple food markets, and state-funded health and unemployment insurance for all Americans.

Her approach to the construction of garments can be seen in her use of reversed exposed seams and in her use of jeweled safety pins and tears during the punk era.

Her work and the pressure she put on Oklahoma's first Governor, Charles N. Haskell, resulted in the return of the prisoners to Oklahoma and the construction of the Oklahoma state penitentiary in McAlester, Oklahoma.

Her mother, Cristina, is a Brazilian-born fashion designer and her father, Jack Wesley Routh, owns a construction company and was a composer of country music.

Her husband, an engineer with the Iowa Department of Transportation, told her that both American Indian and white remains were uncovered during road construction in Glenwood, Iowa.

Her maternal great-grandfather, Alexander Christie, served as Governor of Assiniboia on two occasions, and supervised the construction of Fort Garry.

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her thick hair was the color and texture of charcoal.

Her laugh was hard.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her name was L'Turu and she told me many things.

( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.

Her mother was a good manager and established a millinery business in Milwaukee.

Her name was Esther Peter.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her action was involuntary.

Her name was Mollie.

Her speech was barren of southernisms ; ;

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.