Her films of the early and mid 1950s were generally lightweight romantic dramas, some historical, in which she was cast as ingénue or siren, often in varying states of undress.

Her seminal works among laypeople are her memoir An Unquiet Mind, which details her experience with severe mania and depression, and Night Falls Fast: Understanding Suicide, providing historical, religious, and cultural responses to suicide, as well as the relationship between mental illness and suicide.

Her figure permeates historical, cultural, and social dimensions of Latin American cultures.

Her role during the Cultural Revolution is still a subject of historical debate.

Her historical novel Comme un vol de gerfauts ( 1947 ) was translated into English as A Flight of Falcons, and extracts from her essay ' Feminism or Death ' appeared in the 1974 anthology New French Feminisms.

Her father is named as Beli Mawr, and her brother is Caswallawn ( the historical Cassivellaunus ).

Her historical novels were noted for how extensively she researched the historical facts, and some of them were best-sellers: Dragonwyck ( 1944 ) and Foxfire ( 1950 ) were both made into Hollywood films.

Her deeds are recorded in the oral tradition and mentioned incidentally in various historical accounts.

Her house, near Ekatontapiliani church, is today a historical monument.

Her historical existence has been questioned ; she was declared apocryphal by Pope Gelasius I in 494, but devotion to her revived in the West with the Crusades.

Her daughter Marie Laveau II ( 1827 — c. 1895 ) also practiced Voudoun, and historical accounts often confuse the two.

Her initial roles were ingenues based on characters from historical literature, for example in Scaramouche opposite Stewart Granger.

Her story would become the inspiration for the Hollywood movie Anna and the King of Siam and the Rodgers and Hammerstein musical The King and I, which, because of their incorrect historical references and disrespectful treatment of King Mongkut, were initially banned in Thailand as the Thai government and people considered them to be lèse majesté.

The action of the story follows Sybil Gerard, a political courtesan and daughter of an executed Luddite leader ( she is borrowed from Disraeli's novel Sybil ); Edward " Leviathan " Mallory, a paleontologist and explorer ; and Laurence Oliphant, a historical figure with a real career, as portrayed in the book, as a travel writer whose work was a cover for espionage activities " undertaken in the service of Her Majesty ".

* Tilly is mentioned in Bertolt Brecht's Mother Courage and Her Children in the chapter where his funeral is held and where Mother Courage, referring to it, says her famous lines " I don't care if this funeral is a historical event, to me the mutilation of my daughter's face is a historical event.

In her analysis, Emma Eckstein ' supplied Freud with the material that would allow him to theorize hysteric symptomology ... taught Freud about " the no-man's land between fantasy and memory, resonating with sadistic acts and fantasies of a former historical epoch "' Her ' eager collaboration in her analysis gave Freud much precious material ... contributed substantial changes and fundamental new elements to his theories: the wish theory of psychosis and dream ; the transferential reconstruction of her early pleasures ... fantastic scenes from her inner life '.

Her many years as a park ranger enabled her to work in a variety of natural and historical settings, from 300 feet below the surface of the Earth to 13, 000 feet above sea level on the Continental Divide ; and from the textile mills of the American Industrial Revolution to the homes of Americans who changed the course of history.

Her historical novels include Beatum scelus ( 1924 ), Złota wolność ( Golden Liberty, 1928 ), Legnickie pole ( The Field of Legnica, 1930 ), Trembowla ( 1939 ), Suknia Dejaniry ( Dejanira's Gown, 1939 ).

Her actual historical significance is disputed, although it is largely believed that Chen was pivotal in Wu Sangui's campaigns after the fall of the Ming.

Her attention to detail in the midst of all the struggles that surrounded her adds to her historical significance as an important rhetorician.

Her archive of historical, literary, art, tape, and extensive correspondence materials ( including many prominent literary correspondents, such as: William S. Burroughs, Robert Creeley, Diane Di Prima, Lawrence Ferlinghetti, Allen Ginsberg, and Ken Kesey ) resides at the University of Michigan's Special Collections Library in Ann Arbor, Michigan.

Her works generally fall into one of several categories of genre fiction, including historical murder mysteries and detective fiction.

Her true sex was discovered, and she would eventually be erased from the historical record because of this.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her conclusion has been borne out in the experience of many practitioners: `` short-contact interviewing is neither a truncated nor a telescoped experience but is of the same essential quality as the so-called intensive case work ''.

Her husband, who is the son of Alton John Mason of Shreveport, La., and the late Mrs. Henry Cater Parmer, was president of Alpha Tau Omega and a member of Delta Sigma Pi at Lamar Tech, and did graduate work at Rhodes University in Grahamstown, South Africa, on a Rotary Fellowship.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her husband left her no money, so she has tried different kinds of work, and now hopes to find some work that is not too strenuous.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her work is only now being properly evaluated.

Her work in choreographing the landmark 1986 production of Lully's 1676 tragedie-lyrique Atys was part of the national celebration of the 300th anniversary of Lully's death.

Her later work was more introspective in its lyrics as opposed to aggressive ; Hole's Celebrity Skin and Love's solo album, America's Sweetheart, focused more on celebrity life, Hollywood, and drug addiction, while also carrying on past themes of vanity and body image, and Nobody's Daughter was lyrically reflective of Love's past relationships and her struggle to sobriety, with the majority of its lyrics having been written while Love was in rehab in 2006.

Her other major work is The Dialogue of Divine Providence, a dialogue between a soul who " rises up " to God and God himself, and recorded between 1377 and 1378 by members of her circle.

Her final work was a poem eulogizing Joan of Arc, the peasant girl who took a very public role in organizing French military resistance to English domination in the early 15th century.

In 1975, Day released her autobiography, Doris Day: Her Own Story, an " as-told-to " work with A. E. Hotchner.

Her work has earned her four Grammy Awards and an Academy Award nomination.

Her health broke under the stress of the 17-hour work day and she returned home in April 1839.

Her work involves children's adventure stories, and fantasy, sometimes involving magic.

Her work has been translated into nearly 90 languages.

Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value.

Her 1872 work, Middlemarch, has been described as the greatest novel in the English language by Martin Amis and by Julian Barnes.

" Her fiction has been nominated for nine Nebula and three Hugo Awards, and her genre-related scholarly work was recognized with a Pilgrim Award in 1988.

Her work is widely taught in courses on science fiction and feminism throughout the English speaking world.

Some of her best-regarded work can be found in the collection Her Smoke Rose Up Forever, available in paperback as of 2004.

* " Her stories and novels are humanistic, while her deep concern for male-female ( even human-alien ) harmony ran counter to the developing segregate-the-sexes drive amongst feminist writers ; What her work brought to the genre was a blend of lyricism and inventiveness, as if some lyric poet had rewritten a number of clever SF standards and then passed them on to a psychoanalyst for final polish.

Her work at Jericho, from 1952 until 1958, made her world famous and established a lasting legacy in the archaeological methodology of the Levant.

Her father eventually allowed her to work in the temple, but asked the monks to give her the toughest chores in order to discourage her.