Her unhappiness with her marriage caused Aphrodite to seek out companionship from others, most frequently Ares, but also Adonis.

Her father ’ s marriage to Julia was his third marriage.

Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.

Her marriage to Claudius was not based on love, but on power.

Her husband died, apparently in the early years of her marriage, leaving her with two children, Athalaric and Matasuntha ( c. 517 – after 550 ), wife c. 550 of Germanus.

Her son only venerated Ares and was fully devoted to war, neglecting love and marriage.

Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.

Her only child, son Terry Melcher, resulted from this marriage.

* Her fourth and last marriage was to Barry Comden ( born 1935 – died 2009 ), who was roughly a decade younger, from April 14, 1976 until 1981.

Her parents ' marriage had been arranged by Dangereuse with her paternal grandfather, the Troubadour.

Her older half-sister, Mary, had lost her position as a legitimate heir when Henry annulled his marriage to Mary's mother, Catherine of Aragon, in order to marry Anne and sire a male heir to ensure the Tudor succession.

Her family stopped speaking to her ; his family connection was bruised, as his children felt his marriage was a repudiation of their mother.

Her one route of social mobility out of her working-class origin was through the traditional way of marriage.

Her father Thomas refused marriage because of Stephenson's lowly status as a miner.

Her scheduled marriage is mentioned in the text as the third union between Stilicho's family and the Theodosian dynasty, following those of Stilicho to Serena and Maria, their daughter, to Honorius.

Her chief function was as the goddess of women and marriage.

Her father Jobst initially opposed a marriage despite Kepler's nobility ; though he had inherited his grandfather's nobility, Kepler's poverty made him an unacceptable match.

Her 1951 marriage to Charles Dye ended in divorce a year later, but during that time, one of her stories was published under Dye's name.

Her third and longest-lasting marriage ( 1936 – 1950 ) was to the British Anthropologist Gregory Bateson with whom she had a daughter, Mary Catherine Bateson, who would also become an anthropologist.

Her fairytale marriage to Brad Silver comes crashing down when she realizes that he's unfaithful to her, leading her to reconsider choosing him over Katchoo.

Her father then reveals that his wedding with her mother, which Mary had always seen as the perfect marriage, was actually arranged and only became a loving relationship months later, leaving Mary feeling very confused.

Her sister Mary's marriage to Philip brought great contempt to the country, for many of her subjects despised Spain and Philip and feared that he would try to take complete control.

Her recording of " Sentimental Journey " was the first song placed in the Grammy Hall of Fame.

Her more starkly personal 1971 recording Blue has been called one of the best albums ever made.

Her 1945 scat recording of " Flying Home " arranged by Vic Schoen would later be described by The New York Times as " one of the most influential vocal jazz records of the decade .... Where other singers, most notably Louis Armstrong, had tried similar improvisation, no one before Miss Fitzgerald employed the technique with such dazzling inventiveness.

" Her bebop recording of " Oh, Lady be Good!

Her first professional recording with Ike Turner was singing background for him on Ike's record, " Box Top ".

Her extraordinary talent was discovered when Miranda was first introduced to composer Josué de Barros, who went on to promote and record her first album with a Brunswick, a German recording company in 1929.

Her success as a live performer led to her recording several albums at Capitol Records: Liza!

" Her musical style and choreography have influenced and inspired a younger generation of recording artists.

Her fame grew throughout the early 1990s, especially in Spanish-speaking countries, and she had begun recording in English as well.

" ( Her performance was repeated on 1991 studio cast recording based on the concert staging, appearing alongside Howard McGillin, Susan Powell, Kim Criswell, and Karen Ziemba.

Her desire and ability to sing came early ; at age seven she was offered her first recording contract, which her father turned down.

Her performances in the Broadway musical Black and Blue earned Brown a Tony Award, and the original cast recording won a Grammy Award.

Her first studio recording session was with Bruce Robb, who produced, engineered, and mixed her demos.

Her youngest son, Solomon, also has started recording.

Her recording of " Tenderly " became an unexpected pop hit in late 1947.

Her December 27, 1947, recording of " It's Magic " ( from the Doris Day film Romance on the High Seas ) found chart success in early 1948.

Her recording of " Nature Boy " from April 8, 1948, became a hit around the same time as the release of the famous Nat King Cole recording of the same song.

Her debut Mercury recording session took place in February 1954 and she stayed with the label through 1959.

Her interpretation of the music led to a new album, Twentieth Century Blues ( 1996 ), which focused on the music of Kurt Weill and Bertolt Brecht, followed in 1998 by a recording of The Seven Deadly Sins, with the Vienna Radio Symphony Orchestra, conducted by Dennis Russell Davies.

In 1981, he recorded some instrumental tracks for his unreleased instrumental album Strings and Things and in 1984, he did some instrumental writing and recording including the soundtrack for the film A Breed Apart, The only work released under his own name were two singles: " Railroad " in 1970 and " Hold Her in Your Hand " in 1984.

Her relationship with the Wilburn Brothers and her appearances on the Grand Ole Opry, beginning in 1960, helped Lynn become the number one female recording artist in country music.

Her final professional appearance was a cameo on the 1988 studio recording of Jerome Kern's Show Boat, starring Frederica von Stade and Jerry Hadley, in which she affectingly spoke the few lines of The Old Lady on the Levee in the final scene.

Her 1961 recording of Sailor became her first No. 1 hit in the U. K., while such follow-up recordings as Romeo and My Friend the Sea landed her in the British Top Ten later that year.