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In the Kapp years, Jones recorded almost twenty albums, including Shall We Dance, This Was My Love, She Loves Me, Call Me Irresponsible, I ´ ve Got a Lot of Living To Do !, Bewitched, Wives and Lovers, Dear Heart, Where Love Has Gone, The Jack Jones Christmas Album, My Kind of Town, The Impossible Dream, The In Crowd, Jack Jones Sings, Lady, and Our Song Young, handsome, and well-groomed, Jack Jones was an anomaly in the sixties, eschewing rock and roll trends and opting for the big band sound, lush romantic ballads and the Great American Songbook, although sometimes he recorded something more pop, country, or bossa nova-oriented.
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Kapp and years
After the failure of the Kapp putsch he was marginalized in the Navy, being transferred to the Naval Archives, where for two years he played a leading role in the writing of the Official History of the Navy in World War I. Raeder also was the author of a number of studies about naval warfare, something that resulted in his being awarded a Doctor of Philosophy degree honoris causa by the University of Kiel.
In 1972, after four years of silence, the couple returned to the studio and released two other albums under the MCA / Kapp Records label.
Instrumental to the sisters ' success over the years were their parents, Olga and Peter ; their orchestra leader and musical arranger, Vic Schoen ( 1916 – 2000 ); music publishing giant Lou Levy, who died only days after Maxene, and was their manager from 1937 – 51 and was also Maxene's husband from 1941 – 49 ; and both Jack Kapp ( d. 1949 ) and his brother David Kapp, who founded Decca Records. Maxene was the mother of 2 children, Mark ( born -) & Shianne ( born ).
Dave Kapp was instrumental in building the company's extensive hillbilly catalogue, allowing Decca to corner the market on country music for years.
Kapp and Jones
Kapp and recorded
The song was also recorded by the Connecticut-based band The # 1 in 1967 on Kapp records ( K824 / K-10643 ) b / w " Cracks In The Sidewalk " ( Kapp K824 / K-10644 ).
This time, Kapp was out of town and Norvo went ahead and recorded two of the earliest, most modern pieces of chamber jazz yet recorded: Bix Beiderbecke's " In a Mist " and Norvo's own " Dance of the Octopus ".
Norvo recorded 8 modern swing sides for Columbia in 1934 – 1935, and 15 sides of Decca and their short-lived Champion label series in 1936 ( strangely enough, Jack Kapp ran Decca, so they must've patched things up by then ).
A third album was recorded in 1970, but Kapp was folded into MCA Records, leaving the album unreleased, and the group defunct.
Harry Simeone, who in 1964 had signed with Kapp Records, recorded a new version of " The Little Drummer Boy " in 1965 for his album O ' Bambino-The Little Drummer Boy.
In 1959 he recorded a cover version of Cliff Richard's " Living Doll " for Kapp Records and it became a mild placed charter for him on the US Billboard charts.
Hess then recorded two solo albums for Kapp Records, again topping the charts, this time with a Top Ten folk hit called " Two Brothers.
At Kapp he recorded a handful of albums including The Best of ' 64 and its follow-up, The Big Hits of 1965, before leaving the label to work on Broadway.
Kapp and almost
After the war, in 1920, Raeder was involved in the failed Kapp Putsch where together with almost the entire naval officer corps he declared himself openly for the " government " of Wolfgang Kapp against the leaders of the Weimar Republic, which Raeder loathed.
Kapp and albums
In 1938, Decca began releasing record sleeves with cover artwork ; other innovations such as liner notes and Broadway cast albums followed ( although Jack Kapp pioneered this practice in 1933 by recording the entire " Blackbirds of 1928 " and " Showboat " scores and issuing them in album sets ).
Kapp and including
Estonia also produced a number of classical composers of high repute during the twentieth century, including Rudolf Tobias ( 1873 – 1918 ), Heino Eller ( 1887 – 1970 ), Artur Kapp ( 1878 – 1952 ), Artur Lemba ( 1885 – 1963 ), Mart Saar ( 1882 – 1963 ), Lepo Sumera ( 1950 – 2000 ), Eduard Tubin ( 1905 – 1982 ) and the living composers mentioned below.
Stewart was dropped from Kapp and then from Decca, but a series of demo tapes, including some countrified Motown tunes, found their way into the hands of producer Roy Dea, who convinced Jerry Bradley to sign Stewart to RCA Records.
In 1926, Kapp joined Brunswick Records and was put in charge of their " race " label ( Brunswick 7000 and Vocalion Records 1000 series ), where he scouted, signed or produced artists including, King Oliver, Jelly Roll Morton, Pinetop Smith, Leroy Carr, Frankie Jaxon, and Cow Cow Davenport, among others.
In 1958, facing the loss of members who wanted a wider variety of records, the club began manufacturing and marketing records for certain competing labels ( including Verve, Mercury, Warner Bros., Kapp, Vanguard, United Artists, and Liberty ).
Kapp and We
Kapp and Love
Break Down, and Where is Love were in roughly the same style of the Kapp records, but with a slightly more contemporary vocal styling.
Jane Morgan released a single of " Love Makes the World Go ' Round " which served as the title cut of her August 1961 album release on the Kapp label.
Kapp and She
" She was given the name " Gogi " by Dave Kapp, the head of Artists and Repertory at RCA Records, who liked to patronize a restaurant called " Gogi's LaRue.
She argues Kapp failed to resolve the issue of whether section 25 is only applied when the Charter is violated, or if applies earlier, when a Charter challenge is raised.
Kapp and Loves
Kapp and I
He oversaw Bing Crosby's rise to success as a recording artist in the early 1930s ; four decades later, Crosby still gave appreciation to Kapp for diversifying his song catalogue into various styles and genres, saying, " I thought he was crazy, but I just did what he told me.
Kapp and !,
Kapp and Jack
* Published in 1983, Eric Rolfe Greenberg's The Celebrant offers a fictional biography about Mathewson from the perspective of Jack Kapp, a Jewish American jewelry designer.
Decca became a major player in the depressed American record market thanks to its roster of popular artists, particularly Bing Crosby, the shrewd management of former US Brunswick General Manager Jack Kapp, and the decision to price Decca at 35 cents.
In 1934, Jack Kapp established a country & western line for the new Decca label by signing Frank Luther, Sons of the Pioneers, Stuart Hamblen, The Ranch Boys, and other popular acts based in both New York and Los Angeles.
Jack Kapp of Decca was primarily interested in some jazz, blues and old time music items in the Gennett catalog which he thought would add depth to the selections offered by the newly organized Decca company.
The first " Knockin ' on Wood " and " Hole in the Wall " pleased Brunswick's recording director Jack Kapp and he was booked for another session.
The following year, Jack Kapp produced an album of songs from Show Boat timed to the 1932 Ziegfeld revival.
In late 1934, they followed Jack Kapp to the newly formed Decca Records and stayed there well into the LP era when they signed with Capitol.
Jack Kapp ( June 15, 1901 – March 25, 1949 ) was a record company executive with Brunswick Records who founded Decca Records in 1934.
Kapp Records was an independent record label started in 1954 by David Kapp, brother of Jack Kapp ( who had set up American Decca Records in 1934 ).
Shea began his recording career at the U. S. branch of Decca Records after being signed by A & R representative Jack Kapp, who told Shea: " If you do better than the singer we have in mind, we will give you a contract.
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