Her position covers a number of daily tasks common to any social director.

Her Eleusinian mysteries were open to initiates of any gender or social class.

Her one route of social mobility out of her working-class origin was through the traditional way of marriage.

Her husband described the family as interested in progressive social causes.

Her contemporaries included artist Romaine Brooks, who painted others in her circle ; writers Colette, Djuna Barnes, social host Gertrude Stein, and novelist Radclyffe Hall.

Her reputation has been altered over the years according to changing social and political perspectives, especially after the Mexican Revolution, when she was portrayed in dramas, novels, and paintings as an evil or scheming temptress.

Her figure permeates historical, cultural, and social dimensions of Latin American cultures.

Her social background was similar to what Ventris ' had been: her family was well-to-do, she had travelled in Europe, and she was interested in architecture, in addition to which she was popular and was considered very beautiful.

Her son Aubrey, a photographer and film-maker who is " committed to social justice ", received media attention in 2011, when he participated in Occupy Dame Street.

Other prominent academics associated with the University include Geoffrey Bennington, the creator of the MA programme in Modern French Thought ( Derrida, Lyotard ); Homi K. Bhabha ( postcolonialism ); Rachel Bowlby ( feminism, Woolf, Freud ); Geoff Cloke FRS ( Inorganic Chemistry ); Jonathan Dollimore ( Renaissance literature, gender and queer studies ); Katy Gardner ( social anthropology ); Gabriel Josipovici ( Dante, the Bible ); Michael Land FRS ( Animal Vision-Frink Medal )); Michael Lappert FRS ( Inorganic Chemistry ); Alan Lehmann FRS ( Genetics and Genome Stability ); ( Laura Marcus ( Woolf ); John Murrell FRS ( Theoretical Chemistry ); Peter Nicholls ( Pound, modernism ); John Nixon FRS ( Inorganic Chemistry )); Laurence Pearl FRS ( Structural Biology ); Guy Richardson FRS ( Neuroscience ); Jacqueline Rose ( feminism, psychoanalysis ); Nicholas Royle ( modern literature and theory ; deconstruction ); Alan Sinfield ( Shakespeare, sexuality, queer theory ); Norman Vance ( Victorian, classical reception ); Richard Whatmore & Knud Haakonssen ( intellectual historians ); Gavin Ashenden ( Senior Lecturer in English, University Chaplain, and Chaplain to Her Majesty Queen Elizabeth II ; Cedric Watts ( Conrad, Greene ); Marcus Wood ( postcolonialism ).

Her feast day on July 15 is perhaps the biggest social event in the city.

Her research interests are in feminism, African American studies, critical theory, Marxism, popular music and social consciousness, and the philosophy and history of punishment and prisons.

Her recordings include many topical songs and material dealing with social issues.

Her mother, Sophia Jane Craine, was descended from the Manx people of the Isle of Man and counted among her ancestors men accused of social unrest and slander.

Her charm also assisted the couple's entry into prominent social and élite artistic and intellectual circles.

Her first novel, Seven Poor Men of Sydney ( 1934 ) dealt with the lives of radicals and dockworkers, but she was not a practitioner of social realism.

Her parents were members of the Lithuanian intelligentsia, a social class which rose from the farming class during imperial Russian rule.

Her father was a civil servant and her mother a social worker.

Her madness in Hell prevents even basic communication which attests to her being contemptuous of the social order in life.

Her lack of understanding of the social mores of the society she so desperately wishes to enter ultimately leads to tragedy.

Her single-parent mother ( Betty Field ) is hoping Madge will marry Alan, which would thus raise both Madge and herself into the town's highest, respectable social circles.

Her publication of Views of Society and Manners in America was a major turning point, as it brought her new acquaintances, and led to her return to the United States, where she became established as a social reformer.

Her extraordinary talents and educational vision highlights her as an important pioneer in American social history.

Her " maternal grandparents were Unitarians – a non-conformist faith with a strong emphasis on social reform ...".

Her five year residence in Cape Town, South Africa, although brief, had a significant impact on the cultural and social life of the time.

" Her commentary is currently featured by WorldNetDaily and Salvo ( magazine ).

Her Book is revealed as a carefully constructed spiritual and social commentary.

Her movies, photographs, and art installations focus on documentary realism, feminist issues, and social commentary — with a distinct experimental style.

Her larger-than-life persona and scathing but dead-on commentary on society and celebrity, as well as her habit of treating celebrities like ordinary people ( on her TV shows ) and ordinary people like celebrities ( in her stage shows ) have become signatures.

Her contributions took the form of musical essays offering commentary on contemporary issues, including record-financing in the music industry, the 2007 Writers Guild strike, and the popularity of tarty, uncreative Halloween costumes.

Her most recent book, Transformatrix, was published in 2000 and is a commentary on contemporary Britain which draws inspiration from popular music forms.

In 1798 she published The Boarding School ; or, Lessons of a Preceptress to Her Pupils, a commentary on female education in the United States.

Her crowning achievement is considered to be her translation and commentary on Isaac Newton's work Principia Mathematica.

Her public appearances since then have been limited to writing liner notes for a 2005 CD compilation and providing voice-over ( off-camera ) commentary for a 2003 A & E Biography documentary about Williams.

Her work can be interpreted as a description of the body, as a commentary on politics, and on gender and difference as she explores the dangers and confines of the domestic world.

Her radical vision engenders a relevant social commentary that is involved with and questions the oppression of the every-day experience, full of mutilations and losses and feelings of safety and danger.

Her work — most of which juxtaposes heavenly beings and mundane activities — has been showcased at galleries across the United States, and is featured in the book Domestic Goddesses, along with her humorous commentary.

Her second book, Your Blood and Mine ( 2008 ), is an extended commentary on the American federal prison system, as portrayed by her letters to Zvonko throughout his 32-year incarceration.

Her political commentary appeared there and in several Gannett-owned state newspapers.

Her literary, film and TV commentary have addressed an expanding audience in China, Taiwan and Hong Kong over the last decades.

Her comic style and on-stage banter is a mix of self-deprecation and self-admiration, while teasing her audience with ongoing commentary on anything from their appearance to their sexuality.

" Her writing encompasses a broad range of genres, including novels, essays, poems, commentary, and theater plays.

Her work is characterized by vivid colors, fantastic figures, and strong political commentary.

Her commentary on political events and social injustice is published in newspapers, magazines and books.

Her written commentary still appears on the op ed pages of The Wall Street Journal, and her work in recent years has been published by The New York Times and Wired.