The Art of Discworld confirms that the Librarian was indeed Dr. Horace Worblehat, and that his fears of turning back into human are baseless at most.

While no detailed description of his physical appearance shows up in any of the Discworld novels, Pratchett says in the companion work, The Art of Discworld, that he has always imagined Vimes as a younger, slightly bulkier version of British actor Pete Postlethwaite.

In The Art of Discworld, Pratchett explains that Vimes protects himself from the Beast with the symbol of his own badge, which prevents him from becoming the criminal he despises, at least in his own mind.

As the series progresses, she also begins to take on roles educating children, so that, as Pratchett mentions in The Art of Discworld, she has " ended up, via that unconscious evolution that dogs characters, a kind of Goth Mary Poppins ".

In The Art of Discworld, Pratchett describes Susan as " rather chilly ", and Susan herself admits in Thief of Time that she finds it difficult to relate to other humans on a personal level because the supernatural parts of her mind tend to view mortal creatures as nothing more than " a temporary collection of atoms that not be around in another few decades ".

In The Art of Discworld, Pratchett identifies The Little Grey Men and Down the Bright Stream, both by " BB ", the nom-de-plume of Denys Watkins-Pitchford, as possible inspiration, featuring faries that could talk to animals, but " there was nothing tinkly about them ; they lived in a world of dangers.

In The Art of Discworld, cover artist Paul Kidby acknowledged Connolly as the inspiration for Yan's look.

In the Discworld Companion, Pratchett describes Wee Mad Arthur, an Ankh Morpork gnome, as an urbanised Nac Mac Feegle, ( however, he is later revealed to be a Feegle ( see above )) and Paul Kidby's illustration of Buggy Swires in The Art of Discworld is indistinguishable from the pictsies on the cover of The Wee Free Men.

In The Art of Discworld, Pratchett says, " I've always suspected that Nanny is, deep down, the most powerful of the witches and part of her charm lies in the way she prevents people from finding this out.

In the " Art of Discworld ," Terry Pratchett notes that he has always believed that Nanny Ogg is the most powerful of the witches, but that she is far too clever to let it be known.

In The Art of Discworld, Pratchett mentions a fossil species of Mesozoic ginkgo known as Ginkgoites nannyoggiae.

In The Discworld Companion, Pratchett claimed that Foul Ol Ron and his Canting Crew were listed as a special Guild classification all their own, having previously referred to Ron as " a Mutterer in good standing " in Men at Arms ; however, in The Art of Discworld and later novels he claims that they are not members of the Guild, which has too many rules for their tastes.

As Terry Pratchett notes in The Art of Discworld, humour, as a profession, is hard, and nowhere is it harder than in the Fools ' Guild.

The portfolio was published in 1996 and followed in 2004 by The Art of Discworld.

Terry Pratchett even says in The Art of Discworld that he has received a number of letters from terminally ill fans in which they hope that Death will resemble the Discworld incarnation ( he also says that those particular letters usually cause him to spend some time staring at the wall ).

In The Art of Discworld, Pratchett explains that " the wizards invented something sufficiently computer-like that computerness entered into it.

In The Art of Discworld Pratchett says that Carrot has a bright future ahead of him, " should Lord Vetinari not survive the next assassination attempt.

Pratchett describes the Assassins ' Guild in The Art of Discworld as a typical British public school with the knobs turned up to eleven.

The Art of Discworld is a descriptive book of the world of the Discworld as portrayed in Terry Pratchett's Discworld series.

* Tucker, Paul Hayes Claude Monet: Life and Art Amilcare Pizzi, Italy 1995 ISBN 0-300-06298-2

However, possibly as an insult to Art Modell, or possibly as an homage to his own start as a head coach to the Massillon Tigers, Paul Brown chose the exact shade of orange used by his former team.

An instant rivalry was born, fueled initially by Paul Brown's rivalry with Art Modell.

When Paul Brown was fired by Art Modell, Brown still owned the equipment used by Cleveland.

