Edward wrote fondly of his mother in his memoirs: " Her soft voice, her cultivated mind, the cosy room overflowing with personal treasures were all inseparable ingredients of the happiness associated with this last hour of a child's day ...

Her papers, letters, memoirs, and notebooks were burned.

Her memoirs, Nostalgia Isn't What It Used To Be, were published in 1978.

Her video jockey memoirs have a complete list of all the live music she documented during her VJ breaks.

Her elder son, the Earl of Harewood, however, wrote about his parents ' marriage in his memoirs The Tongs and the Bones and challenged these widespread rumours that the marriage was an unhappy one.

Her second volume of memoirs, Pentimento: A Book of Portraits, appeared in 1973.

Her political memoirs, entitled Momentum: The Struggle for Peace, Politics and the People, were published in 2002.

Her memoirs do, however, indicate rage over her marital experience and an obvious dislike of her former husband.

Her memoirs Shephard's Watch: Illusions of Power in British Politics were published in 2000.

Her memoirs were published in the United States in 1984.

Her Mémoires appeared about five years later, and have often been reprinted, both separately and in collections of the memoirs of the 17th and 18th centuries, to both of which the author belonged both in style and character.

Her brother Guy reports this event in his memoirs, but fails to list any vital information about the child.

Her work based both on her own culinary experience and on 17th century and 18th century memoirs by Polish szlachta.

Her husband helped with writing the publicity and set up a small publishing house, published Lady Chatterley's Lover and hired Samuel Putnam to translate famous model Kiki's memoirs.

Her first husband was Alexandre Kochetovsky, a fellow Ballet Russes dancer by whom she had two children — a son, Leo Kochetovsky, who was killed in a car accident and a daughter, Irina Nijinska, a ballet dancer in her own right who subsequently carried on her work, including editing and publishing her mother's memoirs in 1972.

Her book Catherine the Great was positively reviewed in the New York Times ( Dec 20, 1925, pg BR8 ), which notes that Miss Anthony had, apparently for the first time, access to all of Catherine's private memoirs.

Her memoirs, translated into English under the title of " Crowning Anguish: Memoirs of a Persian Princess from the Harem to Modernity 1884-1914 ", is held in the archives of Iran's National Library.

Her own lack of knowledge about birth control ( as stated in her memoirs ) led to her interest in the causes of birth control and abortion.

Her memoirs, Mes amours que j ' ai tant aimées (" The Loves I So Loved "), were published in 1958.

Her memoirs have been published under the title " An Inheritance ".

Her next role was as the equestrienne Felicity in Sydney Pollack's Academy Award-winning Out of Africa, based on the memoirs of the famed Danish writer Isak Dinesen, and starring Meryl Streep, Robert Redford and Klaus Maria Brandauer.

Her memoirs have been important sources for historians doing research on southern society during and after the Civil War.

Her memoirs start with her childhood days, where she shamefully remembers her joy at reading tales to the point of praying to the Buddha to be able to read all of them, and relegating spiritual life as a lesser priority, despite several dreams which she interpreted as admonishments from the heavens.

Her memoirs, Theatre Street, discusses her training at the Imperial Ballet School, and her career at the Mariinsky Theatre and the Ballet Russe.

Her hair was the color of those blooms which in seed catalogues are referred to as `` black '', but since no flower is actually without color contain always a hint of grape or purple or blue -- he wanted to draw the broad patina of hair through his fingers, searching it slowly for a trace of veining which might reveal its true shade beneath the darkness.

Her images characteristically draw from the Australian flora and fauna, yet contain a mythic substrata that probes at the poetic process, limitations of language, and the correspondence between inner existence and objective reality.

Her published diary and letters contain many minute and interesting particulars of her father's public and private life, and of his friends and contemporaries, including his initial opposition to her marriage to the French refugee Alexandre D ' Arblay in 1793 and to her sister Charlotte's remarriage to the pamphleteer and stockjobber Ralph Broome in 1798.

One of Christie's notebooks contain references to Cover Her Face under ‘ Plans for Sept. 1947 ’ and ‘ Plans for Nov. 1948 ’, suggesting she was planning to re-read and revise the manuscript.

Her letters, in contrast to Einstein's, contain only personal matters, or comments related to her Polytechnic coursework.

Her pictures, usually watercolours, typically contain local scenes of Petersfield which are filled with people and animals, with such subjects as The Square on Market Day, or the fair on Petersfield Heath.

Her various volumes of reminiscences contain much valuable material illuminating the social and theatrical history of the period.

Similarly, Canadian acts of parliament typically contain the following enacting clause: " NOW, THEREFORE, Her Majesty, by and with the advice and consent of the Senate and House of Commons of Canada, enacts as follows ..." Because the Queen remains a part of parliament, the enacting clause does not need to explicitly mention her, as in realms such as Australia and Tuvalu, where the clause is simply " The Parliament of Australia enacts " and " ENACTED by the Parliament of Tuvalu ...", respectively.

Her poems have been published under a number of other titles as well, but they contain the poems from these collections only.

" Her notebooks and letters contain numerous personal formulae for observing nature, painting a portrait, designating colors by a system of numbers, and the like.

Her reports often contain the phrase " I couldn't believe my eyes!

“ Her albums contain many photographs that show her wandering alone along these paths – clad in a full-length, white dress, her parasol lifted high .”

Her original body was damaged, so a bioroid was built to contain her essence ( represented by a glowing orb in place of an eye ) while her body healed.

Her records that contain Goth music or heavy metal were burned.

Her arms are surgically adapted to contain sub-zero ice picks which she fires as weapons, and hence her name.

Her shows often contain elements of theater — dance and puppet shows are common elements.

Her books also often frequently contain personal recollections of culinary habits in Northumbria, Wiltshire and Touraine.

Her arms ( pictured below ) contain in sinister ( i. e. on the bearer's left, viewer's right ) the bows and blue lions that make up the arms of the Bowes and Lyon families.

Her various costumes, usually based on the design or colors of the Israeli flag, contain additional paraphernalia to enhance her combat capabilities.

Her diaries contain more than 4, 000, 000 words and about a sixth of them — those concerning the intimate details of her romantic and sexual relationships — were written in code.

Her suit sleeves contain shuriken-type devices, although they are only seen used in cutscenes.

Her use of the word " incest " is not only metaphorical in the sense that it describes such an inter-relationship between states, but between psychological aspects as well as the obviously physical interactions they may contain.

Her large breasts represent and contain Earth's life-giving energy.

Her reminiscences, Mes premières armes littéraires et politiques ( 1904 ) and Mes sentiments et nos idées avant 1870 ( 1905 ), contain much interesting gossip about her distinguished contemporaries.