Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

Gropius and his Bauhaus protégé Marcel Breuer both moved to Cambridge, Massachusetts to teach at the Harvard Graduate School of Design and collaborate on projects including The Alan I W Frank House in Pittsburgh and the company-town Aluminum City Terrace project in New Kensington, Pennsylvania, before their professional split.

After completing several houses in the idiom of Mies and Breuer, Johnson joined Mies van der Rohe as the New York associate architect for the 39-story Seagram Building ( 1956 ).

He earned a Bachelor of Architecture degree from Cornell University in 1957, worked for Skidmore, Owings and Merrill briefly in 1959, and then for Marcel Breuer for three years, prior to starting his own practice in New York in 1963.

He then attended Black Mountain College under the painter Josef Albers, and then worked for Marcel Breuer in New York.

In 1941, New Kensington became the site of a modern workers ' housing project — named the Aluminum City Terrace — designed by Marcel Breuer and Walter Gropius, which set new standards for federal housing design.

Neutra's appointment was part of an ambitious program of architectural commissions to renowned architects, which included embassies by Walter Gropius in Athens, Edward Durrell Stone in New Delhi, Marcel Breuer in The Hague, Josep Lluis Sert in Baghdad, and Eero Saarinen in London.

Following Kristallnacht, Breuer and his family emigrated to Antwerp, and then to New York City.

Once in New York, Breuer started a congregation among the numerous German refugees in Washington Heights, which closely followed the customs and mores of the Frankfurt community.

* Whitney Museum, by Marcel Breuer, completed in New York, New York.

New facts only became known based on research by Henri Ellenberger and subsequently by Albrecht Hirschmüller, who were able to find Breuer ’ s case history of Pappenheim and other documents in the archives of the Bellevue Clinic in Kreuzlingen.

Barbara Goldsmith was a Founding Editor of New York magazine and the author of the widely-imitated series, “ The Creative Environment ,” in which she interviewed such subjects as Marcel Breuer, I. M. Pei, George Balanchine, and Pablo Picasso about their creative process.

Jim Breuer was born and raised in Valley Stream, New York.

Prior to gaining national notoriety, Jim Breuer was a stand-out talent on the little-known Uptown Comedy Club weekly television show, based out of Harlem, New York.

A former pupil was then, with the assistance of Rabbi Dr. Bernard Revel, able to procure an affidavit of support, which enabled Dr. Breuer and his family to relocate to New York in 1939.

Marcel Lajos Breuer ( 22 May 1902 Pécs, Hungary – 1 July 1981 New York City ), was a Hungarian-born modernist, architect and furniture designer of Jewish descent.

Breuer dissolved his partnership with Gropius in May 1941 and established his own firm in New York.

Between 1963 and 1964, Breuer began work on what is perhaps his best-known project, the Whitney Museum of American Art, in New York City.

Breuer is sometimes incorrectly credited, or blamed, for the former Pan Am Building ( now the MetLife Building ), an unpopular high-rise in New York City.

* Breuer House II, New Canaan, Connecticut, 1947 – 1948

In 1958, Schwab was invited to join Rabbi Joseph Breuer in the leadership of the German-Jewish community in Washington Heights, located in upper Manhattan in New York City ; see Khal Adath Jeshurun ( Washington Heights, Manhattan ).