Her album, Dark Chords on a Big Guitar ( 2003 ), features songs by composers half her age, while a November 2004 performance at New York City's Bowery Ballroom was recorded for a live release, Bowery Songs ( 2005 ).

Her mythological birthplace was the Sparta of the Age of Heroes, which features prominently in the canon of Greek myth: in later ancient Greek memory, the Mycenaean Bronze Age became the age of the Greek heroes.

Her very particular features were the key of her notable success.

Her line features several limited edition makeup shades in glossy black and tiger print packaging.

Her person was slender, her complexion exquisitely fair with the bloom of perfect health ; her features regular and elegant, and her dark blue eyes beamed with the light of wit and fancy.

Her second novel, Mona in the Promised Land concerns the invention of ethnicity ; it features a Chinese-American adolescent who converts to Judaism.

Her job here was somewhat frustrating as the British film industry was in one of its periodic states of flux, but she did manage to produce some noteworthy features, including the 1986 John Cleese film Clockwise.

Her first English studio album since 2003's One Heart, it features pop, R & B, and rock inspired music.

It features many of the duo's early hits and album tracks, such as " Leaves That Are Green ", " He Was My Brother ", and " For Emily, Whenever I May Find Her ".

Her new single, " All Lies " features Maino and was released to iTunes on May 8, 2012.

Her works are developing more and more into cinemaesque features, exemplifying her graviation towards working with films.

Her discography features complete recordings of Die Zauberflöte ( as the Queen of Night, conducted by Sir Thomas Beecham, 1937 – 38, for EMI ), and Rigoletto, with Jan Peerce and Leonard Warren, conducted by Renato Cellini ( 1950 ) which was the first RCA Victor complete opera recording ( with a few minor cuts ) made in the United States for commercial release.

Her husband's financial fortunes turned in the mid 1940s, at which time Brooke Marshall went to work for eight years as a features editor at House & Garden magazine.

Her piece Worker and Kolkhoz Woman was especially influential for their statue's head and facial features.

Hell is Invisible ... Heaven is Her / E, the album, was recorded in New York and features Nick Zinner ( Yeah Yeah Yeahs ) and Gibby Haynes ( Butthole Surfers ) guesting on some tracks.

Her music also often features violins, cellos, flutes, trumpets, clarinets and other instruments.

Her facial features and overall physical appearance often change to a degree with her mood.

Her vocal style features a frequently recurring, insistent, unusually sustained vibrato, one more prominent than can be found in the music of any other well-known popular music performer.

" Of her it is noted that " Her finely chiseled features, delicately pointed nose, and creamy skin suffused her appearance with a regal beauty that would have shone through even the most drab of garments.

Her third studio album, Back to Me, was released worldwide on August 24, 2010 and features the single " Bittersweet ," which peaked in the top ten on the R & B chart.

Her work often features loquacious, unfamiliar quotations by deceased celebrities whom Chandler claims to have personally interviewed, although the statements occasionally contradict those already in print.

Her third release, Lost Signals and Drifting Satellites, features work scored for solo violin accompanied by satellite transmissions, as well as solo and chamber works performed by Joan Jeanrenaud and the Flux Quartet.

Her previous Tzadik CD, " Flying Sparks and Heavy Machinery " features two pieces inspired by her 1999 residency in the factories of Nuremberg, Germany.

Her album Dark Hope, released in June 2010, features covers of songs by Leonard Cohen, Band of Horses, Jefferson Airplane and others.

Her eyes were glazed as if she didn't hear or even see him.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her legs were the full, sexy kind, full bodied like a rare wine and just as tantalizing to the appetite ; ;

Her glance swung past the trailer where the two drivers were standing.

Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her thoughts were not discrete.

Her eyebrows were definite and heavy and formed two lines moving upward toward a high forehead and a great head of brown hair that fell to her shoulders.

Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.

Her eyes were bright with anticipation.

Her `` Rockabye Your Baby '' was as good as it can be done, and her really personal songs, like `` The Man That Got Away '' were deeply moving.

Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.

Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.

Her bright eyes were twinkling.

Her hair never seemed to be in place and her skirts were never quite the correct length.

Her eyes were wild.

Her dark cool caresses were sweeter than any woman's ; ;

Her eyes were smiling, too, but so sadly, and there was tiredness and infinite wisdom in them.

Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.

Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.

Her two children by Philip II, Philip, count of Clermont ( died 1234 ), and Mary, who married Philip I of Namur, were legitimized by the pope in 1201 at the request of the king.

Her remaining children were raised between her, Livia Drusilla and Germanicus ’ mother Antonia Minor.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.