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Page "Margaret Beaufort, Countess of Richmond and Derby" ¶ 32
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Her and portrait
Her sympathetic renderings of American ruling class made her one of the most successful portrait painters of her era.
Her portrait of The Reverend Matthew Blackburne Grier was particularly well-received, as was Sita and Sarita, a portrait of her cousin Charles W. Leavitt's wife Sarah ( Allibone ) Leavitt in white, with a small black cat perched on her shoulder, both gazing out mysteriously.
Her portrait of messianic ( self -) sacrifices of these figures make for entertaining speculation, but they have not been taken seriously as history even by her staunchest supporters, though they have been used in novels ( e. g. Katherine Kurtz's Lammas Night, Philip Lindsay's The Devil and King John ).
Her portrait of Queen Elisabeth of Valois with a zibellino ( the pelt of a marten set with a head and feet of jewelled gold ) was widely copied by many of the finest artists of the time, such as Peter Paul Rubens.
Her image appears in a number of oils, though he painted her portrait only three times, the most notable appearing in My studio ( 1867 ).
Her first novel, Bonheur d ' occasion ( 1945 ), gave a starkly realistic portrait of the lives of people in Saint-Henri, a working-class neighbourhood of Montreal.
Her portrait hangs in the Great Hall at St. John's, and the college boat club is called the Lady Margaret Boat Club ( LMBC ).
Her father Oscar-Raymond Bonheur was a landscape and portrait painter and an early adherent of Saint-Simonianism, a Christian-socialist sect that promoted the education of women alongside men.
Her ability to endure his long, repetitive sittings helped Whistler develop his portrait skills.
Promotional Warner Bros. faux-Beatles Rutles five-song 33 RPM 12-inch ( PRO-E-723 ) complete with recreated Lads-in-Nehru-suits portrait in the same fashion and pose as the real Beatles ' portrait released on the sleeve of the Capitol 45 rpm release " I Want to Hold Your Hand " b / w " I Saw Her Standing There " ( Capitol 5112 ).
Her portrait was painted by Augustus John, Pavel Tchelitchew and Henry Lamb.
Her portrait hangs in the Oklahoma Capitol.
Her portrait was featured on a stamp in commemoration of International Woman's Day, and in 1977, she was made a Member of the Order of Canada, the first level of the highest possible honour for a Canadian civilian.
Chiaroscuro modelling is now taken for granted, but had some opponents ; the English portrait miniaturist Nicholas Hilliard cautioned in his treatise on painting against all but the minimal use we see in his works, reflecting the views of his patron Queen Elizabeth I of England :" seeing that best to show oneself needeth no shadow of place but rather the open light ... Her Majesty .. chose her place to sit for that purpose in the open alley of a goodly garden, where no tree was near, nor any shadow at all ..."
Her portrait was painted twice by the noted American artist Thomas Sully.
In 1885, Renoir painted her portrait again as Girl Braiding Her Hair.
Her memorial portrait finished in 1764 after her death, but begun while she was alive, by her favourite portraitist, François-Hubert Drouais.
Her father commissioned a portrait of Augusta as Artemisia by the painter Johann Heinrich Tischbein.
Her portrait appears on the One Dollar note of the Dominion of Canada with issue date March 17th 1917.
* Rembrandt completes Bathsheba at Her Bath and Woman Bathing in a Stream ( both featuring his mistress Hendrickje ) and paints a portrait of Jan Six.
Her husband had acquired paintings by their fellow Belgian, René Magritte, and in 1936, Magritte painted Suzanne Spaak's portrait.
The hall contains many treasures, including the dagger with which Lord Mayor Walworth killed Wat Tyler in 1381, Pietro Annigoni's first portrait of Her Majesty The Queen, a collection of 17th-and 18th-century silver, an embroidered 15th-century funeral pall, two portraits by George Romney, and river scenes by Samuel Scott.

Her and depicts
Her name depicts a warrior status, as it means ( she who ) massacres.
Her 1991 documentary " Pictures from a Revolution " depicts her return to sites she photographed and conversations with subjects of the photographs as they reflect on the images 10 years after the war.
Her work frequently depicts human vulnerability, and examines identity and intimacy.
Her personal touch is shown in one of the nave windows, which is based on a cartoon by Paoletti and depicts Christ welcoming the soul of a child into Heaven before the eyes of its grieving mother, an allusion to the death of Leland Stanford, Jr., the Stanfords ' only child and the university's namesake, who died in 1884 of typhoid shortly before his 16th birthday.
Her second novel Reuben Sachs ( 1888 ) was concerned with Jewish identity and mores in the England of her time ( and was consequently controversial ); Her first novel Romance of a Shop ( 1888 ) depicts four sisters who experience the pleasures and hardships of running a business in London during the 1880s.
Her panel for Finn's wedding quilt depicts a yellow rose bush under which she and Howell buried the dog after it died.
Her work frequently depicts human vulnerability, and examines identity and intimacy.

Her and her
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her hat had come off and fallen behind her shoulders, held by the string, and he could see her face more clearly than he had at any time before.
Her own body protested, aching painfully where the blood in her veins had congealed, where cold demon wisps still clung and caressed.
Her impact in the zing commercials had led to her being considered for an excellent part in an upcoming TV series, Underwater Western Eye, a documentary-type show to be sponsored by Oatnut Grits.
Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.
Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.
Her white blond hair was clean and brushed long straight down to her shoulders.
Her face was pale but set and her dark eyes smoldered with blame for Ben.
Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.
Her clothes, her hair, everything about her is both graceful and simple.
Her mother called her Paus'l, a Luxemburg endearment meaning `` pussycat ''.
Her parents, pious Roman Catholics, christened her Mary Anne Elizabeth Magdalene Steichen.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her mother wrote Kate of her grief at the death of Kate's baby and at Jonathan's decision to go with the South `` And, dear Kate '', she wrote, `` poor Dr. Breckenridge's son Robert is now organizing a militia company to go South, to his good father's sorrow.
Her house stood on a rise of ground, and before she got into her car she looked at the houses below.

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