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Holbein visited France in 1524, probably to seek work at the court of Francis I.
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Holbein and visited
That winter, Holbein probably visited northern Italy, though no record of the trip survives.
Holbein may have visited his wife and children in late 1540, when his leave-of-absence from Basel expired.
During his Swiss years, when he may have visited Italy, Holbein added an Italian element to his stylistic vocabulary.
He most likely met Holbein more than once on his way to England, and Dürer is believed to have visited his house at Antwerp in 1520.
Holbein and France
The same year, Holbein, again escorted by the diplomat Hoby, went to France to paint Louise of Guise and Anne of Lorraine for Henry VIII.
On a second trip to France, Hoby and Holbein painted the Princess Margaret of France, and perhaps Mary of Bourbon, then they arrived at Joinville in France at the end of August 1538.
The scene was ( especially in France ) often depicted as a sculpture or group of sculptures ; even altarpieces and other paintings with the motif were produced ( by, for example, Hieronymus Bosch or Hans Holbein ).
Leonardo da Vinci ( 1452 – 1519 ) used oak for his paintings in France ; Hans Baldung Grien ( 1484 / 5 – 1545 ) and Hans Holbein ( 1497 / 8 – 1543 ) used oak while working in southern Germany and England.
Holbein and 1524
Noli me Tangere by Hans Holbein the Younger, 1524.
* Hans Holbein the Elder ( – 1524 ), German painter, woodcut artist, illustrator of books and church window designer.
* Hans Holbein the Elder ( 1460 – 1524 ) father of Hans the Younger
Hans Holbein ( c. 1460 – 1524 ) was a German painter.
* Hans Holbein the Elder ( 1460 – 1524 ), German painter
Image: Noli_me_tangere_ ( 1524 ); _Hans_Holbein_the_Younger. JPG | Noli me Tangere by Hans Holbein the Younger, 1524.
* Hans Holbein the Elder ( German, 1460 – 1524 )
Holbein and probably
We are not told under whom Herlen laboured in the Netherlands, but he probably took the same course as Schöngauer and Hans Holbein the Elder, who studied in the school of van der Weyden.
Later editions added other designs cut by others, probably not all by Holbein.
Holbein painted a portrait of him, c. 1522-23, probably as a pair with one of Erasmus ; the original has not survived but a number of copies have.
Holbein and seek
When Holbein decided to seek employment in England in 1526, Erasmus recommended him to his friend the statesman and scholar Thomas More.
Holbein and work
Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus.
After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters.
Although Holbein did not work for the king during this visit, he painted the portraits of courtiers such as Sir Henry Guildford and his wife Lady Mary, and of Anne Lovell, recently identified as the subject of Lady with a Squirrel and a Starling.
Holbein's The Ambassadors ( Holbein ) | The Ambassadors is a complex work whose iconography remains the subject of debate.
He is best known for his virtuoso work on 41 of the " superbly cut " series of tiny woodcuts of the Dance of Death, designed by Hans Holbein the Younger, which Lützelburger left unfinished when he died.
Christoph Amberger ( c. 1505 – 1562 ) was a painter of Augsburg in the 16th century, a disciple of Hans Holbein, his principal work being the history of Joseph in twelve pictures.
Similarities with the work of Hans Holbein may point to the use of tracing frames by both painters.
Although a German-born artist who spent most of his time in England, Holbein displayed the influence of Early Netherlandish painters in this work.
Holbein and at
* Hans Holbein is considered to be the greatest portraitist of Erasmus, having painted him at least three times, and perhaps as many as seven ; some only survive in versions by other artists.
Unfortunately the styles so described can only be guessed at, although the design by Hans Holbein for a covered cup for Jane Seymour in 1536 ( see gallery ) already has zones in both Islamic-derived arabesque / moresque style ( see below ) and classically-derived acanthus volutes.
He was the elder brother, by about three years, of Hans Holbein the Younger and like his brother was born in Augsburg ( which today is in Bavaria, but then was a free imperial city ), a center of art, culture and trade at that time.
Holbein broke his journey at Antwerp, where he bought some oak panels and may have met the painter Quentin Matsys.
Holbein worked for traditional clients at the same time.
Holbein painted Anne of Cleves, Henry's eventual choice of wife, at Düren in summer 1539, posing her square-on and in elaborate finery.
Hans Holbein died between 7 October and 29 November 1543 at the age of 45.
Describing himself as " servant to the king's majesty ", Holbein had made his will on 7 October at his home in Aldgate.
On New Year's Day 1540, the King met her at Rochester and was chagrined to find that she was not the beauty Holbein had depicted in his portrait of her.
This accounts for the comparative unproductiveness as painters of Albrecht Dürer and Hans Holbein the Younger, and also may explain why Cranach was not especially skilled at handling colour, light, and shade.
Whitehall, looking south in 1740: Inigo Jones ' Banqueting House, Whitehall | Banqueting House ( 1622 ) on the left, William Kent's Treasury buildings ( 1733-37 ) on the right, the Holbein Gate ( 1532, demolished 1759 ) at centre.
From 1514 he obtained teaching posts at Basel, where he married, and made the acquaintance of Erasmus and of Hans Holbein, the painter.
Rogozhin, who is himself the owner of the painting, at one moment says that the painting has the power to take away a man's faith, a comment that Dosotevsky himself made to his wife Anna upon seeing the actual painting that the painting in the novel is based on, The Body of the Dead Christ in the Tomb by Hans Holbein.
On 10 March 1538 he arrived at Brussels with the painter Hans Holbein the younger.
( Portrait by Ambrosius Holbein, 1518, at the Hermitage Museum )
One of the copies at Wilton, inscribed with the forged name of Hans Holbein, ye father, and the false date of 1495, has often been cited as a proof that Mabuse came to England in the reign of Henry VII ; but the statement rests on no foundation whatever.
A portrait by Hans Holbein the Younger shows a woman presumed to be Margaret at the age of thirty-four, and it is assumed that it was painted around 1540.
Wilton House, one of England's grandest houses, is in a remarkably similar vein ; although, while the Drydens, mere squires, at Canons Ashby employed a local architect, at Wilton the mighty Earls of Pembroke employed the finest architects of the day: first Holbein, 150 years later Inigo Jones, and then Wyatt followed by Chambers.
He had a plan: he let Holbein eat peacefully at the control because he knew that a real champion, Lewis Stroud, was waiting to show him the way out of town and that, with him as a precious, fast and durable pacer he could build up the lead he needed to win the race.
0.953 seconds.