* April 19 – Bertolt Brecht's anti-war play Mother Courage and Her Children () receives its first theatrical production at the Schauspielhaus Zürich.

Her live performances of the song throughout the decade began to take on a theatrical intensity not present on the album's single.

Her performance at one club impressed a theatrical producer, and he cast her in a play in New York, but that production did not open.

Her risqué routines captivated Paris, and she went on to become the most popular French entertainer of her time and the highest paid female entertainer in the world, known for her flamboyance and a zest for the theatrical.

Her theatrical debut was in the thriller TAG: The Assassination Game ( 1982 ) and as a result, she was listed as one of twelve " Promising New Actors of 1982 " in John Willis ' Screen World, Vol 34.

The theatrical community has declined following the demolition of Her Majesty's and the Regent Theatres in the 1970s-80s, causing a demand for more venues and appropriate stages for productions.

Her earliest theatrical influences were the teenaged actress Deanna Durbin, screen star Irene Dunne and Lansbury's mother, who encouraged her daughter's ambition by taking her to plays at the Old Vic.

Her first acting appearance was as Cupid at age five in a church theatrical performance in Lindsay, Ontario.

Her last theatrical film was The Witches ( 1966 ), which she also co-produced.

Her Daughters of the Dust ( 1992 ) was the first full-length film by an African-American woman with general theatrical release in the United States.

Her theatrical debut was in La visita de la bestia, which is a Spanish version of Extremities, and she got good reviews from the press by playing the very dramatic main role.

Her father, William A. Brady, was an important theatrical producer, and her mother was Rose Marie Rene, who died in 1896 when Alice was four.

Her theatrical style was ripe for parodies, such as Betty Marsden's ' Fanny Haddock ' radio-sketch in Beyond our Ken.

Her first conspicuous appearance on stage was made as a dancer, in the Norwich theatrical circuit, England, in 1845.

Her other theatrical roles include leads at the Roundabout Theatre, Manhattan Theater Club, Playwrights Horizons and many regional theaters including the Long Wharf, Yale Repertory Theatre, Arena Stage, the Mark Taper Forum and the Actors Theatre of Louisville.

Her notable theatrical roles include Young Woman in Machinal, Celia in As You Like It ( 1984 ), Madame de Volanges in Les Liaisons Dangereuses ( 1985 ), Katherine in The Taming of the Shrew ( 1987 ), Winnie in Happy Days ( 2007 ), and the title roles in Electra ( 1988 ), The Good Person of Sechuan ( 1989 ), Hedda Gabler ( 1991 ), The Prime of Miss Jean Brodie ( 1998 ) and Medea ( 2000 ).

Her early work developed Brecht's modernist dramatic and theatrical techniques of ‘ Epic theatre ’ to explore issues around gender and sexuality.

Her four earliest plays, Downstairs ( produced 1958 ), You've No Need to be Frightened, Having a Wonderful Time ( 1960 ), and Easy Death ( produced 1962 ) were performed by Oxford-based theatrical ensembles-student drama groups.

Her theatrical appearances include The Glass Menagerie, Man of Destiny, The Shadow Box, Picnic, Sunshine, and Abigail's Party.

Her musical training was strictly classical and theatrical.

Her first theatrical film appearance was in The Way We Live Now ( 1970 ).

Her various volumes of reminiscences contain much valuable material illuminating the social and theatrical history of the period.

Her theatrical debut was in Beauty and the Beast at the Chestnut Theater in Philadelphia, and in August 1902, two months before her 20th birthday, she appeared as a singer / comedienne in a vaudeville act in Atlantic City.

Her first performing role was in the New York City theatrical production of Time Out for Ginger opposite Art Carney.

Her mother, Saturnina " Nina " ( née Zadorowski ), was a theatrical wardrobe supervisor for Broadway productions, the Metropolitan Opera, and the New York City Opera, and her father, Alphonse Schipani, a violinist.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her conclusion has been borne out in the experience of many practitioners: `` short-contact interviewing is neither a truncated nor a telescoped experience but is of the same essential quality as the so-called intensive case work ''.

Her husband, who is the son of Alton John Mason of Shreveport, La., and the late Mrs. Henry Cater Parmer, was president of Alpha Tau Omega and a member of Delta Sigma Pi at Lamar Tech, and did graduate work at Rhodes University in Grahamstown, South Africa, on a Rotary Fellowship.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her husband left her no money, so she has tried different kinds of work, and now hopes to find some work that is not too strenuous.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her work is only now being properly evaluated.

Her work in choreographing the landmark 1986 production of Lully's 1676 tragedie-lyrique Atys was part of the national celebration of the 300th anniversary of Lully's death.

Her later work was more introspective in its lyrics as opposed to aggressive ; Hole's Celebrity Skin and Love's solo album, America's Sweetheart, focused more on celebrity life, Hollywood, and drug addiction, while also carrying on past themes of vanity and body image, and Nobody's Daughter was lyrically reflective of Love's past relationships and her struggle to sobriety, with the majority of its lyrics having been written while Love was in rehab in 2006.

Her other major work is The Dialogue of Divine Providence, a dialogue between a soul who " rises up " to God and God himself, and recorded between 1377 and 1378 by members of her circle.

Her final work was a poem eulogizing Joan of Arc, the peasant girl who took a very public role in organizing French military resistance to English domination in the early 15th century.

In 1975, Day released her autobiography, Doris Day: Her Own Story, an " as-told-to " work with A. E. Hotchner.

Her work has earned her four Grammy Awards and an Academy Award nomination.

Her health broke under the stress of the 17-hour work day and she returned home in April 1839.

Her work involves children's adventure stories, and fantasy, sometimes involving magic.

Her work has been translated into nearly 90 languages.

Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value.

Her 1872 work, Middlemarch, has been described as the greatest novel in the English language by Martin Amis and by Julian Barnes.

" Her fiction has been nominated for nine Nebula and three Hugo Awards, and her genre-related scholarly work was recognized with a Pilgrim Award in 1988.

Her work is widely taught in courses on science fiction and feminism throughout the English speaking world.

Some of her best-regarded work can be found in the collection Her Smoke Rose Up Forever, available in paperback as of 2004.

* " Her stories and novels are humanistic, while her deep concern for male-female ( even human-alien ) harmony ran counter to the developing segregate-the-sexes drive amongst feminist writers ; What her work brought to the genre was a blend of lyricism and inventiveness, as if some lyric poet had rewritten a number of clever SF standards and then passed them on to a psychoanalyst for final polish.

Her work at Jericho, from 1952 until 1958, made her world famous and established a lasting legacy in the archaeological methodology of the Levant.

Her father eventually allowed her to work in the temple, but asked the monks to give her the toughest chores in order to discourage her.