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# Itsumo Futari De ( Always the Two of Us, 2003 FNN )-Mizuho Tanimachi
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# De Misericordia et Justitia ( On Mercy and Justice ), a collection of biblical extracts and sayings of Church Fathers with commentary ( an important work for the history of church law and discipline ), which is to be found in the Anecdota of Martène, vol.
# De Sacramentis Corporis et Sanguinis Domini ; a treatise, in three books, against the Berengarian heresy, highly commended by Peter of Cluny and Erasmus.
# De Saussure argued for a distinction between langue ( an idealized abstraction of language ) and parole ( language as actually used in daily life ).
# God, who made the world out of nothing through his Son, the Word, has corporeity though he is a spirit ( De praescriptione, vii.
# In soteriology, Tertullian does not dogmatize ; he prefers to keep silence at the mystery of the cross ( De Patientia, iii ).
# Many statements in the works of the Rishonim ( medieval commentors who preceded De Leon ) refer to Medrashim that we are not aware of.
# It is impossible to accept that R ' Moshe De Leon managed to forge a work of the scope of the Zohar ( 1700 pages ) within a period of six years as Scholem claims.
# Proverbes et formules gnomiques chez Henri Estienne, De l ’ Histoire à la Poésie, Seizième siècle, n ° 1, 2005, p. 161-174.
| align = left | De beste van Doe Maar ( cd )|| 1987 ||-|||||| Compilation album / # 36 in the cd Top 40
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# Always Postpone Meetings with Time-Wasting Morons — April 16, 1989 ( first strip ) to October 21, 1989
In the Dark Horse Presents # 24 Season Eight tie-in, " Always Darkest ", Spike and Angel appear ( again in a dream sequence ) at Buffy's side when she is fighting Caleb, but to her dismay the two start flirting with and kissing one another.
The verse ( for example " Always, no sometimes ...") starts with an F major chord in key of B ( or E chord in key of A ) ( V ), which progresses to G minor in B key ( or F # M in A key ) ( vi ) in a deceptive cadence.
However, " Take On Me " is much more remembered today, at least in the US ( note that " The Sun Always Shines on TV " was a # 1 hit in the UK: higher than " Take on Me ")
The album's success was spurred by the multi-platinum, # 2 hit single Rump Shaker, which was kept at bay on the charts only by Whitney Houston's I Will Always Love You, from her best-selling The Bodyguard Soundtrack.
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