Her paintings reflect the 19th-century cultural restrictions of her class and gender.

These skillfully rendered paintings encouraged fan Glenn Bray to ask Barks if he could commission a painting of the ducks (" A Tall Ship and a Star to Steer Her By ", taken from the cover of Walt Disney's Comics and Stories # 108 by Barks ).

Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts.

Her reputation has been altered over the years according to changing social and political perspectives, especially after the Mexican Revolution, when she was portrayed in dramas, novels, and paintings as an evil or scheming temptress.

Her paintings can be seen at galleries in Bergamo, Budapest, Madrid ( Museo del Prado ), Naples, Siena, and at the Uffizi Gallery in Florence.

Her paintings can be seen at galleries in Baltimore ( Walters Art Museum ), Bergamo, Boston ( Museum of Fine Arts ), Brescia ( Pinacoteca Tosio Martinengo ), Budapest, Florence ( Uffizi Gallery ), Madrid ( Museo del Prado ), Milan ( Pinacoteca di Brera ), Naples ( National Museum of Capodimonte ), Siena ( Pinacoteca Nazionale ), Southampton ( City Art Gallery ), and Vienna ( Kunsthistorisches Museum ).

Her estate was estimated to be worth £ 70 million, including paintings, Fabergé eggs, jewellery, and horses.

Her winter paintings are reminiscent of some of the known winter paintings of Pieter Bruegel, the Elder, such as The Hunters in the Snow and Winter Landscape with a Bird Trap.

Her first solo exhibition, " What a Farm Wife Painted ", opened October 1940 at Otto Kallir's New York City gallery Galerie St. Etienne, followed by a meet-and-greet with the artist and an exhibition of 50 paintings at Gimbel's Department Store November 15, followed by a third solo show in as many months, at the Whyte Gallery, Washington, D. C. " Gimbels had supplemented Moses ' art display with a table beneath the paintings spread samples of Grandma's culinary talents — homebaked bread, rolls and cake, plus some of the preserves which won her prizes at the county fair.

Her paintings were soon reproduced on Christmas cards, tiles and fabrics in America and abroad.

Her works include oil paintings and drawings.

Her influences included Edvard Munch and Egon Schiele ; later she destroyed all her paintings from this early period, and for a time studied philosophy at Birkbeck, University of London.

Her paintings have, since 1961, been executed by assistants from her own endlessly edited studies.

Her paintings, statements, and influential writings often reflect an interest in Eastern philosophy, especially Taoist.

Her correspondence with both Catherine the Great of Russia and King Stanislaw August of Poland, as well as several other dignitaries and heads of state often centered around the commission of several paintings that were often hung in her salon.

Her most well known depictions of folk tales and images of young girls, made largely since 1990, seem bring together the methods of painting and printmaking with an emphasis on strong and clearly drawn forms, in contrast to Rego's earlier more loose style paintings.

Her paintings belong to the category fantastic realism.

Her circumstances straitened and her life in Victoria circumscribed, Carr's few paintings of this period drew their inspiration from local scenes: the cliffs at Dallas Road, the trees in Beacon Hill Park.

Her painting can be divided into several distinct phases: her early work, before her studies in Paris ; her early paintings under the Fauvist influence of her time in Paris ; a post-impressionist middle period before her encounter with the Group of Seven ; and her later, formal period, under the post-cubist influences of Lawren Harris and American artist and friend, Mark Tobey.

Her husband was a dentist from Scotland who traded paintings from his customers who were Impressionist painters.

Her work commanded high prices ; in 1928, Stieglitz masterminded a sale of six of her calla lily paintings for US $ 25, 000, which was the largest sum ever paid for a group of paintings by a living American artist.

Her long, golden hair was the focus of paintings commissioned by Victoria, who even enjoyed giving Beatrice her bath, in marked contrast to her bathing preferences for her other children.

Her continuing mission: to explore strange new worlds ; to seek out new life and new civilizations ; to boldly go where no human has gone before.

Her early work developed Brecht's modernist dramatic and theatrical techniques of ‘ Epic theatre ’ to explore issues around gender and sexuality.

Her on-going mission: to explore strange new worlds, to seek out new life forms and new civilizations, to boldly go where no man has gone before.

Her ongoing mission: to explore strange new worlds, to seek out new life forms and new civilizations, to boldly go where no one has gone before.

Her beauty and singing talent also win over several Zentradi spies sent to explore human society, who spread their impressions among their fleetmates, thus unwittingly evoking peace-oriented attitudes among the alien aggressors.

Her husband, Egoyan, credits her for inspiring him to further explore his Armenian roots.

Her heritage of both Puerto Rican and African American influence her work to explore issues with race, gender, socio-economic class, etc.

Her novels explore psychological suspense, as was popular for many decades, and has ‘ an especially strong way of sharing with readers the minds of female characters confronting hazards and crisis ’.

Her magical realism novels explore worlds imbued with elements pulled from a number of traditions, faiths, and religions.

Her works deal to a large degree with confrontation with the past and explore the threats posed both by memory and isolation.

Her novels explore " alienated characters and the nature of loneliness and entrapment.

Her family responsibilities fulfilled, Nancy wants to explore the world, perhaps moving from beach to beach, meeting new people and having new experiences.

Her more recent paintings and sculptures explore the collision of ancient myths and the modern world.

Her responsibility as a writer, she believes, is in part to explore the lives of marginalised groups struggling for visibility – and for compassion – in contemporary China.

Her photographs for the FSA often explore the political aspects of poverty and deprivation.

Her novels explore a variety of emotions, including grief, loss, and pain.

Her professional career begins with Anamorphosis where she goes beyond the exterior world of landscape and the body and she begins to explore the interior universe of love and selfhood.

Her progressive ideas on education, as expounded in The Preparation of the Child for Science, included encouraging children to explore mathematics through playful activities such as ' curve stitching '.

Her early style is less individual and more realistic ( also known as primitive art ), despite her lack of knowledge of ( or perhaps rejection of ) basic perspective.

Her intellectual trajectory is partly connected to the Bourdieuian perspective and apparatus in social sciences.

Her paintings suggest some underlying mystery through the suggestion of architectural perspective.

( Her comment reflects the perspective of most transitioned men and women and their allies, who do not consider biology the sole arbiter of gender.

Her book designing web graphics, published by New Riders in 1995, often is credited with being the first title to discuss web authoring technologies from a visual design perspective.

Jill, teary-eyed, exclaims " I mean why, why me ?” Her husband turns to her comfortingly, and says, " Jill, let's keep this in perspective.

Her poems portray stories of family life and are often told from the perspective of women.

Her writing covers a variety of topics in politics and culture, with particular focus on gender issues and feminism, reflecting an individualist feminist perspective ( c. f.

Her research has focused primarily on Feminist Liberation Theology and Spiritualities, but has also encompassed Ecofeminist theology, Ecological theology and Spirituality, Indian Liberation theology, Jewish-Christian dialogue, Systematic theology from a Feminist perspective and the relationship between Social Justice and theology.

Her life has also been a subject to studies from a feminist perspective, by scholars to point out the significance of her participation in the military conflict as a female going against the stereotype that only males can fight.

Her writing also illustrates struggles and tragedies within her own family, local crimes and scandals, and provides a woman's perspective on political events then unfolding in the nascent years of the early American republic.

Her writing is characterized by an experimental, avant-garde style which questions hierarchical social structures from a feminist perspective.

Her lyrics were written from a radical feminist punk perspective.

Her toes are extended down, without perspective foreshortening ; they do not appear to rest upon a ground line and thus give the figure an impression of being dissociated from the background, as if hovering.