When anthropologists David J. Daegling and Daniel O. Schmitt examined the film, they concluded it was impossible to conclusively determine if the subject in the film is nonhuman, and additionally argued that flaws in the studies by Krantz and others invalidated their claims.

Krantz has argued, based on his extrapolation of the shape of its mandible, that Gigantopithecus blacki could have been bipedal.

According to Grover Krantz years later, Patterson and Gimlin agreed they should have tried to shoot the creature, both for financial gain and to silence naysayers.

A few hours after the encounter, Patterson telephoned Donald Abbott, whom Krantz described as " the only scientist of any stature to have demonstrated any serious interest in the ( Bigfoot ) subject ," hoping he would help them search for the creature.

( Some later analysts, anthropologist Grover Krantz among them, have suggested Patterson's later estimate was about a foot too tall.

Others ( including primatologist John Napier, who published before Dahinden and Krantz ) have expressed a different opinion, contending it was " likely that Patterson would have used 24 frame / s " because it " is best suited to TV transmission ," while conceding that " this is entirely speculative.

When they arrive, Krantz explains that the entire station has come unstuck in time, and that its crewmembers have been experiencing " flashes " that send them forward or backward in time for a short while.

When Steve Krantz, the producer of both Heavy Traffic and Bakshi's debut feature, Fritz the Cat, learned that Bakshi would work with Ruddy, Krantz locked Bakshi out of the studio.

Krantz told the Boston Globe in 1982 that she attended Wellesley with three goals: to date, to read every novel in the library, and to graduate.

Krantz had the opportunity to improve her marks when she took a short-story class during her sophomore year.

After graduating from Wellesley in 1948, Krantz moved to Paris, where she worked in fashion public relations.

The following year, Krantz returned to New York, where she embarked on a career in magazine journalism.

There she met her future husband, the future film producer and television producer Steve Krantz.

Krantz chose to join him, despite the fact that she was afraid of flying.

Although her husband had been insisting for years that she was a natural storyteller, Krantz believed that she was writing the book simply to prove to him that she was not able to write good fiction.

Arkoff threatened to withdraw his financial backing unless Krantz rehired Bakshi, which Krantz did a week later.

Hampft suggested that Bakshi work with producer Steve Krantz, who had recently fired Culhane as supervising director on the Canadian science fiction series Rocket Robin Hood.

Buller attacked Louis Botha again on 5 February at Vaal Krantz and was again defeated.

His work had also gained the attention of several people who were later to give him work, including Stanslas de la Roche Toulay, who had prepared the design for the metalwork of the Bordeax bridge, Jean Baptiste Krantz and Wilhelm Nordling.

The members included Jean-Baptiste Krantz, Henri Dion and Léon Molinos, both of whom had known Eiffel for a long time: their report was favorable, and Eiffel got the job.

Krantz had not compensated Bakshi for his work on Fritz the Cat, and halfway through the production of Heavy Traffic, Bakshi asked when he would be paid.

The first is the Postman himself, Gordon Krantz, who takes the uniform solely for warmth after he loses everything but his sleeping clothes.

These stories served as the basis for a pair of film adaptations produced by Steve Krantz, Fritz the Cat 1972, directed by Ralph Bakshi, and The Nine Lives of Fritz the Cat 1974, directed by Robert Taylor.

Three attempts by General Sir Redvers Buller to break the siege resulted in defeat for the British forces at the battles of Colenso, Spion Kop and Vaal Krantz.

In an unusual turn of events for the time, the books were not copyrighted under her own name but by Steve Krantz Productions.

Krantz serves on the Advisory Board of Compassion & Choices, an organization dedicated to providing choices for the dying.

Perhaps the most famous person to donate his body for study was the anthropologist Grover Krantz, as described by his colleague David Hunt at the Smithsonian.

However, Steve Krantz had not yet paid Bakshi for his work on Fritz the Cat.

After Krantz fired Bakshi, he began to seek a replacement director for Heavy Traffic, calling several directors, including Chuck Jones.

According to animator Mark Kausler, Krantz was so nervous about showing too much nudity and sexual activities that he had several versions of some sequences animated, for instance, in the " Maybellene " animation sequence.

As a writer / producer for film his projects include " Sublime ", directed by Tony Krantz and starring Tom Cavanagh and Kathleen York, " American Voodoo ", " Otis " ( with director Tony Krantz ), " The Big Bang " ( starring Antonio Banderas and Sam Elliott, " The Last President " ( directed by Anhony Drazan ), " The Human Comedy " ( directed by Meg Ryan ), " Saint-Ex ", directed by Christopher McQuarrie, and " Solo ", directed by Antonio Banderas.

Towards the end of the year, Krantz began coproducing Heavy Traffic with Samuel Z. Arkoff, but Krantz had not compensated Bakshi for his work on Fritz the Cat, and halfway through the production of Heavy Traffic, Bakshi asked when he would be paid.

Although he is most known for his work in the comics field, Gunnar Krantz has been involved in several other kinds of art projects.

Krantz, USN received the golden key to the air station, and senior Mississippi U. S. Senator John C. Stennis was the guest speaker for the ceremony that opened the $ 60 million base.

Krantz reports that " few years after the film was made, Patterson received a written letter from a man in Thailand who assured him a Sasquatch was being held in a Buddhist monastery.

The crew receives a distress signal from Babylon 4, which had disappeared from Sector 14 four years earlier ; Major Krantz, the EarthForce commander of Babylon 4, requests assistance with evacuation.

Bigfoot proponents Grover Krantz and Geoffrey Bourne believe that Bigfoot could be a relict population of Gigantopithecus.

Michael Rugg, of the Bigfoot Discovery Museum, presented a comparison between human, Gigantopithecus and Meganthropus skulls ( reconstructions made by Grover Krantz ) in episodes 131 and 132 of the Bigfoot Discovery Museum Show.

Abbott declined, and Krantz argued this call the same day of the encounter is evidence against a hoax, at least on Patterson's part.

Krantz writes that " Patterson had the film developed as soon as possible.

Patterson appeared on several popular talk shows to show the film and promote the documentary on Merv Griffin's program, with Krantz offering his analysis of the film, and also on Joey Bishop's talk show.

Krantz argues, on the basis of an analysis by Igor Bourtsev, that since Patterson's height is known, a reasonable calculation can be made of his pace.

On the basis of this analysis, Krantz argues that a speed of 24 frames per second can be quickly dismissed and that " may safely rule out 16 frames per second and accept the speed of 18.

The five copies were once in the possession of René Dahinden, John Willison Green, Grover Krantz, Jon-Erik Beckjord, and Peter Byrne.

Krantz describes Donskoy's conclusion as being that the film depicts " a very massive animal that is definitely not a human being.

" Like Krantz, Grieve thought the figure's shoulders were quite broad.

Also like Krantz, Grieve thought Patterson's estimate of the figure's height was inaccurate.

Heydrich was born in 1904 in Halle an der Saale to composer and opera singer Richard Bruno Heydrich and his wife Elisabeth Anna Maria Amalia Krantz, a Roman Catholic.

Through producer Steve Krantz, Bakshi made his debut feature film, Fritz the Cat, released in 1972.