Her paintings reflect the 19th-century cultural restrictions of her class and gender.

These skillfully rendered paintings encouraged fan Glenn Bray to ask Barks if he could commission a painting of the ducks (" A Tall Ship and a Star to Steer Her By ", taken from the cover of Walt Disney's Comics and Stories # 108 by Barks ).

Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts.

Her reputation has been altered over the years according to changing social and political perspectives, especially after the Mexican Revolution, when she was portrayed in dramas, novels, and paintings as an evil or scheming temptress.

Her paintings can be seen at galleries in Bergamo, Budapest, Madrid ( Museo del Prado ), Naples, Siena, and at the Uffizi Gallery in Florence.

Her paintings can be seen at galleries in Baltimore ( Walters Art Museum ), Bergamo, Boston ( Museum of Fine Arts ), Brescia ( Pinacoteca Tosio Martinengo ), Budapest, Florence ( Uffizi Gallery ), Madrid ( Museo del Prado ), Milan ( Pinacoteca di Brera ), Naples ( National Museum of Capodimonte ), Siena ( Pinacoteca Nazionale ), Southampton ( City Art Gallery ), and Vienna ( Kunsthistorisches Museum ).

Her estate was estimated to be worth £ 70 million, including paintings, Fabergé eggs, jewellery, and horses.

Her winter paintings are reminiscent of some of the known winter paintings of Pieter Bruegel, the Elder, such as The Hunters in the Snow and Winter Landscape with a Bird Trap.

Her first solo exhibition, " What a Farm Wife Painted ", opened October 1940 at Otto Kallir's New York City gallery Galerie St. Etienne, followed by a meet-and-greet with the artist and an exhibition of 50 paintings at Gimbel's Department Store November 15, followed by a third solo show in as many months, at the Whyte Gallery, Washington, D. C. " Gimbels had supplemented Moses ' art display with a table beneath the paintings spread samples of Grandma's culinary talents — homebaked bread, rolls and cake, plus some of the preserves which won her prizes at the county fair.

Her paintings were soon reproduced on Christmas cards, tiles and fabrics in America and abroad.

Her works include oil paintings and drawings.

Her influences included Edvard Munch and Egon Schiele ; later she destroyed all her paintings from this early period, and for a time studied philosophy at Birkbeck, University of London.

Her paintings have, since 1961, been executed by assistants from her own endlessly edited studies.

Her paintings, statements, and influential writings often reflect an interest in Eastern philosophy, especially Taoist.

Her correspondence with both Catherine the Great of Russia and King Stanislaw August of Poland, as well as several other dignitaries and heads of state often centered around the commission of several paintings that were often hung in her salon.

Her most well known depictions of folk tales and images of young girls, made largely since 1990, seem bring together the methods of painting and printmaking with an emphasis on strong and clearly drawn forms, in contrast to Rego's earlier more loose style paintings.

Her paintings belong to the category fantastic realism.

Her circumstances straitened and her life in Victoria circumscribed, Carr's few paintings of this period drew their inspiration from local scenes: the cliffs at Dallas Road, the trees in Beacon Hill Park.

Her painting can be divided into several distinct phases: her early work, before her studies in Paris ; her early paintings under the Fauvist influence of her time in Paris ; a post-impressionist middle period before her encounter with the Group of Seven ; and her later, formal period, under the post-cubist influences of Lawren Harris and American artist and friend, Mark Tobey.

Her husband was a dentist from Scotland who traded paintings from his customers who were Impressionist painters.

Her work commanded high prices ; in 1928, Stieglitz masterminded a sale of six of her calla lily paintings for US $ 25, 000, which was the largest sum ever paid for a group of paintings by a living American artist.

Her long, golden hair was the focus of paintings commissioned by Victoria, who even enjoyed giving Beatrice her bath, in marked contrast to her bathing preferences for her other children.

Her acquaintance with him parallels her writing a number of poems, which may suggest she fell in love with him.

Her death certificate gives the cause of death as phthisis ( tuberculosis ), but many biographers suggest she may have died from dehydration and malnourishment, caused by excessive vomiting from severe morning sickness or hyperemesis gravidarum.

Her associations with hawks, lions, and the very stone of the wild, mountainous Anatolian landscape, suggest her as mother of the land and its wild, untrammeled nature, with power to dominate, moderate or soften its latent ferocity, and control its potential threats to a settled, civilised life ; thus, her enrollment as a protective goddess of the state by Anatolian elites, possibly concurrent with some form of ruler-cult.

Her name, Mucia Tertia, would suggest that she was a third daughter, according to the Roman naming convention for women, though it is believed that this was instead to differentiate her from her two aunts.

Recounting a memory of love we hear one woman confide to the others " And I Was Beautiful " prompting a gentleman to suggest that someone " Kiss Her Now " ( While She's Young ).

Her subsequent extraordinary success as an opponent in recent confrontations, and the revelation that she is a well-prepared Mongfish agent, strongly suggest that her mishaps and subsequent rescues were deliberate, likely to cover her much deeper involvement in the plans from which she was routinely ' rescued ' and to manipulate Gil.

