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film and Contact
Sagan wrote the novel Contact, the basis for a 1997 film of the same name.
* The Borg from the film " Star Trek: First Contact ".
He is best known for his roles as Captain " Howling Mad " Murdock on the 1980s action show The A-Team, and as Reginald Barclay in Star Trek: The Next Generation, Star Trek: Voyager, and the film Star Trek: First Contact.
Schultz reprised the role for Star Trek: Voyager and the film Star Trek: First Contact.
Star Trek: First Contact is a 1996 American science fiction film released by Paramount Pictures.
First Contact was the highest-grossing film on its opening weekend, making $ 30. 7 million.
First Contact is the first film in the Star Trek film series in which none of the Star Trek: The Original Series main characters appear, instead, the main cast of Star Trek: The Next Generation fill the main roles.
Sometime between 2371 and 2373, before the time of the film Star Trek: First Contact, the VISOR was replaced by prosthetic implants, performing not only the same functions, but according to Memory Alpha, the Star Trek Wiki, the new implants have even more enhanced functions.
The Prime Directive and Starfleet's first contact policies are at the center of several episodes in each Star Trek series and the film Star Trek: First Contact.
Most of the film Star Trek: First Contact is set in 2063.
There have been a few exceptions, such as the alien-initiated first contact that begins the 1951 film The Day the Earth Stood Still, and the Vulcan-initiated first contact that concludes the 1996 film Star Trek: First Contact ( although after a failed invasion by the Borg in the rest of the film ).
* First Contact ( 1983 film ), a 1983 documentary by Bob Connolly and Robin Anderson
* Star Trek: First Contact, the eighth feature film in the Star Trek science fiction franchise
* Ultraman Cosmos: The First Contact, a theatrical film adaptation of the Ultraman Cosmos TV series
James V. Hart, screenwriter for the film Contact and his son Jake Hart have been linked to the developing script.
During First Contact Barclay remains under Picard's command after the destruction of the Enterprise-D in the previous film.
In the 1997 science-fiction film Contact, a fictional religious fanatic and suicide bomber named Joseph filmed his explanation for his death from his hometown of Panguitch, Utah.
James Cromwell later played Cochrane in the 1996 feature film Star Trek: First Contact and the 2001 Star Trek: Enterprise pilot, " Broken Bow ".
EIAS has been used in numerous film and television productions such as Piranha 3D, Alien Trespass, Pirates of the Caribbean: The Curse of the Black Pearl, Daddy Day Care, K-19: The Widowmaker, Gangs of New York, Austin Powers: Goldmember, Men In Black II, The Bourne Identity, Behind Enemy Lines, Time Machine, Ticker, JAG-Pilot Episode, Spawn, Star Trek: First Contact, Star Trek: Insurrection, Galaxy Quest, Mission to Mars, Austin Powers: The Spy Who Shagged Me, Star Wars Episode 1: The Phantom Menace, Titan A. E., U-571, Dinosaur, Terminator 2: Judgement Day, Terminator 2: Judgement Day-DVD Intro, Jungle Book 2, American President, Sleepers, Star Wars Special Edition, Empire Strikes Back Special Edition, Return of Jedi Special Edition, Bicentennial Man, Vertical Limit, Elf, Blade Trinity, and Lost In Space.
" Picard's desire for vengeance against the Borg is also an element of the film Star Trek: First Contact.
* Body Contact ( film ), a 1987 film directed by Bernard Rose

film and message
Modern Times ( 1936 ), which depicted factory workers in dismal conditions, was the first of his films that was seen by critics to contain an anti-capitalist message, although Chaplin denied the film being in any way political.
( This message can be seen in the end of this film.
Chomsky's response to the film was mixed ; in a published conversation with Achbar and several activists, he stated that film simply doesn't communicate his message, leading people to believe that he is the leader of some movement that they should join.
In the same conversation, he criticizes The New York Times review of the film, which mistakes his message for being a call for voter organizing rather than media critique.
Any film can become a worldwide attraction, especially with the addition of dubbing or subtitles that translate the film message.
At an epic 120 min running time, the 1912 Romanian Independenţa României is the first fictional film in the world with a deliberate propagandistic message.
The 1994 film version of The Shadow includes a sequence in which the camera follows a message capsule as it speeds through a pneumatic tube system.
The film's producers did not agree to his request for a message, making it clear that the film was a work of fiction, but agreed to include a message at the film's end mentioning the Royal Navy's role in the capture of U-110.
The film ends with the message: " To be continued.
Others used the medium of the fiction film to carry a propaganda message ; about the need for vigilance ( Went the Day Well?
He wrote, " This is more of a message film than a noir thriller, but has been classified by most cinephiles in the noir category ... J. Roy Hunt, the 70-year-old cinematographer, who goes back to the earliest days of Hollywood, shot the film using the style of low-key lighting, providing dark shots of Monty, contrasted with ghost-like shots of Mary Mitchell ( Jacqueline ) as she angelically goes to help her troubled husband Arthur.
On the message of the film, Renoir himself said, in a film trailer dating from the re-release of the film in 1958:
When the German Army marched into France in 1940 during World War II, the Nazis seized the prints and negative of the film, chiefly because of its anti-war message, and what were perceived as ideological criticisms pointed towards Germany on the eve of the Second World War.
Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.
He wrote the film a response to the " preaching " he found in other comedies " which seemed to have abandoned the fun in favor of the message.
Although the review in the New York Times called the film " the most brilliant picture yet this year " and praised Sturges's mix of escapist fun with underlying significance, the Hollywood Reporter said that it lacked the " down to earth quality and sincerity which made other three pictures a joy to behold " and that " Sturges ... fails to heed the message that writer Sturges proves in his script.
In a commentary track on DVD, interviewed by fellow director Nicholas Meyer, the director Robert Wise stated that he wanted the film to appear as realistic and believable as possible, in order to drive home the motion picture's core message against armed conflict in the real world.

film and intercepted
* A key plot element of the 1994 science fiction film Without Warning involves an alien race having intercepted Voyager and relaying part of the UN Secretary-General's message back to Earth.
* In the science fiction film Star Trek V: The Final Frontier, the plaque is shown attached to a Pioneer probe floating in space — just before the probe is intercepted and destroyed by a bored Klingon ship captain, who scoffs " Shooting space garbage is no test of a warrior's mettle.
" ( Letter 210 ) In the DVD commentary for Peter Jackson's film adaptation of The Return of the King, Jackson and Fran Walsh joke that not using the Eagles to travel directly to Mount Doom was a plot hole, at which point Philippa Boyens angrily points out to them that the Flying Nazgûl would have intercepted them had they attempted this, and it simply became a common joke that it was a plot hole because the Flying Nazgûl were not introduced in the first film, a point to which Jackson and Walsh humbly conceded.

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