Lucien Goldmann thought that Brook's naturalistic decor and acting style ( with the exception of Blin and Muselli's performances ) obscured the play's " symbolic, universal character " ( which an epic design, he suggests via a comparison with Mother Courage and Her Children, and defamiliarised mode of acting would have foregrounded ), while Brook's decision to transform the set only once ( dividing the play into a period of order and one of disorder ) distorted the play's tripartite structure ( of order, disorder, and the re-establishment of order ).

Her parents, pious Roman Catholics, christened her Mary Anne Elizabeth Magdalene Steichen.

Her Roman equivalent is the goddess.

Her Roman equivalent is Diana.

Her feast day, at the time, was not included in the Roman Calendar.

Her ability to employ rhetorical strategies continued when de Pizan began to compose literary texts following the “ Querelle du Roman de la Rose .”

Her Roman equivalent is Ceres.

Her function as bestower of authority to rule is also attested in the story related by Livy in which a Sabine man who sacrifices a heifer to Diana wins for his country the seat of the Roman empire.

Her feast day is celebrated on the Roman Catholic calendar of saints on 16 October.

Her father was Roman Catholic and her mother a Catholic convert.

Her name comes from Bellona, the Roman goddess of war.

Her memorial, which commemorates her martyrdom, is 21 January in both the Roman Catholic calendar of saints and in the General Roman Calendar of 1962.

Her Roman equivalent is Vesta.

Her nearest Roman equivalent, Vesta, had similar functions as a divine personification of Rome's " public " and domestic hearths, including those of her colonies ; and Vesta's cults bound Romans together in the form of an extended family.

Her male counterparts in the Roman pantheon, Vulcan and Mars, are active and fiery.

Her sacred month was April ( Latin Mensis Aprilis ) which Roman etymologists understood to derive from aperire, " to open ," with reference to the springtime blossoming of trees and flowers.

Her Roman name was Julia Aurelia Zenobia and in Greek, she is known as Zēnobía () or Septimia Zenobia, having added Septimia after marrying Septimius Odaenathus.

Her father's Roman name was Julius Aurelius Zenobius, with the gentilicium Aurelius showing that his paternal ancestors received Roman citizenship under either Antoninus Pius ( reigned 138 – 161 ), Marcus Aurelius ( reigned 161 – 180 ) or Commodus ( reigned 180 – 192 ).

Her stated goal was to protect the Eastern Roman Empire from the Sassanid Empire, for the peace of Rome ; however, her efforts significantly increased the power of her own throne.

Her eldest sister Margaret married Louis IV, Holy Roman Emperor in 1324 ; and in 1345, she became the suo jure Countess of Hainaut upon the death of their brother William in battle.

Her official title as Holy Roman Empress is somewhat dubious ; she was never crowned by the Pope, though she was crowned in Rome by the archbishop of Braga, Maurice Bourdin, at Pentecost ( 13 May 1117 ).

Her tenure as regent of the Italian lands of the Holy Roman Empire probably lasted from 1117 to 1119, whereupon she rejoined her husband in Lotharingia.

Her deeply held Roman Catholicism coloured much of her work.

Her motive for wanting an annulment, to be free to marry her true love, is entirely fictional, as Anne of Cleves never remarried, and converted, later in life, to Roman Catholicism.

" Lady Antonia Fraser's Life Less Ordinary: In a Frank Interview, the Famed Writer Talks about Motherhood, Catholicism, Her Parents and Soulmate Harold Pinter ".

Her father was born Jewish and converted to Catholicism ; he was descended from immigrants from Hungary.

Her charity work and her conversion to Roman Catholicism appear to have strongly influenced her poetry, which deals most commonly with such subjects as homelessness, poverty, and fallen women.

Her deathbed conversion to Roman Catholicism surprised many, including Wellington, who remarked that while she was greatly afraid of death he had thought her incapable of believing in the afterlife.

Her mother later converted to Catholicism.

Her sister Ermengard, in the foreword to the 1956 selection, suggests " one can trace the putting off of Bloomsbury, the putting on of Catholicism, the growing ardour of her love for animals, her deepening fears ".

Her later books increasingly reflected her own religious preoccupations, featuring characters tussling with spiritual crises and conversions within subtle discussions of the differences between Anglicanism, Anglo-Catholicism and Roman Catholicism.

Her husband's death in the same year increased her serious tendencies, and she was presently converted to Roman Catholicism.

Her grandfather was Valentine Lawless, a member of the United Irishmen and son of a convert from Catholicism to the Church of Ireland.

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her thick hair was the color and texture of charcoal.

Her laugh was hard.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her name was L'Turu and she told me many things.

( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.

Her mother was a good manager and established a millinery business in Milwaukee.

Her name was Esther Peter.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her action was involuntary.

Her name was Mollie.

Her speech was barren of southernisms ; ;

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.