Notable jazz bassists from the 1940s to the 1950s included bassist Jimmy Blanton ( 1918 – 1942 ) whose short tenure in the Duke Ellington Swing band ( cut short by his death from tuberculosis ) introduced new melodic and harmonic solo ideas for the instrument ; bassist Ray Brown ( 1926 – 2002 ), known for backing Beboppers Dizzy Gillespie, Oscar Peterson, Art Tatum and Charlie Parker, and forming the Modern Jazz Quartet ; hard bop bassist Ron Carter ( born 1937 ), who has appeared on 3, 500 albums make him one of the most-recorded bassists in jazz history, including LPs by Thelonious Monk and Wes Montgomery and many Blue Note Records artists ; and Paul Chambers ( 1935 – 1969 ), a member of the Miles Davis Quintet ( including the landmark modal jazz recording Kind of Blue ) and many other 1950s and 1960s rhythm sections, was known for his virtuosic improvisations.

Important museums in Ghent are the Museum voor Schone Kunsten ( Museum of Fine Arts ), with paintings by Hieronymus Bosch, Peter Paul Rubens, and many Flemish masters ; the SMAK or Stedelijk Museum voor Actuele Kunst ( City Museum for Contemporary Art ), with works of the 20th century, including Joseph Beuys and Andy Warhol ; and the Design Museum with masterpieces of Victor Horta and Le Corbusier.

Notable performers there included among others: Pearl Bailey, Count Basie, Nat King Cole, John Coltrane, Miles Davis, Ella Fitzgerald, Coleman Hawkins, Billie Holiday, Lena Horne, Burl Ives, Leadbelly, Anita O ' Day, Charlie Parker, Les Paul and Mary Ford, Paul Robeson, Kay Starr, Art Tatum, Sarah Vaughan, Dinah Washington, Josh White, Teddy Wilson, Lester Young, and The Weavers, who also in Christmas 1949, played at the Village Vanguard.

* Barlow, Paul, " The Death of History Painting in Nineteenth-Century Art?

Simon & Garfunkel were an American music duo consisting of singer-songwriters Paul Simon and Art Garfunkel.

Close friends through childhood, Paul Simon and Art Garfunkel grew up in the predominantly Jewish neighborhood Kew Gardens Hills, Queens, New York, just three blocks away from each other.

* Paul DePodesta: A key figure in Michael Lewis ' book Moneyball: The Art of Winning an Unfair Game as Beane's assistant in Oakland.

A late 9th-century drawing of St. Paul lecturing an agitated crowd of Jews and gentiles, part of a copy of a Pauline epistles produced at and still held by the monastery, was included in a medieval-drawing show at the Metropolitan Museum of Art in New York the summer of 2009.

This resulted in Paul Simon's move to England and Art Garfunkel's resumption of his university studies at Columbia University in New York City.

The tempera medium was used by American artists such as the Regionalists Andrew Wyeth, Thomas Hart Benton and his student Roger Medearis ; expressionists Ben Shahn, Mitchell Siporin and John Langley Howard, magic realists George Tooker, Paul Cadmus, Jared French, Julia Thecla and Louise E. Marianetti ; Art Students League of New York instructors Kenneth Hayes Miller and William C. Palmer, Social Realists Isabel Bishop, Reginald Marsh, and Noel Rockmore, Edward Laning, Anton Refregier, Jacob Lawrence, Rudolph F. Zallinger, Robert Vickrey, Peter Hurd, and science fiction artist John Schoenherr, notable as the cover artist of Dune.

They were displayed in the State-sponsored exhibit " Degenerate Art ", and then destroyed ( along with works by Paul Klee, Franz Marc and other modern artists ).

** Art Paul Schlosser, American comedian, singer and song writer

" Observations in the Art of Speech: Paul Lansky ’ s Six Fantasies ".

* Art Paul.

Paul Cézanne, Paul Alexis reading to Emile Zola, 1869-1870, São Paulo Museum of Art

That paper became the first officially copyrighted Paul Simon and Art Garfunkel song, and is now in the Library of Congress.

Pop music was the focus of June 7, with Paul Shaffer hosting performances by Art Garfunkel, Bruce Hornsby, k. d.

* Paul Gough, ( 2011 ) A Terrible Beauty: War, Art and the Imagination 1914-1918 Sansom & Company ISBN 1906593000

In Science in Hapgood and Arcadia Paul Edwards, professor of English and History of Art at Bath Spa University, explains what this represents: " At the end of the play, the table has accumulated a variety of objects that, if one saw them without having seen the play, would seem completely random and disordered.