Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).

Her nickname appears as a store name in the story " Christmas in Duckburg ", featured on page 1 of Walt Disney ’ s Christmas Parade # 9, published in 1958.

Her function as bestower of authority to rule is also attested in the story related by Livy in which a Sabine man who sacrifices a heifer to Diana wins for his country the seat of the Roman empire.

Her story is the basis for the celebration of Purim in Jewish tradition.

Her story The Land of Far-Beyond is a Christian parable along the lines of John Bunyan's Pilgrim's Progress, with modern children as the central characters.

Her story was greatly developed, during the Middle Ages, in the tradition of Aggadic midrashim, the Zohar and Jewish mysticism.

Her story " The Autobiography of My Mother " was one of the 1977 O. Henry Prize stories.

Her story is told in Cortez and Marina ( 1963 ), by Edison Marshall.

Her story soon becomes one of Japan's most notorious scandals.

Her first story, Atlanta Girl Sees Italian Revolution, by Margaret Mitchell Upshaw, appeared on December 31, 1922.

** " Her Majesty's Servants " ( originally titled " Servants of the Queen ") ( short story )

* THE MOURNER: In a Landscape of Sadness, Offering Just Her Presence, New York Times, 10 / 1 / 2001 the story of Carol O ' Neill, wife of a founder of Sandler O ' Neill

Her dependence on magic becomes so consuming that it develops into a dark force that takes her on a redemptive journey in a major story arc when she becomes the sixth season's main villain, threatening to destroy the world in a fit of grief and rage.

Her story of the doomed trumpet player Rick Martin was inspired, she wrote, by " the music, but not the life " of Beiderbecke, but the image of Martin quickly became the image of Beiderbecke: His story is about " the gap between the man's musical ability and his ability to fit it to his own life.

Her sexual life story then continues featuring various boys, her husband, ministers, other women's husbands, boyfriends, swinging sessions, and the adult Lazarus Long / Theodore Bronson.

Her latest book, Child No More, is the heartfelt story of losing her mother.

Her legacy survives in numerous works of art and the many dramatizations of her story in literature and other media, including William Shakespeare's tragedy Antony and Cleopatra, Jules Massenet's opera Cléopâtre and the film Cleopatra ( 1963 ).

Her recent biographers, however, question the veracity of this story.

Her favorite fairy tale, which she reads to her younger brother at the beginning of the film is " Rigoletto ", the story of a cursed fairy prince who must live as an ugly monster until he can find someone who can see through his appearance to the heart within.

Her story is used as a means to teach relative pronouns to the students.

Her scenes are mostly what happened in times other than shown in the pilot episode " Encounter at Farpoint "; the story diverges from the " normal " time-frame as events in the finale occur.

Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie.

Her story was popularised in Euripides's tragedy Alcestis.

Her story was also put to the stage in the verse tragedy Canace ( 1588 ), by Italian playwright Sperone Speroni.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her hat had come off and fallen behind her shoulders, held by the string, and he could see her face more clearly than he had at any time before.

Her own body protested, aching painfully where the blood in her veins had congealed, where cold demon wisps still clung and caressed.

Her impact in the zing commercials had led to her being considered for an excellent part in an upcoming TV series, Underwater Western Eye, a documentary-type show to be sponsored by Oatnut Grits.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.

Her clothes, her hair, everything about her is both graceful and simple.

Her mother called her Paus'l, a Luxemburg endearment meaning `` pussycat ''.

Her parents, pious Roman Catholics, christened her Mary Anne Elizabeth Magdalene Steichen.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her mother wrote Kate of her grief at the death of Kate's baby and at Jonathan's decision to go with the South `` And, dear Kate '', she wrote, `` poor Dr. Breckenridge's son Robert is now organizing a militia company to go South, to his good father's sorrow.

Her house stood on a rise of ground, and before she got into her car she looked at the houses below.