Her place of birth and the identity of her father are just as uncertain, leading some authors to suggest that there was more than one person whose details have become merged ( these are sometimes referred to as Theano I and Theano II ).

Her occasional references to her family suggest that she does not get along well with her parents, which may explain why she left Chicago.

Her titles and the saga-like intertwining of her characters suggest high ambitions.

Her name, the feminine form of " Osric ", is not an invention, but it is sufficiently unusual to suggest that the character is herself extraordinary, separated from life ’ s routine.

Her descriptions of the nights she spent with Elvis before their marriage suggest that the star was not overtly sexual towards her.

Her references to " green in judgment " and " cold in blood " both suggest qualities of salads.

Her advisers suggest she marry Hizdahr zo Loraq to bring peace, and she agrees to the marriage if he can stop the killings for ninety days.

Her justification for performing such cruel actions is that she is so " righteous " as to do whatever she deems fit, although Maguire seems to suggest that her condition and her circumstances have left her embittered and hardened.

Her sisters suggest she could go to a medium for help.

Her body has been sculpted with attention to naturalistic detail: the deep navel, structured abdomen, " softly modeled pubic area " the recurve of the outline of the hips beneath the iliac crest and the bony structure of the legs with distinct knee caps all suggest " an artistic skill that is almost certainly derived from observed study ".

Her entrance in Scene 2, Act 1, brought some disconcerting applause even before she had sung a note.

Her version contained some new lyrics, as well as a small modification of the melody.

Her husband left her no money, so she has tried different kinds of work, and now hopes to find some work that is not too strenuous.

Her films of the early and mid 1950s were generally lightweight romantic dramas, some historical, in which she was cast as ingénue or siren, often in varying states of undress.

Her pregnant condition was discovered some months later while bathing with Diana and her fellow nymphs.

Her early death may have inspired some of his writing.

Her reign is famous for the defeat of the Armada, and for successful raids against the Spanish, such as those on Cádiz in 1587 and 1596, but some historians point to military failures on land and at sea.

A few have been filmed ( in some cases rather freely adapted ): Consider Her Ways, Random Quest, Dumb Martian, Jizzle ( filmed as Maria ) and Time to Rest ( filmed as No Place Like Earth ).

* " Her stories and novels are humanistic, while her deep concern for male-female ( even human-alien ) harmony ran counter to the developing segregate-the-sexes drive amongst feminist writers ; What her work brought to the genre was a blend of lyricism and inventiveness, as if some lyric poet had rewritten a number of clever SF standards and then passed them on to a psychoanalyst for final polish.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

Her ideas led to a method used by some homeschoolers.

Her earliest writings, some of which she adapted in Orsinian Tales and Malafrena, were non-fantastic stories of imaginary countries.

Howard Brenton's play Hitler Dances caused some controversy by depicting Szabo as more of a real and vulnerable woman, rather than the heroic, patriotic archetype of Carve Her Name with Pride.

Her discoveries included the first ichthyosaur skeleton to be correctly identified, which she and her brother Joseph found when she was just twelve years old ; the first two plesiosaur skeletons ever found ; the first pterosaur skeleton located outside Germany ; and some important fish fossils.

Her work had tailed off during the last few years of her life because of her illness, and as some townspeople misinterpreted the effects of the increasing doses of laudanum she was taking for the pain, there had been gossip in Lyme that she had a drinking problem.

* Members of royal families ( princes and princesses ) generally have the style of Royal Highness, although in some royal families ( for instance, Denmark ), more junior princes and princesses only bear the style of His or Her Highness.

Her husband moved his small army quickly to her relief although outnumbered by some five to one.

Her friendship with Louise Abbéma ( 1853 – 1927 ), a French impressionist painter, some nine years her junior, was so close and passionate that the two women were rumored to be lovers.

Her face, which was red and spotted, was rendered something frightful by her negligent dress, and the foot affected was tied up with a poultice and some nasty bandages.

Her sister the Dowager Empress was rescued from Russia in 1919 by and brought to England, where she lived for some time with Alexandra.

Her name has traditionally been associated with marital faithfulness, and so it was with the Greeks and Romans, but some recent feminist readings offer a more ambiguous interpretation.

Her tendency to be witty and saucy in conversation, yet religiously devout and almost prudish in behavior, confused many of the English men but pleased some of the older socialites.

Her status is also a matter of dispute among the historians: some believed that she only was Władysław's mistress and others asserted that she was his wife, but this union was performed under pagan rituals and in consequence not recognized by the Church as a valid marriage.

Her cartouches and images were chiselled off some stone walls, leaving very obvious Hatshepsut-shaped gaps in the artwork.

Her one attempt at Shakespeare, performing Lady Macbeth opposite Alec Guinness at the Royal Court Theatre in London in 1966 proved to be ill-advised, although some critics were harsher and one referred to her English as " impossibly Gallic ".