Her debut over, perhaps the earlier scenes will emerge equally fine.

Her debut at Teatro alla Scala took place in 1842 as " Neocle " in the Italian version of Le siège de Corinthe, which was followed by roles in operas by Marliani, Donizetti ( as " Maffio Orsini "), Salvi and Pacini.

Her early acting pursuits led her to the stage, most notably a Broadway debut in Strindberg's The Father alongside Raymond Massey.

Her film debut was a small part in Francis Ford Coppola's 1982 film One from the Heart.

Her big-screen directorial debut came with the film Then She Found Me, in which she also starred, with Colin Firth and Matthew Broderick.

Her sensual performance in her English-language debut The Unbearable Lightness of Being ( 1988 ), directed by Philip Kaufman, launched her international career.

Her London debut as " Lola Montez, the Spanish dancer " in June 1843 was successful, but she had been recognized as Mrs. James and a scandal arose over the imposture.

Her theatrical debut was in the thriller TAG: The Assassination Game ( 1982 ) and as a result, she was listed as one of twelve " Promising New Actors of 1982 " in John Willis ' Screen World, Vol 34.

Her debut single, " Angry Johnny ", got much radio and MTV airplay.

Her debut album Been Waiting earned her seven nominations at the 2009 ARIA Music Awards, winning the award of ' Highest Selling Single ' for " Running Back ".

( Death's debut story, " The Sound of Her Wings " from issue # 8, appeared both at the beginning of early editions of The Doll's House and at the end of Preludes and Nocturnes, creating overlap between the first two volumes.

Her debut feature film, Salaam Bombay!

The new incarnation of the Misfits released their debut album American Psycho in 1997 and filmed music videos for the songs " American Psycho " and " Dig Up Her Bones ".

Her debut studio album, Auf der Maur, was released in 2004 and her second studio album, Out of Our Minds, was released in 2010.

Her debut performance, as the mother who calls out to her merry-go-round-riding child, can be seen in first season's memorable fifth episode " Walking Distance ", and her second, the most prominent of the four, in the episode videotaped immediately before this one, " The Whole Truth ", where she and Jack Ging play a newly married couple considering the purchase of one of the substandard vehicles in the lot of used-car dealer Jack Carson.

Her debut album, Ancient Heart, produced by Rod Argent and Peter Van Hooke, was released in September 1988 when she was 19 years old.

Her international self-titled debut studio album Belinda was released in Mexico by Sony BMG and RCA Records on August 5, 2003 and became as great a success in many different countries, as it was in Mexico, selling over 2. 5 million copies worldwide.

She started her career as a 4-year-old, appearing in a hot dog commercial Her debut role was in the sitcom Valerie in 1987 when she played Pamela, the niece of Mrs. Poole ( Edie McClurg ).

Her big screen debut was in Hue and Cry, in 1947, followed with performances in Nicholas Nickleby, The Winslow Boy, The History of Mr Polly, Scott of the Antarctic, Mother Riley Meets the Vampire and Dickens ' The Pickwick Papers.

Her debut album, At Last !, was released in late 1960 and was noted for its varied choice in music from jazz standards to blues numbers to doo-wop and rhythm and blues ( R & B ).

Her debut Mercury recording session took place in February 1954 and she stayed with the label through 1959.

Her debut at the Australian Open, Williams defeated younger sister Serena in the second round, which was the sisters ' first professional meeting.

Her debut album, La Chica Dorada ( 1992 ) was released under EMI Music, followed by 24 Kilates ( 1993 ).

Her debut English album gave Paulina the international recognition she had sought after for years.

Her popularity had been steady since her debut in 1909.

* Her notoriety intersected with the criminal obsessions and camp sensibilities of filmmaker John Waters, who has used Hearst in numerous small roles in films including Cry-Baby, Serial Mom, Pecker, Cecil B. DeMented, and A Dirty Shame.

Her most recent film appearance was as Mazu, Chinese goddess of the sea, in the film / video installation Ten Thousand Waves by British filmmaker and installation artist Isaac Julien.

Her other son, filmmaker Richard Kassebaum, died of a brain tumor August 27, 2008 at the age of 47.

Her 2004 memoir, The Turkish Lover, describes her life from the time she left New York in 1969 at age 21 until her graduation from Harvard in 1976, and focuses on her relationship with Turkish filmmaker Ulvi Dogan.

Her first marriage to filmmaker Robert Fox ended in divorce in 1992.

Her break came in that year when she had a short guest appearance in Come Back, Africa, an anti-apartheid documentary produced and directed by American independent filmmaker Lionel Rogosin.

Her mother is a model turned designer, and her father is a filmmaker.

She is regarded as “ the world ’ s leading feminist filmmaker .” Her films are more concerned with “ feminine aesthetics ” than with an upfront exploration of “ political action ” like that of her fellow German female filmmakers.

Her relationship with filmmaker Vikram Bhatt was often talked about in the Indian media as well as her long-running rift with her parents.

Her partner is the filmmaker David Koff.

" Her cousin is documentary filmmaker Dennis Michael Lynch.

Her last production has been Moly, the autobiographical short of disabled one-legged Senegalese young filmmaker Moly Kane.

Her 1929 play The Danton Case, which examines the conflict between Maximilien Robespierre and Georges Danton, is considered to be one of the most exemplary works about the Revolution, and was adapted ( albeit with significant ideological edits ) by Polish filmmaker Andrzej Wajda for his 1983 film Danton.

Her career as filmmaker suffered after the introduction of sound film and she spent the last decade of her life working on newsreels for Pathé and Gaumont.

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her thick hair was the color and texture of charcoal.

Her laugh was hard.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her name was L'Turu and she told me many things.

( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.

Her mother was a good manager and established a millinery business in Milwaukee.

Her name was Esther Peter.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her action was involuntary.

Her name was Mollie.

Her speech was barren of southernisms ; ;

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.