Garbo had successfully made the transition to talkies and after three less profitable films, Romance ( 1930 ), Inspiration ( 1931 ), and Susan Lenox ( Her Fall and Rise ) ( 1931 ), she performed two of her most famous roles.

Her style of designing garden rooms, defined outdoor spaces which transition distinctly from one to another, was inspired by studying Italian Renaissance gardens and villas in her travels.

Her association with the marketplace, and more specifically with the gates of cemeteries ( as opposed to the entire underworld ), reveals her in her aspect as facilitator of transition.

Her transition game from turning defence into offence is currently one of the strongest in the women's game

Her accomplishments as a dancer, however, helped Mýa to make the transition into adolescence and deal with the peer pressure that many teenagers experience.

Her doctoral dissertation was on the transition from modal to tonal organization in Monteverdi's works.

Her transition into mainstream television continued when she obtained her own series on Channel 4, Jo Brand Through the Cakehole, co-written with comedy writer Jim Miller, who was already her main stand-up writer.

Her first American book of poetry, Here and Now, shows the beginnings of this transition and transformation.

Her performances in her second MGM film, Our Dancing Daughters ( 1928 ) opposite Joan Crawford ( with whom she appeared in three films ), and The Broadway Melody ( 1929 ) opposite Bessie Love were her greatest successes of the period, and her popularity allowed her to make a smooth transition into talking pictures.

Her transition to the pornographic industry was covered by The Oprah Winfrey Show in a dedicated show entitled " Former Child TV Star Reveals the Biggest Mistake of Her Life ".

Her first unmistakably soprano role was Salome in 1970 at Covent Garden ( both Santuzza and Lady Macbeth, which she had previously sung, can be considered ' transition ' roles between mezzo and soprano ).

" Her other successes included The Canterville Ghost ( 1944 ), Our Vines Have Tender Grapes ( 1945 ), and the first sound version of The Secret Garden ( 1949 ), but she was unable to make the transition to adult roles.

Her transition from oligarch to reformer was believed by many voters to be both genuine and effective.

Her music video " Bethebbaha Walla ", featuring Angham in an old and new look which indicated a transition period, received " Best Music Video " in 1999.

Her literary works mark a transition from romanticism to literary realism.

Her description of the Oxford lectures give readers a unique insight as to what impact the Anglo-Catholic movement was having upon the Church during a difficult time of transition, especially in her book entitled, The Table of the Lord, addressing divisive issues held by opposing parties in regard to the theology of the sacraments.

Her character was based on the silent picture star Norma Talmadge who bombed during the transition to talkies.

Her popular radio shows spanned more than 40 years ; she is also remembered for her few months of pioneering television, as an early sign of radio success not guaranteeing a transition to the new medium.

Her partner supported Elbe throughout her transition.

Her father was an intelligence officer and played a key role in the transition of the United States ' intelligence service from the Office of Strategic Services ( OSS ) to the Central Intelligence Agency ( CIA ).

Her transition to adult roles began by playing Lizzie Hexham in a BBC version of Charles Dickens ' Our Mutual Friend in 1976 and featuring in the very first series of the long-running hospital drama Angels.

Her transition to the field of acting began after landing a role in Allison Anders ’ s Grace of My Heart.

Her brother Samuel and sister Anastasia are also marathon runners.

Her good form continued and she became the Olympic champion in the marathon at the 2004 Athens Olympics.

Her best two finishes at the 2002 world championships were both 8th place finishes, in the 400 m and in the marathon.

Her final marathon was the 1989 New York City Marathon, which she won in a time of 2: 25: 30, running away with it from the start.

Her time would have been the fastest female time in Boston Marathon history as well as the third-fastest female time ever recorded in any marathon.

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her thick hair was the color and texture of charcoal.

Her laugh was hard.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her name was L'Turu and she told me many things.

( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.

Her mother was a good manager and established a millinery business in Milwaukee.

Her name was Esther Peter.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her action was involuntary.

Her name was Mollie.

Her speech was barren of southernisms ; ;

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.