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Keaggy would later re-record two of the album's songs: a rearranged version of " I Will Be There " appears on 1993's Crimson and Blue while " Passport " received an update for the 2009 Christian Progressive Rock compilation album CPR 3.
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Keaggy and would
Keaggy returned to the studio in 1976 with Love Broke Thru, an album which included his version of a song that would eventually be considered a classic in Christian Music: " Your Love Broke Through.
Also in 1988, Keaggy and Stonehill would team up with singer Margaret Becker, former Wings drummer Joe English and others as the Compassion All Star Band.
Shacklock's production work on the album was a departure in style and sound for Keaggy ; this would prove to be Keaggy's lone work with Shacklock.
Years later, in reflecting on the album, Keaggy would say that True Believer " is really the most unlike me of any album I ’ ve ever done, in my personal opinion.
Comprising mainly Keaggy originals, the album features a cover of " Swing Low, Sweet Chariot ," and would later win Keaggy another Dove Award.
Also that year, Stonehill with Todd Fishkind and Keith Green wrote " Until Your Love Broke Through ", which would be recorded by numerous artists over the years including Stonehill himself, Phil Keaggy, Russ Taff and others.
The two would frequently tour together over the years, even forming The Keaggy / Stonehill Band in 1989 with Daniel Amos bassist Tim Chandler and Swirling Eddie's David Raven on drums.
Keaggy and Stonehill would also team up with singer Margaret Becker, drummer Joe English ( former member of Paul McCartney and Wings ) and others, in 1988 for the Compassion All Star Band's album One by One.
Sferra and Pecchio would make a similar appearance at a Keaggy solo concert in Akron in 1986, before an official Glass Harp reunion show occurred at the Akron Civic Theatre on December 27, 1988
Keaggy and later
Years later, Amboy Dukes guitarist Ted Nugent was quoted as saying " I don't know what happened to that Phil Keaggy.
In later years, rumors escalated into stories of Hendrix appearing on various television programs where he mentioned Phil Keaggy.
Having already written Christian-themed lyrics throughout his time in Glass Harp, Keaggy first found an audience in the burgeoning Jesus music scene, and later achieved worldwide fame as both a songwriter and instrumentalist as it evolved into Contemporary Christian Music.
Keaggy and two
In addition to his own material, Keaggy recorded two Mark Heard songs for the album: " I Always Do " and " Everything is Alright.
Recorded using a McPherson acoustic guitar, the album revamped two Keaggy classics, with " What a Day " being transformed as " Water Day " and " Noah's Song " undergoing significant revision as " Noah's Shuffle.
After meeting each other for the first time at the beginning of the year, the two musicians stayed in touch and created the album via email, with Johnson recording in Seattle while Keaggy recorded in Nashville.
Keaggy has long insisted that such stories are completely unfounded, noting that " it was impossible that Jimi Hendrix could ever have heard me ... We ... recorded our first album at Electric Lady Studios two weeks after his unfortunate death, so I just can ’ t imagine how he could ’ ve heard me.
In April 1981, Glass Harp reunited when Sferra and Pecchio made surprise appearances at two consecutive Phil Keaggy solo concerts in Ohio ( Cleveland's Masonic Auditorium on April 10, and Akron's Civic Theatre on April 11 ).
Keaggy and album's
Keaggy also toured in support of the album's anniversary with a band that featured Glass Harp drummer John Sferra.
Keaggy and songs
Aside from the obvious influence on artists that Taylor has worked with over the years, numerous notable people have named Taylor and DA as musical heroes over the years including artists like U2, The Ocean Blue, Randy Stonehill, The 77s, Phil Keaggy, Steve Taylor, Jimmy Abegg, Phil Madeira, Crystal Lewis, This Train, Carolyn Arends ( Arends actually used to perform DA songs in one of her early bands ), Ventriloquist Terry Fator, Brian Healy, The Throes, The Choir, Mortal, Larry Norman, Animator and Musician Doug TenNapel, Amy Grant, Michael W. Smith, Isaac Air Freight, Deliverance, Starflyer59, Jonathan Coulton ,< ref >
Phil Keaggy was a member of a mid-1960s garage rock band called the Squires ; one of their songs, which he co-wrote, appears on the compilation album Highs in the Mid-Sixties, Volume 9.
The songs were written while Keaggy was still with Glass Harp Keaggy performed all the instruments on the album.
Keaggy also appeared as a guest singer on the Ragamuffins ' " All the Way to Kingdom Come ," on his friend Rich Mullins ' last original work, The Jesus Record ( which contained demo tracks recorded by Mullins just before his 1997 death, and renditions of those songs by the Ragamuffins and other artists ).
In 2004 Keaggy guest performed with the indie band Dispatch for several songs during The Last Dispatch.
Keaggy explains that the songs " began with me messing around at my soundchecks before the audience came in.
Phil Keaggy was a member of a mid-1960s garage rock band called the Squires ; one of their songs, which he co-wrote, appears on the compilation album Highs in the Mid-Sixties, Volume 9.
At the tour's November 13 stop in Akron, OH ( again at the Civic Theatre ), Daniel Pecchio again joined with Keaggy / Sferra to perform several Glass Harp songs.
This tape was released as disc 1 of The Jesus Record, which featured new recordings of the songs on disc 2 by the Ragamuffin Band, with guest vocalists Amy Grant, Michael W. Smith, Ashley Cleveland, and Phil Keaggy.
For some of their songs at the Hatch Shell, Dispatch shared the stage with Phil Keaggy ( guitar ), Paul Tillotson ( keyboard ), Brian Sayers ( drum kit ), and Reinaldo DeJesus ( percussion ).
Keaggy and version
" The year also saw Keaggy contribute a soaring re-recorded version of " Passport " on the album CPR 3 ; a compilation of musicians from the Christian Progressive Rock ( CPR ) scene.
Rumor has it that someone submitted the wrong mix to the label, and the released version unintentionally omits guitar solos by both Joel Hanson and Phil Keaggy.
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