In stanza 17 of the Poetic Edda poem Völuspá, the völva reciting the poem states that Hœnir, Lóðurr and Odin once found Ask and Embla on land.

In stanza 17, Egill writes that all others watch in marvel how Arinbjörn gives out wealth, as he has been so endowed by the gods Freyr and Njörðr.

The first stanza of " Indonesia Raya " was chosen as the national anthem when Indonesia proclaimed its independence at 17 August 1945.

The prayer proper begins in the third stanza ( gimel, v. 17 ).

The eddic poem Grímnismál describes twelve divine dwellings beginning in stanza 5 with:

In stanza 16 of the poem Grímnismál, Njörðr is described as having a hall in Nóatún made for himself.

" In chapter 41, High quotes the Grímnismál stanza that mentions Sleipnir.

Valhalla is referenced at length in the Poetic Edda poem Grímnismál, and Helgakviða Hundingsbana II, while Valhalla receives lesser direct references in stanza 33 of the Völuspá, where the god Baldr's death is referred to as the " woe of Valhalla ", and in stanzas 1 to 3 of Hyndluljóð, where the goddess Freyja states her intention of riding to Valhalla with Hyndla, in an effort to help Óttar, as well as in stanzas 6 through 7, where Valhalla is mentioned again during a dispute between the two.

Grímnismál stanza 18 is then recounted.

Grímnismál stanza 19 is then recounted.

In chapter 40, Gangleri muses that Valhalla must be quite crowded, to which High responds by stating that Valhalla is massive and remains roomy despite the large amount of inhabitants, and then quotes Grímnismál stanza 23.

Later in the chapter, a stanza from Grímnismál mentioning Yggdrasil is quoted in support.

In chapter 41, the stanza from Grímnismál is quoted that mentions that Yggdrasil is the foremost of trees.

In support, the above mentioned stanza from the Poetic Edda poem Grímnismál is cited.

In Grímnismál stanza 31, Hel is listed as existing beneath one of three roots of the world tree Yggdrasil.

" Following this, High gives a stanza from the poem Grímnismál that contains a list of valkyries.

Þrúðr is also the name of one of the valkyries who serve ale to the einherjar in Valhalla ( Grímnismál, stanza 36 ).

High then quotes the stanza of Grímnismál mentioning the cook, meal, and container in reference.

High then quotes another stanza from Grímnismál in reference.

In support, High again quotes a stanza from Grímnismál.

In reference, High quotes a stanza from Grímnismál.

In Grímnismál, during Odin's visions of the various dwelling places of gods and giants he mentions that of Þjazi in stanza 11:

Ýdalir is solely attested in stanza 5 of the poem Grímnismál ( collected in the Poetic Edda ), where Odin ( disguised as Grímnir ) tells the young Agnar that Ullr owns a dwelling in Ýdalir.

In stanza 51, during the events of Ragnarök, Loki appears free from his bonds and is referred to as the " brother of Býleistr " ( here transcribed as Byleist ):

" I knew not what it meant, then: I know not what it means, now ; but I wrote it down: and, sometime afterwards, the rest of the stanza occurred to me, that being its last line: and so by degrees, at odd moments during the next year or two, the rest of the poem pieced itself together, that being its last stanza.

In Völuspá, a stanza describes the events of the Æsir – Vanir War, noting that during the war the Vanir broke the walls of the stronghold of the Æsir, and that the Vanir were " indomitable, trampling the plain.

In Lokasenna, it was neither Odin nor Thor but Loki himself who during his verbal sparring with Skadi lays claim to the death of her father in stanza 50:

The seven-line stanza began to go out of fashion during the Elizabethan era but it was still used by John Davys in Orchestra and by William Shakespeare in The Rape of Lucrece.

Although a criticism of the foreign policy of the United States, the song's final stanza also delivers a harsh criticism on communism by making reference to the mass murder of pacifist Buddhist monks in the People's Republic of China during the Cultural Revolution and the USSR's Invasion of Afghanistan.

" In the final stanza he evokes the image of flame-capped Achilles screaming from the Achaean ramparts after the death of Patroclus, and requests that Achilles likewise shout for him during the battle ( implying that he, Shaw-Stewart, will be dead ).

* In April 2009 a British Appeal Court judge quoted the opening stanza during a custody case, saying " These four lines give a clear warning to parents ".

Adoramus Te is a stanza that is recited / sung mostly during the Stations of the Cross of the Catholic tradition.

The Alcaic stanza was adapted to use in English and French during the Renaissance.

But " wish-son " in stanza 16 of the Lokasenna could mean " Odin's son " and is translated by Hollander as Odin's kin.

In the stanza that follows, the völva describes that Odin's " tall child of Triumph's Sire " ( Odin's son Víðarr ) will then come to " strike at the beast of slaughter ," and with his hands, he will drive a sword onto the heart of " Hveðrungr's son ," avenging the death of his father.

The same story is referenced in one stanza of the poem, Lokasenna, in which Loki insults Frigg by accusing her of infidelity with Odin's brothers:

He tells the prince about Odin's wolves Geri and Freki, and, in the next stanza of the poem, states that Huginn and Muninn fly daily across the entire world, Midgard.

In stanza 54, after consuming Odin and being killed by Odin's son Víðarr, Fenrir is described as " Loki's kinsman ".

On the basis of one stanza in Hávamál-where Odin learns nine magic songs from the unnamed brother of his mother Bestla-some scholars have theorized that Bestla's brother may in fact be Mímir, who is then Odin's maternal uncle.

In stanza 55, at the conclusion of the contest, Vafþrúðnir is obliged to capitulate to Odin's cunning when Odin asks him what Odin whispered in Baldr's ear prior to Baldr's body being placed on the funerary ship, a question to which only Odin knows the answer ; it is a rule of the wisdom contest that questions could only be asked to which the questioner knew the answer and so it is at this point that Vafþrúðnir recognizes his guest for who he is:

In various poems from the Poetic Edda ( stanza 2 of Lokasenna, stanza 41 of Hyndluljóð, and stanza 26 of Fjölsvinnsmál ), and sections of the Prose Edda ( chapter 32 of Gylfaginning, stanza 8 of Haustlöng, and stanza 1 of Þórsdrápa ) Loki is alternately referred to as Loptr, which is generally considered derived from Old Norse lopt meaning " air ", and therefore points to an association with the air.

The Introduction discusses the structure of the novel, the Onegin stanza in which it is written and Pushkin's opinion of Onegin ( using Pushkin's letters to his friends ); and gives a detailed account of both the time over which Pushkin wrote Onegin and the various forms any part of it appeared in publication before Pushkin's death ( after which there is a huge proliferation of the number of different editions ).

In the second stanza Autumn is personified as a harvester, to be seen by the viewer in various guises performing labouring tasks essential to the provision of food for the coming year.

" Here, Tuwim systematically enumerates and caricatures various personae inhabiting European social scene of the mid-1930s -- ' perfumed café intellectuals ', ' drab socialists ', ' fascist jocks ', ' Zionist doctors ', ' repressed Catholics ' and so on, and ends each stanza by asking each to perform the action indicated in the title.