Her classically restrained Tuscan soffritto is garlic-less and simply calls for a red onion, a carrot, and a stalk of celery — all finely minced by hand and slowly and carefully sauteed in virgin olive oil in a heavy pan until the mixture reaches a state of browning appropriate to its intended use.

Her olive wreath was subsequently replaced by an Iron Cross.

Her paintings show the olive green and sienna colours of the Australian bush, depicted in a style where the brush strokes are visible, made up of many similar colours.

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her arm bled slightly, and the offended skin cried out in pain.

Her uniform was of rich, raw silk, in a shade which matched her hair, skin, housepaint, and cats, and since she was so thin as to be almost shapeless, she rather resembled a frozen fish stick.

Her skin crawled: Lolotte had told Maude that she was in the hall and the door was open.

Her skin was stretched so tight that her cheekbones stuck out, and if looks could kill, Wally would have been dead.

" Her mouth is too large and her eyes too prominent and colourless for beauty ", wrote a Venetian envoy as Catherine approached forty, " but a very distinguished-looking woman, with a shapely figure, a beautiful skin and exquisitely shaped hands ".

Although Caine also took better roles, including a BAFTA-winning turn in Educating Rita ( 1983 ), and an Oscar-winning one in Hannah and Her Sisters ( 1986 ) and a Golden Globe-nominated one in Dirty Rotten Scoundrels ( 1988 ), he continued to appear in notorious duds like the thinly veiled skin flick Blame It on Rio, the Dick Clement and Ian Le Frenais comedy Water and the critical-commercial flop Jaws: The Revenge ( 1987 ) ( in which he had mixed feelings about the production and the final cut ) and Bullseye!

Her wavy hair was light brown in colour, and she had grey eyes and fair skin.

Her voice is little more than a whisper, and she has no odor, but her shadow smells musky and pungent, like the skin of a snake.

* 1992: First time the texture of human skin was computer generated, in Death Becomes Her

Her skin is pale and her hair dark ; she always wears silver and white.

Her appearances in various hit films of the 1960s formed the basis of her international reputation, and an obituary in The Telegraph characterised her as " the blue-eyed English rose with the china-white skin and cupid lips who epitomised the sensuality of the swinging Sixties ".

Her face peered out of the hood like a witch caricature — sunken cheeks and eyes, an overlong nose, skin mottled and with protruding veins.

Her performance was well-received with Rajeev Masand from CNN-IBN concluding, " Rani looks a million bucks and she dives under the skin of her character to make that part one that we will remember for a long time.

Her skin is slightly brighter than Doug's, her hair is blue, and is shown to be rather meek and somewhat clumsy but also an outgoing environmentalist.

Her body design resembles a slender humanoid female with purple hair, blue skin, and yellow pupil-less eyes.

" Of her it is noted that " Her finely chiseled features, delicately pointed nose, and creamy skin suffused her appearance with a regal beauty that would have shone through even the most drab of garments.

Her baby is more able to be alert and placed on her skin ( promoting maternal bonding ) and breastfeeding is more likely to be enjoyable and successful.

Her inhumanly pale or even transparent skin makes her blend into the snowy landscape ( as famously described in Lafcadio Hearn's Kwaidan: Stories and Studies of Strange Things ).

Her skin is a hardened shell, providing her body with a heavy armor capable of withstanding blows from forged weapons, such as swords or axes.

Her skin is a rosier shade and her coat cream-colored, as opposed to stark white.

Her most striking physical features are her beautiful skin and her emerald-green eyes.

Her appearance is quite ugly due to skin damage ( from " paraleprosy ") and other problems ; however, she wears a special " skin suit " which makes her look whole and beautiful ( which may or may not be real — she is an unreliable narrator ), and gives her a functional artificial leg.

" Her " rosy little head " may also be a sly reference to the hymen ; Porphyria leaves a " gay feast " and comes in from the outside world wearing " soiled gloves " ( Porphyria may well be a gardener with obvious links to the rose theme ); now her blue eyes, open in death, are " without a stain.

Her mask is a simple smiling face with rosy cheeks.

Her rosy lips babbled with enchantment.

Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.

Her charming, ambrosia-like complexion intimated that she represented the earlier when that goddess was still a maiden.

" Her features were not regular but her complexion was extremely fair and she had the finest neck that could be seen, which she took care it should be.

Her person was slender, her complexion exquisitely fair with the bloom of perfect health ; her features regular and elegant, and her dark blue eyes beamed with the light of wit and fancy.

Her birth name, Kali ( the dark one ), indicates her dark complexion.

Her description of Pandavas to Jayadratha when he abducts her, " With a complexion like that of pure gold, possessed of a prominent nose and large eyes, and endued with a slender make, that husband of mine is known among people by the name of Yudhishthira, the son of Dharma and the foremost of the Kuru race.

Her physical description in Equal Rites is described as " handsome ", having an excellent complexion, no warts, and all her teeth, although it is implied she finds this a bit inappropriate for a witch.

Her appearance was no recommendation: Burney described her as " short and squat, with a doughy cross face, but fine complexion ; ... not a good actress ; dressed ill ; and was silly and fantastical.

Her stylish clothes and milky complexion did not pass unnoticed among the town's ladies, however, and she soon found enthusiastic buyers for the jars of beauty cream in her luggage.

Her film career was largely ruined by the destructive effects of early film makeup, which ravaged her complexion too severely to camouflage.

Her hair is reddish gold, and she has gray eyes with a cream complexion.

Her complexion is almost flawless, and she is well aware of this.

" Her body was that of a woman with a fair complexion, but her legs were those of a mule "-TSol 4: 2