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Krantz describes Donskoy's conclusion as being that the film depicts " a very massive animal that is definitely not a human being.
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Krantz and being
Krantz reports that " few years after the film was made, Patterson received a written letter from a man in Thailand who assured him a Sasquatch was being held in a Buddhist monastery.
John Sparey remembers being issued a memo asking Sparey to stop posting caricatures of Krantz on the middle of his door.
Krantz and film
Krantz writes that " Patterson had the film developed as soon as possible.
Patterson appeared on several popular talk shows to show the film and promote the documentary on Merv Griffin's program, with Krantz offering his analysis of the film, and also on Joey Bishop's talk show.
" Similarly, Krantz argues that of the many opinions offered about the Patterson film, " nly a few of these opinions are based on technical expertise and careful study of the film itself "
When anthropologists David J. Daegling and Daniel O. Schmitt examined the film, they concluded it was impossible to conclusively determine if the subject in the film is nonhuman, and additionally argued that flaws in the studies by Krantz and others invalidated their claims.
Through producer Steve Krantz, Bakshi made his debut feature film, Fritz the Cat, released in 1972.
Krantz told Bakshi that Hollywood studio executives would be unwilling to fund the film because of its content and Bakshi's lack of film experience.
Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film.
Two weeks after Bakshi returned to New York, Krantz entered his office and told Bakshi that he had acquired the film rights through Dana, who had Crumb's power of attorney and signed the contract.
Krantz intended to release the sequence as a 15-minute short in case the picture's financing fell through ; Bakshi, however, was determined to complete the film as a feature.
Although Krantz, in an attempt to get the film an R rating, prepared different versions of scenes involving sex and violence, Heavy Traffic was rated X.
However, Krantz told Bakshi that studio executives would be unwilling to fund the film because of its content and Bakshi's lack of film experience.
Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film.
However, Krantz told Bakshi that studio executives would be unwilling to fund the film because of its content and Bakshi's lack of film experience.
Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film.
These stories served as the basis for a pair of film adaptations produced by Steve Krantz, Fritz the Cat 1972, directed by Ralph Bakshi, and The Nine Lives of Fritz the Cat 1974, directed by Robert Taylor.
In 1969, New York animator Ralph Bakshi came across a copy of R. Crumb's Fritz the Cat and suggested to producer Steve Krantz that it would work as a film.
Bakshi and Crumb were unable reach an agreement after two weeks of negotiations but Krantz secured the film rights from Crumb's wife, Dana, who had a power of attorney.
Krantz and very
Sartono, Tyler, and Krantz agreed that Meganthropus A and D were very likely to be representations of the same species, whatever it turns out to be.
The dominant view is that it walked on all fours like modern gorillas and chimpanzees ; however, a minority opinion favor bipedal locomotion, most notably championed by the late Grover Krantz, but this assumption is based only on the very few jawbone remains found, all of which are U-shaped and widen towards the rear.
Krantz and is
Abbott declined, and Krantz argued this call the same day of the encounter is evidence against a hoax, at least on Patterson's part.
Krantz argues, on the basis of an analysis by Igor Bourtsev, that since Patterson's height is known, a reasonable calculation can be made of his pace.
Others ( including primatologist John Napier, who published before Dahinden and Krantz ) have expressed a different opinion, contending it was " likely that Patterson would have used 24 frame / s " because it " is best suited to TV transmission ," while conceding that " this is entirely speculative.
The first is the Postman himself, Gordon Krantz, who takes the uniform solely for warmth after he loses everything but his sleeping clothes.
Rocket Robin Hood is a Canadian animated television series, placing the characters and conflicts of the classic Robin Hood legend in a futuristic, outer space setting, produced by Krantz Films, Inc. from 1966 to 1969.
The skull of Khwit ( also spelled Kvit ) is still extant, and was examined by Dr. Grover Krantz in the early 1990s.
Judith Krantz ( born Judith Tarcher on January 9, 1928 in New York City ), is an American novelist who writes in the romance genre.
Krantz is an author, scientific researcher and co-inventor on 7 US Patents.
Till We Meet Again is a novel by Judith Krantz.
It is close to the Second Boer War battle sites of Battle of Vaal Krantz and Spioenkop.
Gunnar Krantz ( born 1962 ) is a Swedish comic creator and artist.
Although he is most known for his work in the comics field, Gunnar Krantz has been involved in several other kinds of art projects.
Krantz is currently, as of 2010, one of the teachers on Serieskolan i Malmö, a comics-and illustration-oriented school in Malmö.
Krantz and human
Michael Rugg, of the Bigfoot Discovery Museum, presented a comparison between human, Gigantopithecus and Meganthropus skulls ( reconstructions made by Grover Krantz ) in episodes 131 and 132 of the Bigfoot Discovery Museum Show.
Krantz and .
Bigfoot proponents Grover Krantz and Geoffrey Bourne believe that Bigfoot could be a relict population of Gigantopithecus.
Krantz has argued, based on his extrapolation of the shape of its mandible, that Gigantopithecus blacki could have been bipedal.
His work had also gained the attention of several people who were later to give him work, including Stanslas de la Roche Toulay, who had prepared the design for the metalwork of the Bordeax bridge, Jean Baptiste Krantz and Wilhelm Nordling.
The members included Jean-Baptiste Krantz, Henri Dion and Léon Molinos, both of whom had known Eiffel for a long time: their report was favorable, and Eiffel got the job.
According to Grover Krantz years later, Patterson and Gimlin agreed they should have tried to shoot the creature, both for financial gain and to silence naysayers.
A few hours after the encounter, Patterson telephoned Donald Abbott, whom Krantz described as " the only scientist of any stature to have demonstrated any serious interest in the ( Bigfoot ) subject ," hoping he would help them search for the creature.
( Some later analysts, anthropologist Grover Krantz among them, have suggested Patterson's later estimate was about a foot too tall.
On the basis of this analysis, Krantz argues that a speed of 24 frames per second can be quickly dismissed and that " may safely rule out 16 frames per second and accept the speed of 18.
The five copies were once in the possession of René Dahinden, John Willison Green, Grover Krantz, Jon-Erik Beckjord, and Peter Byrne.
" Like Krantz, Grieve thought the figure's shoulders were quite broad.
Also like Krantz, Grieve thought Patterson's estimate of the figure's height was inaccurate.
Heydrich was born in 1904 in Halle an der Saale to composer and opera singer Richard Bruno Heydrich and his wife Elisabeth Anna Maria Amalia Krantz, a Roman Catholic.
Buller attacked Louis Botha again on 5 February at Vaal Krantz and was again defeated.
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